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The Conquest of the Pole
May. 03,1912A science fantasy film that deals with an extraordinary race to the north pole by rival parties of balloonists. Based on the novel "The Adventures of Captain Hatteras" by Jules Verne.
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Reviews
Great Film overall
Am i the only one who thinks........Average?
Although it has its amusing moments, in eneral the plot does not convince.
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Why one has to go into outer space to get to the North Pole is a question to ponder. Apparently, there were numerous expeditions going and the airship appears to be the one that succeeds. After forming diverse crew from several countries and throwing out the women, the air bus embarks on its journey. It goes past several constellations, including Scorpio and Pisces as well as Gemini. When the explorers finally get to the North Pole, there is really nothing to do. They run around and meet up with a monster and one of them gets eaten. Since they were from all countries, the monster got to choose between German, French, Chinese, Spanish, etc. This could have been played for laughs but wasn't. Anyway, it is all visual and the whole process of exploring is wasted. These guys really don't have a clue. As for Melies, he is still doing the same stuff.
Georges Melies' film The Conquest Of The Pole is similar to several of his earlier adventure films except this film is much longer than most. As a result, many viewers claim this film is not quite as good as the others due to the padding of some scenes, especially the flying to the North Pole sequence when the aircraft passes constellation after constellation. The aircraft, though crude and ridiculously unrealistic, is synonymous with the backdrop/sets and other effects in the film. Remember, The Wright Brothers had only paved the way for air travel a few years before. Once at the pole, terrific action sequences occur with an ice monster of some sort followed by a rescue. By now Melies had fallen behind the times with developing film techniques, such as crosscutting, meaning Melies' development as a filmmaker was related more to his being a magician and an effects wizard and not necessarily his being a storyteller. The only issue in the film is there are only five explorers visible at the pole when several more were selected to go to begin with. *** of 4 stars.
Conquest of the North Pole (1912) aka Conquete du pole, La *** (out of 4) Georges Melies film that tries to rival his legendary A Trip to the Moon but doesn't come that close. A group of scientists try to determine a way to reach the North Pole. Once there they must do battle with a large ice monster. The stuff dealing with the ice monster was terrific and this creature is one of the best of Melies career.In early 2008 there will be a box set released and will feature over 170 Melies' shorts.
The great French innovator finally seems to be running out of imagination here. Having invented cinema as we understand it today, he eventually had to exhaust his fount of inspiration.This film could best be described as a remake of his "Voyage to the Moon" from 1902. Unfortunately much of the old vim is missing. Sequences run on for too long. At times the film seems more primitive than many of his earlier films.Still, there was life in the old boy yet. The « géant des neiges » (giant of the snows) episode is quite good with a monster who swallows intrepid Arctic explorers whole. The ice giant is about as good an effect as Fafner the dragon in Fritz Lang's "Siegfried", and that film was made in 1924. There is a funny moment when the explorers reach the Earth's Magnetic Pole. They are attracted right onto the needle they find and get stuck there.The long (too long) scene where the explorers in their airship fly past the signs of the zodiac reminded me strangely of what Dorothy sees from her window as she is caught in the tornado in "The Wizard of Oz". That would make Méliès nearly 30 years ahead of his time.Nevertheless, I got the same impression I get with a lot of modern special effects films. Méliès was spending more money without necessarily expending more ingenuity. Perhaps he was only trying to imitate the lesser but more successful mortals who came after him.
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