An average television repairman must care for the newborn triplets of his former hometown sweetheart—now a famous movie star—so her career will not suffer.
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Reviews
A lot of fun.
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
It's a feast for the eyes. But what really makes this dramedy work is the acting.
An old-fashioned movie made with new-fashioned finesse.
A loose remake of Preston Sturges' wonderful The Miracle of Morgan's Creek, Rock-a-Bye Baby is safe entertainment for the Jerry Lewis fans. Here he plays Clayton Poole, a small town guy whose childhood sweetheart, Carla Naples (Marilyn Maxwell) is now a big film star. When she finds she is pregnant, the problems it will cause her career prompts her to coerce Clayton into looking after what turns out to be triplets! Much prat-falling and high energy chaos ensues.As befitting the Tashlin/Lewis combination, it's all very cartoonish in visual presentation. Narratively outside of Lewis' mad-cap rearing of the babies, there's a running thread of Carla's sister, Sandra (Connie Stevens), being hopelessly in love with Clayton - who of course has no idea, while the sentimental strings are pulled as Clayton fights to not lose the kids to a shifty legal guardian.The musical numbers start to grate on the nerves after a bit, with them feeling like attempts to show off something that isn't there, and the running time is too long to sustain this type of comedy. But once a Lewis fan then always a Lewis fan, with that in mind Rock-a- Bye Baby still has enough fun and frothery to make it above average entertainment. 6.5/10
While there is plenty of comedy to keep your funny bone out of joint, the film overall depends on a bunch of idiots to create its plot. Surprisingly, Jerry Lewis's simpleton is not one of them; His character (if not himself) comes with a lot of heart, taking in three adorable babies which may or may not be his. The usually likable Connie Stevens is truly annoying as the impish girl who seems obsessed with getting his attention, which ultimately causes him to always be in trouble as the result of her obnoxious distractions. Then, there is her older sister (Marilyn Maxwell), a movie star who insinuates that Lewis is the father and leaves the babies with her so she can continue her career. Stevens and Maxwell's father misinterprets the situation and idiotically fluctuates between emotions that are extremely inconsistent from one moment until the next. This musical variation of 1944's "The Miracle of Morgan's Creek" keeps the viewer guessing as to who & why the identity of the kiddy's daddy is never revealed until the end.Comically, the film is extremely funny, especially the opening scene involving a fire hose that destroys an entire neighborhood. Isobel Elsom is the Billie Burke like society matron who goes after custody of the children for herself after Lewis (thanks to Steven's interference) accidentally fills her living room with chimney soot. The adorable Ida Moore is very funny as Lewis's commercial loving landlady who tries pretty much every product she sees on TV. Such vets as James Gleason, Hans Conried and Hope Emerson are wasted in minor roles, but Reginald Gardiner is given some good material as Maxwell's droll manager. The songs are actually above average, although an Egyptian themed production number is truly silly. Although Salvatore Baccaloni's papa is the real dumbbell of the story, he does get a nice duet with Lewis called "Dormi-Dormi-Dormi (Sleep-Sleep-Sleep)". Lewis's young son appears as his character in a flashback which is a nice touch, and the courtroom scene at the end has some clever dubbing utilized for comic effect.
This was one of my favorite movies as a child. My mother was a Lewis fan, and often watched this with me, the pair of us in fits of giggles.The film centres around Lewis who is taking care of the three children of his childhood sweetheart Carla, much to the frustration of Carla's younger sister Sandy, for reasons that become immediately apparent.Lewis stars as Clayton Poole; a likable loser, and he is as goofy as always. Connie Stevens as Sandy is sweet, and manages to keep up with the crazy antics of Lewis. The film is full of lovable odd-balls and side characters who almost steal the show. But for me the best part of the film was always Sandy's dear drunken papa played by the wonderfully endearing Salvatore Baccaloni.This is a great film to watch with your children. They'll get a good laugh from the slapstick, and you'll feel like a kid again by the end of this feel good oldie.A warning: Some of the hum our is quite dated, and there is a racially insensitive scene that might offend some, but it should be taken into consideration the year this film was produced, and the comedic climate of the time.I highly recommend it to those of you who are yet to have the pleasure. It may not appeal to all tastes, but it's absolutely worth the rental.
This is another typical Jerry Lewis comedy. Overall, it will make you laugh. But more, this is a musical that makes you laugh. Jerry Lewis hits a home run for his typical audience. No surprises here, if you are a fan of his work, this is a treat. Then again, the supporting cast including Marilyn Maxwell, Connie Stevens and Salvatore Baccaloni make it more than just a Jerry Lewis comedy. Baccaloni is perfect. At first you hate him and then love him. Connie Stevens is beyond beautiful. She is as sexy as she can be for the decade. She plays the perfect girl next door who is head over heels for Jerry. The trick is, it is Jerry who is playing hard to get. This adds to the wonderful genre that Lewis created in his comedies. This is a nice story that offends nobody. This is hard to do when making a successful comedy. Somewhere, usually someone is the butt of the joke. Here, Jerry is the butt as well as the rest of the cigarette (wink wink).