This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

"Call Me Bwana" is not a terrible film...and considering the sort of terrible movies Bob Hope was making in the 1960s and early 70s, this is saying a lot! Movies like "Boy, Did I Get a Wrong Number", "How to Commit Marriage" and "The Private Navy of Sgt. O'Farrell" simply were NOT funny and it seemed as if Hope was simply going through the motions...so I had extremely low expectations for "Call Me Bwana". In many ways, the film was exactly what I expected....it wasn't funny. But, on the other, it did have nice production values and the story wasn't horrible!The story begins with a moon probe going off course on its return to Earth. Somehow, it ended up landing in the middle of no where in Africa and the US government go to Matt (Hope) to ask this famous adventurer to retrieve it. However, Matt is full of hot air and has made up his tales of adventure and is a complete phony. At the same time, the Soviets have sent out a sexy spy (Anita Ekberg) and her assistant (Lionel Jeffries). And, since Matt is an idiot, he invites these two to accompany him. Can Matt find the probe...and can he prevent these two from getting to it first?This one has 'time-passer' written all over it. There are a few parts that are even ALMOST funny...and Hope fans might enjoy it. All others, just watch his earlier films...your brain will thank you for it.

I'm surprised this one received such negative reviews. Despite an outlandish climax and a few gauche touches here and there, I thought it was Bob Hope's funniest film since "Son of Paleface" (1952). I particularly enjoyed the amusing tilts at some Very Top People. The support cast is great too. Lionel Jeffries is on hand to hand out some delightful extra mayhem, while Orlando Martins has a royal time as the tongue-in-cheek Chief of the Ekele Tribe. I'll readily admit that Anita Ekberg is a bit of a disappointment, but I guess she can't be persuaded to take all (or most of) her gear off all the time. A pity!

To me, "Call Me Bwana" was the beginning of the serious slide in Bob Hope's film career, with the nadir being "Boy Did I Get A Wrong Number". Seeing these films, it's easy to forget that back in the 1940s and 1950s, Bob Hope put out some pretty decent films that were genuinely funny. Of course, we all think of the Road pictures with Bing, but there were plenty of other Hope treats over the years. So what happened? I think 2 things. First, Bob's best type of role was when he played a bit of a sap who rarely got the girl. It just worked. But as we moved into the 1960s, Hope seemed to get the idea -- perhaps part of a middle age itch -- that in films he ought to be more of an adult lover (in this film with Anita Eckberg). Well, I'm not saying it didn't work, but it didn't work well. The second issue was that Bob stopped acting and began delivering much of his dialog as he did one-liners.Beyond those problems, this film looks like a "throw-away". Let's produce a cheap film and rely simply on the names Bob Hope and Anita Eckberg. Let's not film a film about Africa in Africa, let's just do it with cheap sets on a film stage in England. If 20th Century Fox could make a film about Africa in 1939 that actually looked like it took place in Africa ("Stanley And Livingstone" with Spencer Tracy), couldn't United Artists do a little better with a film in the more modern era two and a half decades later? You can't say it was because Spencer Tracy was a bigger star, because in the world of comedy, few were bigger than Bob Hope. Yes, there was some stock footage that looked like Africa, but any of the scenes with the main actors were clearly on cheap sets. Audiences expect more.Hope was 60 years old when this picture was made. Maybe it was time to settle down and concentrate on television. Because, quite frankly, this film just isn't very funny.You've actually got a fairly decent cast here. Who was bigger than Hope? Eckerg was hot (!) in more ways than one. Edie Adams was quite talented (although probably more suited to television). And throw in an extended cameo by Arnold Palmer (maybe the most interesting part of the picture), and you've got possibilities...that were, unfortunately squandered. The "chase" scene is just plain dumb and looks so fake it's pathetic.All I can tell you is this. Every year or so I pull down the DVDs of the old Road pictures and savor them once again. I was pleased to be able to see this film 55 years after it was made, but only because was on cable, and I'll buy a DVD of it to pull off the shelf. Just not worth any investment of cash...unless you're a die hard Bob Hope fan. But, at least it's better than "Boy Did I Get A Wrong Number"!

Look this movie is a comedy that has a value today more as a remembrance of the type of fluff Hollywood produced in the early '60s. This film is watchable, but it isn't a classic. It has some funny gags, but not the best plot. It's something about a lost satellite in Africa, and once the leads get there it moves along briskly. It's very reminiscent of the 'Road to ...' movies, although this one doesn't have Crosby. It offers Ekberg who worked w/ Abbott & Costello AND with Lewis and Martin. The woman knows comedy and plays off Hope well. There are A lot of worse films to watch, and this does offer a good remembrance of the time once known as Camelot w/ its jokes about the Kennedy family.