To me, this movie is perfection.

Blistering performances.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

In 1912, during the First Balkan War, the cruel, heartless and superstitious Greek General Nikolas Pherides (Boris Karloff) rows a boat to a small island with the American Boston Star journalist Oliver Davis (Marc Cramer) to visit his wife's grave. They find it destroyed and the body missing and they overhear a woman singing. Soon they learn that the archaeologist Albrecht (Jason Robards Sr.) lives in the island with his servant Madame Kyra (Helene Thimig) and is welcoming his friends St. Aubyn (Alan Napier), his wife Mrs. Mary St. Aubyn (Katherine Emery) and their servant Thea (Ellen Drew); and Andrew Robbins (Skelton Knaggs).Albrecht invites General Pherides and Oliver to spend the night with them but during the night, Andrew dies. General Pherides summons Dr. Drossos (Ernst Dorian) that informs that Andrew died of pestilence and advises that they have to stay quarantined in the spot for the plague until the warm and dry Sirocco wind blows in the island. Otherwise it might happen an outbreak in the continent. The superstitious Kyra convinces General Pherides that Thea is the evil demon Vorvolaka and Mrs. St. Aubyn and Oliver need to protect her against the ignorance."Isle of the Dead" is a dramatic horror movie about superstition and death. The claustrophobic story is very well developed, with a beautiful black and white cinematography, excellent camera work and great performance of Boris Karloff and Ellen Drew. The climax with the reappearance of the deranged Mrs. St. Aubyn is creepy and ambiguous. My vote is seven.Title (Brazil): "A Ilha dos Mortos" ("The Isle of the Dead")

The history of the American horror film in the 1940s can practically be summarized with two words: "Universal" and "Lewton." Throughout that decade, megastudio Universal pleased audiences with a steady stream of films dealing with Frankenstein, the Invisible Man, the Mummy and the Wolfman, culminating with the finest horror comedy ever made, 1948's "Abbott and Costello Meet Frankenstein." Meanwhile, over at RKO, producer Val Lewton was taking a wholly different tack, and between the years 1942 and '46, brought to the screen no less than nine wonderful, literate, intelligent and highly atmospheric horror outings. Those films--"Cat People," "I Walked With a Zombie," "The Leopard Man," "The Seventh Victim," "The Ghost Ship," "The Curse of the Cat People" (hardly a sequel!), "The Body Snatcher," "Isle of the Dead" and "Bedlam"--all depended more on mood, striking photography, sound effects and the power of suggestion, rather than monsters, to work their magic, and, needless to say, all hold up wonderfully well today. Perhaps not as popular as some of the others, "Isle of the Dead" has long been a favorite of this viewer. I have seen it more, certainly, than any of the other Lewton pictures, and indeed have been captivated by this little chiller ever since I was 11 (a loooooooong time ago!).In the film, the great Boris Karloff plays Gen. Pherides, a Greek (!) soldier during the First Balkan War in 1912. (Not that it matters for an enjoyment of the film, but this was the war in which Greece, Bulgaria, Serbia and Montenegro bested the Ottoman Empire, leading to the birth of Albania.) Pherides travels to a desolate island off the Greek coast, accompanied by an American reporter, to visit his wife's grave, and is self-quarantined when septicemic plague attacks the small group that has gathered there: a Swiss archaeologist, a British consul ("Batman"'s Alan Napier) and his invalid wife (Katherine Emery), their gypsy servant Thea (pretty Ellen Drew), a British salesman and an "old woman" (played by the attractive, middle-aged Helene Thimig, who was only 56 years old when she essayed this role). Things grow desperate as the island inmates start to die off, one by one, "Ten Little Indians" style, and become positively macabre when the old woman, Madame Kyra, gets it into her head that Thea is no less a legendary figure than the "vorvolaka," a kind of soul-sucking demon. And when the consul's wife, only seemingly dead with catalepsy, is entombed and later reawakens, now a homicidal madwoman, things go from very bad to even worse....Anyway, when my cousin Richie and I first saw this film after day camp decades ago, on TV's 4:30 movie at age 11, we were blown away by it, and no wonder! The film features very fine acting by all, including yet another splendid performance from Karloff (who would also appear in "The Body Snatcher" and "Bedlam"); expert direction from Mark Robson (who had previously helmed "The Seventh Victim" and "The Ghost Ship" and who would go on to direct Karloff in "Bedlam"); a memorable island that seems to be half cemetery (inspired by Swiss artist Arnold Bocklin's 1886 painting "Isle of the Dead"); a sombre and morose score by Leigh Harline; and no less than three absolutely stunning sequences. (Strangely enough, Karloff does not figure in any of these three scenes!) In the first, Thea sits with her seemingly dying mistress, while Madame Kyra taunts her with hissing words from outside a locked door: "I have twisted rose briar before your door. The thorns that pierced His brow will tear your flesh, evil one. I have put salt in the fire and a cross of ashes on the door. Vorvolaka, vorvolaka! Vorvolaka, born of evil, sinful and corrupt, your hands are bloody with violence, your mouth bitter with the taste of sin and corruption. You are guilty and abhorred, vorvolaka...." Trust me, it is one chilling sequence, indeed! In the second, the camera slowly zooms in on the coffin of the consul's wife, until suddenly...one truly horrible scream erupts from within! And in the third, that same woman, now driven insane by her premature burial, flits through the night in her flowing, white burial garments, wraithlike, while the wind whispers, a bird screeches, and Thea searches for her through the gloom. Offhand, I cannot recall a more chillingly atmospheric sequence in any 1940s horror film, unless it is perhaps Jane Randolph's midnight swimming pool experience in "Cat People," or perhaps the remarkable nighttime stroll that Frances Dee and Christine Gordon take through the soughing cane fields in "I Walked With a Zombie." Clocking in at a mere 72 minutes, "Isle of the Dead" is a remarkably compact affair, with nary a wasted word or scene. As a little kid, I appreciated its ghoulish atmosphere, and for years afterward would taunt my buddy Rich with cries of "Vorvolaka!" As an adult, I can still appreciate the film's wonderfully creepy miasma, but have come to the realization that the picture is a genuine work of cinematic art. While "Isle of the Dead"'s original poster hyperbolically proclaimed that it "Will Keep You Screaming," it is no exaggeration to say, I feel, that the film will surely keep you stunned....

