One of my all time favorites.

Good story, Not enough for a whole film

One of the worst ways to make a cult movie is to set out to make a cult movie.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

In 1942 New Orleans gangster J.D. Walker (David McKnight) is shot to death by Elija Bliss (Lou Gossett). It is believed that he killed his wife (he didn't). Cut to 1976. Mild mannered young law student Ike (Glynn Turman) is possessed by the spirit of J.D. He immediately becomes cruel and vicious and treating his beautiful girl friend Christella (Joan Pringle) like dirt. Then he realizes his ex rival Elija is still alive as a preacher and J.D. sets out to get his revenge.I've wanted to see this since it came out in 1976. I was 14 then and a newspaper ad showed a drawing of a gravestone and a pretty young woman lying dead in front of it with a look of horror on her face (needless to say nothing like that appears in the film). But the film only played one week and quickly disappeared--but I've never forgotten that drawing. I'm glad I finally got the chance to see it. It's not a great film but it's an interesting psychological horror film more than a blood and guts one. There's only one bloody attack scene and a shot of a dead animal being cut open (which was repeated at least 8 times).This concentrates more on Ike being possessed and trying to fight back. It's a hard role but Turman pulls it off. The only part where he goes too far is at the end when J.D. takes complete control and Turman REALLY overdoes it. It's also kind of fun seeing Gossett (REALLY chewing the scenery) as a preacher. His speeches at church are energetic (to say the least) and a highlight. The only thing that bothers me here is the disgusting misogynistic attitude. There's a truly sick scene where Turman viciously tries to rape Pringle. The only other female roles are TWO cheating wives who eagerly jump into bed with other men and Bliss's daughter who seduces Ike (J.D.) almost immediately. Also Ike has a friend who talks about women like they should be beaten up and controlled. This attitude permeates the film and makes it a chore sometimes to watch. Still this is a somewhat interesting reincarnation movie. I give it a 7.

New Orleans, 1942: Vicious, abusive hoodlum J.D. Walker (a sneering, splendidly nasty turn by David McNight) slices a woman's throat with a switchblade, then gets promptly shot dead for committing the brutal, heinous misdeed. Cut to New Orleans in 1976: Sweet, likable, struggling law student Ike (frequent second banana co-star actor Glynn Turman, giving a fine, engaging performance in a rare substantial lead part) is possessed by J.D.'s malevolent, vindictive spirit, which transforms Ike from a harmless, mild-mannered college kid into a vile, lethal, womanizing, straight razor-toting cad who exacts a terrible revenge upon all those individuals responsible for J.D.'s untimely demise.One of the best, most frightening and effective entries in the short-lived 70's blaxploitation horror craze (prime examples of this nifty sub-genre include both "Blacula" movies, "Abby," and "Sugar Hill"), "J.D.'s Revenge" emphasizes mood over violence, with seasoned B-picture veteran Arthur ("Bonnie's Kids," "Bucktown") Marks' typically sturdy, stylish, self-assured direction and Jaison Starkes' craftily plotted script deftly milking the creepy, mysterious, unsettling Southern Gothic-style ambiance for all its worth. Said scary gloom-doom tone, further reinforced by a vivid evocation of that uniquely lazy, luscious and exotic Big Easy atmosphere and Marks' ever dark sense of humor, insinuates itself upon the viewer in a low-key, yet forceful manner. The always great Louis Gossett, Jr. offers a dazzling, dynamic portrayal of Elijah Bliss, a flashy, grand-standing, two-faced preacherman with something to hide. The lovely Joan Pringle is strong and sympathetic as Ike's concerned girlfriend Christella. Harry May's gorgeous, polished cinematography gives the film a sumptuous professional sheen which totally bellies the low budget. The eerie, groovy, understated score by Robert Prince (who also co-wrote the forgettable ending credits theme song "I'll Never Let You Go") is likewise on the money fine. Reportedly one of Samuel Jackson's longtime favorite movies, this baby rates as a real nice one all around. And Turman does wonders in a touch, demanding part; ironically, Turman was ultimately dissatisfied with how the film turned out.

In their excellent book "The Golden Turkey Awards" the Medved brothers note that the good news was that Hollywood discovered the market for movies made for black audiences, the bad news was that most were crude, artless-and vulgar, like this one. It starts OK with an interesting premise and some interesting shots, such as the young law student seeing the late J.D.'s face in the mirror of his cab, but it soon degenerates into another cheap sex and sadism Garde Z exploitation movie. 3 of the 4 sex scenes are rapes, in the last half of the movie the dialogue (?) consists of the 2 best known obscenities. I was embarrassed to watch this one, and I watched all by myself late at night-with the curtains drawn! Got the tape from a co-worker with whom I had been discussing the Golden Turkies and bad movies. Lent him a tape of "Plan 9 from Outer Space", he said he howled over that, he got the best of that deal.

This is a startling movie starring Glynn Turman and Louis Gossett Jr. Here Glynn Turman is the innocent laid-back Ike who is a law student. Then he becomes possessed by a violent fornicating 1940s gangster. This reminds me of a Jekyel and Hyde movie. The setting of the movie is gloomy and the flashback scenes couldn't be any more eerier. The way he slapped around actress Joan Pringle when he (Glynn) was JD seem so real. To me this role fits Glynn Turman because he does it so naturally. If you are in for some suspense and thriller from the old school. This is the movie to check out.