Overrated and overhyped

best movie i've ever seen.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

By the time the dramatic fireworks start popping off, each one feels earned.

A little better than standard fare from 20th Century Fox's financial savior -- Shirley Temple. The story gets off to a bit of a slow start as sheltered rich girl Shirley gets sent away to school so she can be with other children. But, her chaperon loses her purse to a crook, and while looking for it is struck by a car, thus separating Shirley from her chaperon (whose fate we never discover...you'll recognize her as Judge Hardy's sister from the Andy Hardy films). On her own, Shirley gets lost in the city and befriends an organ grinder and his monkey...but an evil kidnapper has his eye on Shirley. In the same apartment building where all this is happening are hoofers Alice Faye (who later the same year will hit it big in "In Old Chicago") and Jack Haley (who 3 years later will be the Tin Man in "The Wizard Of Oz"). Shirley, Haley, and Faye land a contract with the rival soap company (owned by Claude Gillingwater) to her father's company...which ultimately leads to father and daughter being reunited.Aside from Shirley's usual bubbliness, are great performances by a number of co-stars. How can anyone not enjoy the lovably grumpy antics of Claude Gillingwater? And, its the scenes between Gillingwater and Temple that are just about the most charming you'll see in any old film! Gloria Stewart (the old lady of "Titanic" fame) plays the love interest to Shirley's father.There are some nice songs here, too: "When I'm With You", the remarkably entertaining "You've Gotta Each Your Spinach, Baby" (with Temple, Faye, and Haley), and the tap-dancing finale "A Military Man" (again, Temple, Faye, and Haley) is one of the most memorable in any of the Temple films...one I remembered from when I was a child 50 years ago! Something to watch for: 21 minutes into the film, as "daddy" picks Shirley up, there's a little too much of Shirley's thigh showing...and Shirley has the presence to pull down her dress a bit more modestly. A goof, but left in during the age of innocence.

Anyone familiar with Shirley Temple (once the nation's biggest star, today nearly forgotten) knows that while her films almost always contained a great deal of charm and talent, they were, for the most part, quite average as films. HEIDI is perhaps rightfully regarded as her most timeless film, and REBECCA OF SUNNYBROOK FARM is an above-average musical comedy for her. But by and large, I find her films unmemorable, even such famous titles as BRIGHT EYES, CURLY TOP, THE LITTLE COLONEL, THE LITTLEST REBEL, DIMPLES and WEE WILLIE WINKIE (directed by John Ford, no less) fail to impress me on repeat viewings.So why is POOR LITTLE RICH GIRL my favorite Temple film? I think it's because it's so quintessentially a 1930s movie. The soap radio program, to the urban setting, to the music numbers-everything about this film is just purely of its time. It's really a time capsule into the time in which it was made in a way that few films really are. Paradoxically, it is also a timeless film in many ways, which really can be attributed to the talent and energy from all the principals in this film. Jack Haley and Alice Faye are in fine form as the husband and wife team of Dolan and Dolan; movie fans will recognize Gloria Stuart (from TITANIC) as Michael Whalen's love interest, and the supporting cast is uniformly excellent, especially Henry Armetta.The film contains sparkling black and white cinematography against the classy urban sets that 20th Century Fox could do so well. This also contains some excellent songs. The radio finale serves the film well and really acts as an excellent time capsule all around.

