The chalk chases the shadow. Once it is captured, only traces of the game remain. Drawing, erasing, drawing again on a porous surface. Like on a sloppily wiped blackboard, shades of images that have long ceased to exist shine through. Špela Čadež stages a race between fleeting and manifest forms that – at least in terms of film theory – knows no winner.
Reviews
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
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