La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
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Reviews
Just what I expected
I don't have all the words right now but this film is a work of art.
The best films of this genre always show a path and provide a takeaway for being a better person.
One of the most extraordinary films you will see this year. Take that as you want.
La Traviata is one of my favourite Verdi operas, perhaps even my favourite, not just for the timeless story and characters but the music is sublime especially Ditta Alla Giuvine, Sempre Libera, Di Provenza and Addio del passato.This Covent Garden production is exquisite. It isn't my favourite La Traviata though, that'll be a tie between the 1982 Zeffirelli film and the one with Anna Moffo, both are perfection. That said, this is a very lavishly produced production with gorgeous costumes and sets, while the beautiful music is superbly played and conducted.Angela Gheorghiu especially in Addio del Passato is a wonderful Violetta. Perhaps her colouratura in Sempre Libera could have been a little more, but her understated acting and beautiful voice really help lift. Frank Lopardo is dashing Alfredo with a great voice, even if his acting occasionally is a tad lacking he makes up for it by his chemistry and voice projection. Leo Nucci as Germont is excellent, a very healthily produced voice and he also manages the acting in an intelligent and sympathetic manner making Ditta Alla Giuvine even more touching than it already was.All in all, this Traviata is wonderful. 9/10 Bethany Cox
This is a recording of Angela Gheorghiu's debut at Covent Garden and it lives up to its reputation. Gheorghiu is sensational as Violetta, particularly in the final act. She is ably supported vocally by Frank Lopardo, who makes a slightly stodgy Alfredo. Leon Nucci sings Germont in a performance which, in less exalted company, would have stolen the show. This is a lavish and beautiful production and as a record of a staged performance of La Traviata it is unequalled.I wrote that some time ago and, now, I have to take back the unequalled bit. Angela Gheorghiu's 2007 performance of the same role at La Scala is more mature and at 42 years of age she looks more suited to the role. Also, inevitably, with the passage of time the 1992 film looks a bit dated compared with the widescreen, high-definition 2007 version. So we have two excellent performances from Angela Ghiorghiu but, if you have to pick one, go for La Scala.
Angela Gheorghiu is acknowledged as one of the world's leading sopranos, and received critical acclaim for this performance of La Traviata. But inspite of the wonderful production and the marvellous musical direction of Georg Solti this version of Verdi's masterpiece has failed to win me over.I am not a fan of Ms.Gheorghiu. Her fast vibrato and small range of vocal colouring, not to mention her less than perfect coloratura (which is needed for this role) make her one of my least favourite Violettas - in spite of her acting ability and fabulous stage presence and stunning looks. Add the baritonal tenor of Frank Loppardo and you have the Perfect (Mis)Match.Give me Stratas/Domingo any day (such a beautiful Zeffirelli production). Or the wonderful Anna Moffo for understated tragedy.
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