Fantastic!

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Another thrill ride from Andrew & Virginia Stone that with the aid of veteran cameraman William Clothier provides a triple feast for the eyes in the form of the lush verdant hills of Oregon, foxy beat girl Joyce Taylor and a final conflagration that makes the burning of Atlanta in 'Gone with the Wind' look like a rehearsal. Miss Taylor in her skinny jeans, long-life lipstick, permanent wave and a white blouse that remains spotless almost until the very end is supposed to be underage (she was actually in her late twenties) but exudes a mischievous knowingness worthy of Louise Brooks; and she and David Janssen bring a humour as dry as the local brush to their scenes together as she decides she digs him more than the two punks with whom she's previously been wasting her time. As I write this fire fighters are ironically still struggling to keep under control some of the worst wildfires in living memory now ravaging Saddleworth Moor in North West England, so keep watching what you do with those discarded cigarette ends.

Here we have David Janssen in colour as a cop before he went on to run away from the cops in 'The Fugitive'. Even with his uniform, he doesn't look or act like a policeman. He is forever a fugitive in his soul because he always has that wandering look in his eyes as though he's not quite settled in the here and now.There are some unresolved issues in this film. If the girl is under eighteen and that it's illegal for a police officer to kiss her, why doe she kiss her at the end? She is seductive whilst he's on duty, but he doesn't show restraint. The film also doesn't make up its mind whether or not it's a film about kidnapping, under-age petting or forest fires. In fact, it's about nothing in particular, and unless you want to see Janssen in colour before 'The Fugitive' I would say stay away from this film.

The movie was shot mostly in and around my hometown, Vernonia, Oregon. I was in sixth grade at the time, and I was an extra, one of the townspeople running to catch the escape train. We would run the length of the town center, then walk back six blocks, and do it over and over again. Andrew Stone, the producer/director had a lot of cooperation from the US Army; in the climactic scene of burning the town, there were flamethrowers on top of all the downtown buildings. I had the misfortune of being outside when a soldier was setting off smoke bombs. I couldn't see one foot in front of me. In the 1920's Vernonia had the largest all-electric sawmill in the world. But they cut down all the trees, and the mill closed in 1957. They completely stocked the mill with new lumber for the movie; then they burned it all down. If anyone is interested, Vernonia Sentry Supermarket sells DVD's of the movie, and they will ship.

An Oregon Police Sgt (an intense David Jansen) is surprised and kidnapped by two thugs and a babe who then go on a journey for freedom through the deep forests of Oregon. There are escape attempts, a death, a turning of the tables, and possible "intimate relations" with the pulchritudinous babe (Joyce Taylor, who is supposed to be "under 18" but looks 26). The movie climaxes with the entire forest and town being burned down and everyone, including hundreds of townsfolk, desperate to escape. An exciting movie, with menace and threat maintained thoroughout. Frank Gorshin is notable as the #1 thug (his pre-impressions days). A good movie.