Good start, but then it gets ruined

A Masterpiece!

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

I must have picked up this movie during a Katharine Ross movie rush.....although I am also a fan of Kathleen Beller movies. Nevertheless, up to 50 minutes into the movie, I'm wonder why am I watching this, I was never into Dynasty, it's not my kind of movie, why am I watching this besides for the point that I now own a copy.BUT......it grows on you. You get involved wondering what happened to various generations of the family, how they bought it. It's not much about the car at all ALTHOUGH as a young teen, I read the airport shop paperbacks my parents did and recalled a similar book of intrigue and paperback sex....just that car was solar powered. So perhaps this movie kept my interest from the innocence and curiosity of my childhood.The sexual twists are fun if even shocking. The cast is excellent, from well recognized major players to young actors then who are now famous to old familiar supporting actors in parts best suited for them. One must keep in mind, though, of when this movie was made, both from the aspects of what was acceptable for an R rating and what passed for nude beauty way back when.There are some quasi plot holes such as in why would someone with that much power be so consumed about losing a point that apparently less important. One must remember, though, that for the "villain", it is not about what a rational person sees but what he believes. Especially if he considers that the risk is worth the reward.As an amateur writer and actress, I often see things from the viewpoint of how can I see myself in this movie. Does it give me a spot to get involved and take me away from my life for 90 minutes or so. This movie however, I was not so much taken to another world despite the energy it had. Nevertheless, once I was past that first hesitation, I was involved, I wanted answers to my questions.Maybe all I wanted was not there on the first pass, but I was compelled to keep watching..........and maybe sometime again, I will be compelled to watch again, to learn more, perhaps even to be able to see myself on that screen.

Among all the novels written by Harold Robbins, this is my favorite. Following the book is much easier and if I must say so, a lot more seductive. Comparing the book to the movie, I can only appreciate the film is quicker to entice me to stay interested. The novel is superior, yet the cast in the film is much more believable. Directed by Daniel Petrie, " The BETSY " relates the story of Angelo Perino (Tommy Lee Jones) a professional race car driver and third generation Italian with Mafia connections. Nearly killed in a race, he is summoned to the Hardeman mansion where Loren Hardeman (Laurence Oliver), the patriarch of the family dynasty, purposes to him a secret plan to design a new car, called the BETSY. Although intrigued by the offer, Perino at first refuses, until he is promised a great deal of money and special options to purchase stock in the family run corporation. He must also run the gauntlet of family members out to prevent the secret plan. Among the more powerful is Loren Hardeman III (Robert Duvall) who has definite motives for preventing the building of the new car. Katharine Ross, Jane Alexander and Lesley-Anne Down as Lady Bobby Ayres play the powerful women of the Hardeman family, each, it is discovered have their own reasons for the success or failure of the venture. Betsy Hardeman (Kathlee Beller) is the lynch pin on which Perino and his ambitions will fail or not. Joseph Wiseman and Edward Herrmann are two key players which provide the inner mechanisms of and for the Betsy's future. The over all movie is split into both past and present happenings of how and why family members gravitate towards Perino's project. Steamy scenes and dark family secrets provide the novel's interest and were it not for the powerful performances of Laurence Oliver, Tommy Lee Jones and Robert Duvall, the film, would have tanked. Instead it is now accepted as a film Classic and one representative of the times. ****

I have always been curious as to how so many big name stars came to agree to appear in "The Betsy". Was Harold Robbins' name alone enough for them to believe they were starring in a hit? Perhaps they all were paid handsomely. I hope it's the latter. As you might expect with Harold Robbins' name on the title "The Betsy" is about sex and greed and sex and power and sex and murder and sex. This is pure trash all the way but if you don't take it seriously and catch yourself in a goofy mood then you might enjoy it.The story is simple. A family headed by patriarch Laurence Olivier manufacture cars and become wealthy and powerful. That's all you really need to know. This family is one sick group. Take for example one scene early on in the movie. A boy (who would grow up to be Robert Duvall) witnesses his father committing suicide. He runs upstairs to be with his mom (Katherine Ross) only to find her in bed shagging grandpa Olivier. All in a matter of moments for this poor kid. And yet he still grows up and goes to work for Olivier. You can't take the story seriously for a second.Also on hand are Tommy Lee Jones as a stud race car driver and the beautiful Lesley-Anne Down as his mistress who happens to be Duvall's wife. She is sexy and alluring and almost worth the price of admission. And then there is Duvall's granddaughter who seduces Jones on her 18th birthday. The Carrington family from "Dynasty" almost seem normal next to this clan.Trash movie lovers unite. This is a film for you. It's somewhat of a guilty pleasure for me but I still sit there and shake my head at many scenes more then just enjoying the garbage being presented.

Vice nicely photographed, with some 360 degree shots in the mix, and acted out by a cast of competent performers, this film is satisfactory viewing overall, despite its excesses of sex and nudity. Also on the down side, the dialogue is often lame, it is often overly sentimental, has poor music choices, and the flashbacks are not fitted in with the rest of the story as best as is possible. However, some aspects of the plot are of mild interest, and the cast is reasonably good, in particular, Kathleen Beller. Still, it is mostly the wonderful work of the director of photography that keeps it worth watching. Even if quite flawed, it is worth the look: not really a great film, but one that is okay for light amusement.