MARY MAGDALENE is a construct of personal, mythological and political projections of the fluid identity of the individual. This digital representation fragments and layers the profile that is representative of multiple gender identities. These fragments and layers use the reflections of the elements through which gender is culturally established. In the religious community, the name “Mary Magdalene” is the woman as flesh, the wanton woman. This film emphasizes the camera as a weapon for the filmmaker to create her own visual projection.
Reviews
Surprisingly incoherent and boring
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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