In this documentary, filmmaker Daniel Raim delves into Yasujiro Ozu's remarkable late work, in which the master made the leap from black and white to color. In his stirring tribute to the great filmmaker, Raim examines Ozu's life and work through archival treasures such as his diary and the red teakettle from the family drama "Equinox Flower" (1958); sits down with Ozu's nephew and the producer of the director's gently elegiac final film, "An Autumn Afternoon" (1962); and interweaves many scenes and images from the vibrant and humane films with which the director capped his career.
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Reviews
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
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