I don't have all the words right now but this film is a work of art.

It's an amazing and heartbreaking story.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

ADVENTURES OF FRANK AND JESSE JAMES (1948) is a 13-chapter Republic serial that's a direct sequel to JESSE JAMES RIDES AGAIN (1947) and once more offers a complete whitewash of the notorious outlaw. In this one, the James brothers are presented as good guys who decide to clear their names by working a silver mine owned by a relative and using the proceeds to pay off the victims of robberies falsely attributed to "the James Gang." There's about enough plot for a single hour-long B-western, but they drag it out over the course of 13 chapters, for a total of three hours running time. (The chapters are shorter than usual here.) The title cards rehashing the previous episode are down to one sentence each in this one. Chapter 11 is an entire rehash episode consisting of flashbacks.The James Brothers, operating under pseudonyms, join a female cousin, Judy Powell (Noel Neill), in working the mine and collaborate with a mining engineer, Amos Ramsey (John Crawford), who's secretly in cahoots with a gang of bad guys led by Rafe Henley (George J. Lewis) to wrest control of the mine and reap the profits from previously undiscovered lodes of silver AND gold found in it. It takes 13 chapters for Jesse & co. to figure out that every time they make a plan with Ramsey (and only Ramsey) the bad guys get the jump on them. In every episode, they visit Ramsey at his house/office on the Powell premises and tell him what they're going to do and we then see Ramsey go out the back way to an unidentified meeting spot to tell Rafe where to take his band of interchangeable henchmen to stop Jesse, Frank and Judy. Then Rafe and his henchmen attack and an inevitable fistfight with Jesse and Frank occurs—in every episode. If the brothers would just once get the sympathetic sheriff (House Peters Jr.) to arrest Rafe and put him behind bars for attempted murder and robbery or if they'd just simply say "Enough!" and shoot him to death after their third or fourth fistfight with him, it would have meant a very short serial or, better yet, another plot element or new villain to introduce after the fourth episode or so.There's a stagecoach race in Chapter Five that looks forward to the chariot race in BEN-HUR (1959), which is no coincidence when you realize that this serial's co-director, Yakima Canutt, also directed the chariot race in BEN-HUR. Of course, I'm not sure that the stagecoach race in this serial, like most of the action scenes, wasn't stock footage from an earlier Republic production and, if so, it's quite possible that Canutt directed the earlier sequence as well.Chapter Nine does not end on a cliffhanger. The marshal (Gene Roth) is awaiting Jesse and his surprise witness at a hearing and they're so late he's about to issue a ruling anyway when the episode abruptly ends. In the next episode, Jesse and his witness arrive and submit to questioning. First time I've ever seen a serial episode end without any peril.As Cousin Judy, Noel Neill's job is to be a damsel-in-distress in some episodes and to just stand around stating the obvious in every other scene she's in. Luckily, she got her first gig as Lois Lane in the first Superman serial the same year, which led to a longer-term stint and a much more challenging role. Clayton Moore, Jesse James here, went on to play the Lone Ranger for the first time the following year when it premiered on TV, one of the very first filmed series for TV, and he stuck with that for pretty much the rest of his career. As a huge fan of his portrayal of the Lone Ranger, I have no complaints. John Crawford, who plays the corrupt mining engineer, is identified as the same actor who went on to a long career as a character actor in film and TV under that name, but I'm not sure it's the same person. This John Crawford doesn't look a thing like the one who played Polydeuces, one of the Argonauts in JASON AND THE ARGONAUTS (1963), or the Mayor of San Francisco in the third Dirty Harry movie, THE ENFORCER (1976). He doesn't sound like him either. But stranger physical transformations have happened in Hollywood careers.While this is one of the weaker serials I've seen, I must confess that it was fast-paced and consistently entertaining and went by quickly and painlessly.

Adventures of Frank and Jesse James was released in 1948, the same year as the celebrated hoax of Jesse returning from the dead. Seems some old codger out in Missouri, obviously a JJ fan, turned up saying that he was the real Jesse James and another man was buried in his place. Clayton Moore wears the same outfit as he did in the 1947 JJ Rides Again, a black frock coat and a flat brim hat. In the 1948 serial, he wears a floppy brim Stetson and bat wing chaps to match the footage of Don "Red" Barry in the Red Ryder serial. Steve Darrell (Frank James) wore the buckskin outfit of Hal Taliferro, Barry's sidekick in the serial. While Moore may have extricated himself from on screen perils by rolling aside, his athletic ability in JJ Rides Again saved his life when a burning wagon tipped over too close for comfort. The JJ serials were not meant to be taken for historical accuracy, just a way to take a familiar Western historical character and change him for Hollywood. Just like the Buster Crabbe Billy the Kid features.

"Adventures of Frank and Jesse James" was the second of three serials produced by Republic Studios between 1947 and 1950. In this one Jesse (Clayton Moore) is joined by brother Frank (Steve Darrell).The story picks up with Jesse returning from Tennessee (the sight of "Jesse James Rides Again"), in the same black hat, waistcoat costume, to Missouri to join up with brother Frank. There, without explanation, he changes into a ridiculous looking costume consisting of a really, really wide brimmed hat and chaps that are usually associated with cattlemen. There's nary a cow to be seen in this film. Actually it was the practice of the "B" studios to dress their characters in costumes that would match stock footage lifted from earlier productions. Frank James is garbed in buckskins for goodness sake.The story involves the James boys , under assumed names of course, coming to the aid of helpless heroine Noel Neill as partners in her father's (who has been murdered by the villains) gold mine. The boys hope to reimburse victims of crimes that were committed in their name for which they are innocent. Trying to foil their efforts are "respectable" mining engineer John Crawford and his gang lead by George J. Lewis and the usual endless supply of henchmen.I guess seeing Yakima Canutt's name as co-director (with Fred C. Brannon), I expected more. But the stunts although well done by the Republic stunt crew, are no different from any of 100 other serials. There are the usual fights, gunfights, and chases but really none of the spectacular stunts for which Canutt was famous.Rounding out the cast are Stanley Andrews as the heroine's father, Sam Flint as Thatcher the banker who bankrolls the boys, House Peters Jr. as the sheriff, Gene Roth as the Marshal and George Cheseboro as the owner of the General Store. On the other side of the law we have I. Stanford Jolley as a crooked lawyer and Lane Bradford in his first serial as a henchman. In an inspired bit of casting veteran stunt men Dale Van Sickel and Tom Steele play characters named "Dale" and "Steele". Steele also appears as two other henchmen as well.Clayton Moore who was about to become TV's The Lone Ranger plays Jesse for the second and last time. Boy, no one ever lost so many fights or could roll out of harms way faster than he. Noel Neill was also about to realize her 15 minutes of fame as Lois Lane in the Superman serials and later in the TV series.