After a 1912 Balkan War, hard-nosed General Boris Karloff (as Nikolas Pherides) shows his soft side by inviting "Boston Star" war correspondent Marc Cramer (as Oliver Davis) to visit a Greek island, where they discover the body of Karloff's dead wife is missing from her coffin. The men go to the stylish and atmospheric home of Swiss archaeologist Jason Robards (as Albrecht) to ask about the desecration. There, we meet the other members of the cast - attractive nurse Ellen Drew (as Thea), who attends ailing Katherine Emery (as Mary St. Aubyn), her husband Alan Napier (as St. Aubyn), creepy housekeeper Helene Thimig (as Kyra), doctor Ernst Dorian (as Drossos), and stumbling Skelton Knaggs (as Andrew Robbins). After one of the group dies and another shows symptoms, The Plague is suspected. Asserting his military title and general command presence, Mr. Karloff orders the group quarantined. As more people fall ill, the cast banter about science and superstition. Karloff slowly begins to consider one of the party may be asserting an evil supernatural presence...****** Isle of the Dead (9/7/45) Val Lewton : Mark Robson ~ Boris Karloff, Ellen Drew, Marc Cramer, Katherine Emery

I do like Val Lewton's films. This one begins in an interesting setting with a war correspondent talking to a military man, Boris Karloff. He is a cruel and driven man, a total follower of military rule. Through a series of circumstances, a group of people end up quarantined from the plague. Karloff asserts his military power, forcing the people to do as he says, but some don't have the "proper" respect. He also shows himself to be very superstitious, believing in some old Greek werewolf stories. He directs his attention toward a young woman who defies him and gets people to believe that she is sort of an angel of death. As people begin to expire, he gains more and more power, but there is another woman who is, for all practical purposes, his equal. The movie is a moody portrayal of what people can do to each other when they are frightened. It's a good role for Karloff and comes off reasonably well.