A walk in the promenade. The film traces a trajectory – from inside to outside, from shadow to light, from Vassiliu to Pierre, from the intimate to the public, from the past to the present. The film sounds like a song – one of which we remember the tune, sing a few couplets of and listen to the chorus with pleasure. Each outing is full of surprises and wonderful encounters. Meetings of emerging songs. A staging in small touches – like a chorus. At home, Pierre gets dressed, gets ready, gets dressed, puts on his stage shirt. Once outside, Pierre crisscrosses Sète. A port city where the incentive to travel is almost permanent. Pierre touches the people he meets with humor. The succession of these encounters places the film in the present.
Reviews
Nice effects though.
I wanted to but couldn't!
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
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