Simply A Masterpiece

If you don't like this, we can't be friends.

Great Film overall

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Winning last year's Canne's Film Festival coveted Palme d'Or prize and Oscar and Golden Globe nominated for Best Foreign Film at this year's awards season, Ruben Östlund's Swedish set The Square certainly comes to home release with some prestige attached to it but this bum-numbing epic that acts as a darkly humorous expose of modern art culture and more broadly an examination of humankind in general, is the type of film that will split viewers down the middle in regards to love and hate.Following on from his critically acclaimed Force Majeure from 2014, Östlund continues on with his slowly paced and methodical way of story-telling as we here follow Claes Bang's art gallery curator Christian through what feels like a collection of mini-films within the larger whole as the all of a sudden under duress big-shot finds his life hitting a few roadblocks in the lead up to his gallery's opening of an exhibition known as The Square.It's a seemingly simplistic set-up but Östlund's execution is anything but, as Christian's journey entails awkward romantic encounters with Elizabeth Moss's American Anne, a crayon carrying chimp, an extremely abnormal dinner function, an angry child and a viral video that is a catalyst to much of Christian's woes.These occurrences all add up to a whole that combines to create an almost unnerving atmosphere and tone but they don't gel to create a cohesive narrative that feels all that apparent and while many will find messages and themes that are possibly there and possibly not there, it feels like The Square squanders some chances to be a genuinely effective dark comedy/expose as it gets lost in an abundance of over-long and over-wrought scenes that needed a much tighter edit.One aspect of the film that can't be faulted however is Östlund's cast commitment to the cause with everyone giving it their all, with Bang and Moss in particular impressing in their roles, while the films few definitively laugh out loud scenes such as disrupted Q and A and the aforementioned dinner feel like scenes out of a much more well-rounded and engaging film.Final Say - An over-long and overall bloated arthouse offering, The Square has some nice ideas and potentially relevant messages but it's hard for them too shine through when the film around them is such a hard slog to endure.2 viral videos out of 5

Stage Setting: I'm an American. This movie is 2 1/2 hours long. It is esoteric. It is Scandinavian. American viewers, beware of any Scandinavian movie that is 2 1/2 hours long, that has, as it's synopsis, the word "existential". Scandinavian, 2 1/2 hours long, "existential" - those three values are a guarantee of a supremely boring movie. Having said that, I understand the very true and importnt message of the movie. Limousine liberals often learn the hard way, that it is harder to actually be an ethical liberal, than it is to simply act the part. Great message. However, comma, the way this Message is told, it Is more suited to an ethics class at University; not an expensive seat at a movie theater.

This is, no doubt for me, one of the worst movies ever.

Was recommended this by a friend that I trust and whom I share many opinions on film. Saw it on DVD and had the privilege of using the fast-forward button on the remote control.Not sure how this happened, but I did not enjoy this film, nor did I find it interesting. If it was supposed to be a punt at today's post-modernistic society, I find Idioterne (1998) by Lars von Trier more interesting. I did enjoy the scene where people just peek in for a second or two into a museum room with piles of dirt on the floor, and a museum guard seated on a chair guarding the dirt. But what about the living room with the monkey? was that necessary? did it really make it a great film. I don't think so.See it at your own risk. You may end up using that FFWD button on the remote control just like I did.