The story follows Danika, a woman whose fears for her children are manifested in premonitions of death and disaster.
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From my favorite movies..
Best movie ever!
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
I saw trailer for this movie and looked really great.The plot: When devoted wife and mother, Danika Merrick, begins experiencing a series of terrifying delusions, she wonders whether she is actually having visions of future events or she is slowly slipping into. It started of really well as the movie went, all things she knew was going to happen and she dose nothing to stop and this movie also some of kinda of twist,which I do not understand but I didn't really care if I understood or not, as was really disappointing in this movieI going to give this movie 4 out of 10 worth watching a least once
This movie has some depth so if your just into blood,guts, and mindless action and gore(which I love too) it may not be for you. This is a drama/Horror with a little more depth then your average horror..I have seen this movie a few times on cable and saw the screener before it came out. It took me 3 times to fully grasp everything that was going on with Danika. For those who think its only people involved in the production making good reviews, I feel sorry that you couldn't grasp this film. I have absolutely nothing to do with this film and I give it 8 stars.Marissa Tomei is still very Hot and a great actress who gave a stellar performance. Watching her come unglued emotionally on screen is very believable. She carries most of the film, but the rest of the performances are excellent too. An all around great film, good acting, cast, plot, etc for those who don't like spoon fed plots.
It seems that many people couldn't understand this movie and were unwilling to accept their own limitations and therefore decided the movie was to blame. Reading some of those comments made me in turn annoyed enough to post here for the first time. The short version for those who haven't seen the movie is there is no 'twist' in the now common cinematic style there is only the version inside Danika's head and the revelation of the reality.For the hard of understanding I'll break this down into simple terms. DO NOT READ THIS IF YOU HAVEN'T YET SEEN THE MOVIE.There are basically only 3 scenes in this movie.1) Danika's fantasy life where she rejects the terrible thing that happened to her and tries to substitute her own reality. It doesn't work for her, she sees glimmers of reality through it (herself as a bag-lady, her "brother" dying from her "Mothers" neglect which is clearly her own guilt and many more). If you are looking for the reality of the movie imagine this is what is going through her head as she sits on the bench at the end of the movie. 2) The event that caused the break down, killing her kids. It is as though she is remembering the truth sitting on that bench but it is too painful for her and she quickly retreats back to the fantasy (her kids come back to life and join her and her husband) 3) The real world present day where she is down and out listening to parts of scene one and scene two replay in her head constantly courtesy of her Schizophrenia (http://en.wikipedia.org/wiki/Schizophrenia)The whole film up into the last scene is there to give you an impression of what being her and being schizophrenic is. She completely believes her version of reality and the only way to share that impression with the viewer is to "lie" that this is the reality of the film right up until the final scene.So yes this film has no plot, it's a snapshot of an insane mind. Yes Danika's over protective soccer mom persona is fundamentally unlikable but that person never existed, she is a reflection of her very real guilt over causing the death of her children.The hallucinations within the scene one fantasy are perhaps the weakest part of the film, they are used as tool to keep a viewer interested long enough to see the film through and while the provide clues that nothing else that is happening is real or at least that there is some level of menatl issue. They do perhaps serve to confuse more than illuminate in some situations. They are however representative of the way a schizophrenic's beliefs may vary and may represent her additional fears and paranoia.In short you are not ever likely to see a film that will give a better impression of what its like to be insane in this fashion (i.e. believing scene 1 is some kind of reality) but if you can't handle a film that does not have a completely sequential plot, or a writer changing the 'rules' of a film to make a point this will be wasted on you.
An addition to the growing litany of films that portray blissfully deluded unfulfilled suburban mothers whose subconscious erupts in a series of increasingly panic-filled paranoid episodes. Yet who is to blame for their ennui? No one besides themselves as within should be the strength to reject such traditional American life trajectories and live larger-scale, humanistically beneficial lives. Still the notion of the unfulfilled suburban woman is a goldmine that has led to several excellent films - Todd Haynes's "Safe," and Forster's "Everything Put Together." However, this little ditty lacks both the scares and the mood to create a lasting impression. Because the film concerns itself with genre thrills of violent and sexual hallucinations, the subject matter behind the gloss gets lost. Tomei is decent if a little unforceful in her role while Bierko's beefy masculinity is properly used if his role requires a sparse amount of screen time. Not a bad piece of work, and the final two minutes have haunting images and eerie psychological attentions that will retain in my memory, but neither emotionally or frightfully effective enough for a recommendation.