THE POOR LITTLE RICH GIRL (20th Century-Fox, 1936), directed by Irving Cummings, stars Shirley Temple who may be little, not quite poor but rich in talent, as displayed in the screenplay suggested by the stories by Eleanor Gates and Ralph. The plot was used earlier as a Mary Pickford film back in 1917, and with numerous alterations and updated material, the revised version, turns out to be, in fact, a modern-day fairy tale on how a little girl, acting out her storybook fantasy, to happily go out and change the lives of the people she meets along the way, only to become a popular radio star, at least during its second half anyway.The story revolves around a child named Barbara Barry (Shirley Temple), a rich little girl who has everything but the utmost attention of her widowed father (Michael Whalen), a wealthy soap manufacturer, and the joys of being like other children by having playmates her own age as companions. She is cared by a Collins (Sara Haden), her nurse, and Woodward (Jane Darwell), the housekeeper who takes the time to read "Betsy Ware" stories to her. Because she is a lonely child, Barry decides to have Collins accompany Barbara to the Forest Grove School in the Adirondacks (upstate New York) where her late mother once attended. While at Grand Central Station waiting for the train, tragedy strikes as Collins walks out in traffic to locate her missing purse (which has been stolen) only to be struck by a passing car. Left alone with her luggage, Barbara takes off on her own, assuming the fictitious name of her favorite storybook character, orphan Betsy Ware, and starts her own adventure. She first encounters Tony (Henry Armetta), an Italian organ grinder with his monkey, who, feeling sorry for this "orphan," agrees to take her into his home along with his wife (Mathilde Comonte) and his other "bambinos." Sometime later, "Betsy" displays her tap dancing talent to Tony's family that catches the attention to an upstairs neighbor and unemployed hoofer and singers, Jimmy and Jerry Dolan (Jack Haley and Alice Faye). Seeing this child to have a considerable amount of talent, she's "adopted" to become part of their musical act called "Dolan, Dolan & Dolan," with Barbara, a/k/a Betsy, now acting as their "daughter," Bonnie. The audition lands them a job performing for soap manufacturer Simon Peck (Claude Gillingwater), who turns out to be Barry's competitor, who in turn, has become very much interested in Margaret Allen (Gloria Stuart), Peck's advertising girl.The music and lyrics by Mack Gordon and Harry Revel include: "Oh, My Goodness" (sung by Shirley Temple); "Buy a Bar of Barry's" (sung by radio singers); "When I'm With You" (sung by Tony Martin); "When I'm With You" (sung by Temple); "But Definitely" (sung by Alice Faye and Temple); "Where There's Life, There's Soap" (sung by Temple); "When I'm With You" (sung by Faye); "You've Got to Eat Your Spinach, Baby" (sung by Faye, Temple and Jack Haley); "When I'm With You" (sung by Temple) and "Military Man" (sung and dance finale with Temple, Haley and Faye).Musically entertaining, often amusing, occasionally cutesy, quite contrived, yet never dull, POOR LITTLE RICH GIRL has many fine things going for it. While such a story might lack logic for first time viewers, having child separating herself from father and nurse only to roam about the city by herself to meet new people, never considering how they must feel once her disappearance is discovered. Along the way, child meets up with several she identifies from her storybook (particularly Jimmy whom she calls "Puddenhead"), a great many being good people, but in true storybook form, there's usually a villain. John Wray, cast as Fagin, is such a character. He's in and out throughout the story, visually seen as spying on little Barbara from a distance or nearby. It's quite evident that his intentions are not honorable. While much of the story cannot actually happen in real life, the stalker following a child comes to be more true to life now than ever before, thus giving the writers some opportunity in adding a little touch of suspense. On the brighter side, the story also features an old grouch, wonderfully played by Gillingwater, whose Ebenezer Scrooge-type performance softens into giving little "Bonnie" a piggy back ride in his office.With Temple as the talented child who can sing and dance to perfection, she's equally surrounded by secondary performers Haley and Faye as the song and dance team, who not only share the spotlight with their leading star, but get to solo or perform together as well. Gloria Stuart and Michael Whalen, enacting as the second secondary actors, provide some love interest, but on the whole, have very little to do during its 80 minutes of screen time. The obvious success to POOR LITTLE RICH GIRL, having turned out to be another assembly of popular Temple vehicles, was revamped two years later under the guise as REBECCA OF SUNNYBROOK FARM (1938), also set in a radio station.Not counting commercial television broadcasts prior to the 1990s, POOR LITTLE RICH GIRL's cable history did enjoy frequent television showings, ranging from its colorized version from the Disney Channel (colorized), to black and white on American Movie Classics (1997-2001) Fox Movie Channel, and Turner Classic Movies (TCM premiere July 23, 2010) as well as availability on video cassette and DVD in both B&W and colorized formats. During its AMC broadcasts, there were occasions when a theatrical trailer preceded the feature presentation. Quite interesting in fact the trailer includes a couple of outtakes, Temple in the bath-tub, and a completely different musical conclusion. Temple fans might find it hard to imagine watching POOR LITTLE RICH GIRL without that military dance finale (although tap dancing would be hard to appreciate listening to from the radio). In spite of some pros and cons, is POOR LITTLE RICH GIRL recommended viewing? But definitely. (***)

Another musical showcasing the prodigious talents of little Shirley Temple. I recall hearing that Alice Faye said somewhere that she was hard put to it just to keep up with Shirley during that final dance sequence of the soldiers.In this film Shirley is the little rich girl who becomes lost but is taken in by a family and soon gets acquainted with performers. It's a very pleasant musical, so just enjoy! My preference, however, is for her movies that have a simple and heartwarming tale to tell. The showbiz films are less moving as a story although still very delightful.