A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Blistering performances.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

It's seems unusual that the Schlesinger studio would do a straight adaptation of a then recent story. One would expect that to be in Disney territory. Even more unusual that Bob Clampett tackle the adaptation of a Dr. Seuss story. Yet he pulled it off and it's one of his greatest cartoons.It's not even a parody of the story either, but a straight adaptation of the then recent story that was published in 1940. Although, Clampett was still able to inject the brash Warner sensibility. While, not over the top zany like many of Clampett's other works, the character animation is what makes the short very strong. The colorful Seuss inspired backgrounds are a thing of beauty as well. I wonder if Johnny Johnsten was still in the unit at that time. This short would have also worked well had Chuck Jones directed and would have sounded like a more logical director in theory. I can imagine the stylized backgrounds at work and more stark expressions on the characters, but Clampett's result was marvelous.This was probably the first connection Dr. Seuss had with the Schlesinger studio. He would collaborate with them on the Snafu shorts for the duration of the war.

I said what I meant and I meant what I said. I am tired of the katherine hepburn impersonations in these cartoons really I am. Peter Lorre impersonations are also made in many cartoons from the thirties and forties. Others include the marx brothers and Laurel and Hardy. Come on impersonate some other celebrities or do not do it at all. Why kill yourself if you've seen everything. Also you cannot really see everything. You could spend a life time and what you've seen would still be almost negliglble. That joke has been done many times before in the thirties also. What a lazy bird. What's with the rhyming Dr Zeuss? Some are really unnecessary. Oh well at least not everything was being rhymed with everything else or it would just be weird. Not the best Dr Zeuss inspired cartoon. The ending is just ridiculous. This is my opinion but some may find it cute and charming there is nothing wrong with that. That is not the case with me.

. . . the meaning of HORTON HATCHES THE EGG. This Dr. Seuss Looney Tune from World War Two does NOT make much sense in its original context of the 1900s. Who ever heard of an ELEPHANT BIRD?! Recently, however, America's crack corps of Warnologists (those folks who laboriously interpret Classic Warner Bros.' Animated Shorts for prophesies of 21st Century America's impending Calamities, Catastrophes, Cataclysms, and Apocalypti--which have proved far more accurate than those of that over-rated prognosticator, Nostradamus) have made a startling discovery. Present Day editorial cartoonists invariably caricature Barack Obama with Horton-like elephant ears. Also, "Lazy Mayzie" sounds a lot more like Hillary Clinton than some dead chick called Kate Hepburn. During his national address Oct. 14, 2016, Mr. Obama cried us a river complaining about Leader Trump and boosting (while making excuses for) that raunchy rooster's moll, Mayzie (aka, Hillary). Rest assured, Today's Citizens of Horton's Future: We've been shown how this story ends. Horton hatches HIS egg, which turns out NOT to resemble a Lazy Mayzie Clinton, but a Cute Widdle Teenie Tiny elephant: that is, a Chip off the Ol' Block, Leader Trump!

Every animation fan is well aware of Chuck Jones's Christmas classic 'How the Grinch Stole Christmas', a seasonal staple based on the classic story by Dr. Seuss. However, fewer people are aware of Bob Clampett's adaptation of a Seuss story, 'Horton Hatches the Egg', which predates Jones's effort by a couple of decades. Out of all the Warner Bros. directors, Clampett is arguably the most obvious choice as the ideal person to adapt Seuss's surreal tales and he more than proves himself with 'Horton Hatches the Egg'. Both the genius of Clampett and of Seuss shine through as Clampett deftly weaves his own edgy, grotesque humour into Seuss's friendlier tomfoolery. Exceptional wordplay (rhyming "it doesn't make sense" with "I'm so immense" is merely the tip of the iceberg) and brightly coloured characters and settings collide with Hollywood caricatures, indelible images and off-colour jokes about backsides, sea-sickness and characters shooting themselves in the head! Clocking in at just under ten minutes, 'Horton Hatches the Egg' is longer than the average Merrie Melodie but if anything it leaves the viewer begging for even more. It's truly a shame that there were no further Clampett/Seuss collaborations as it is clearly a match made in heaven. 'How the Grinch Stole Christmas' may be the recognised classic but 'Horton Hatches the Egg' deserves to be as widely celebrated and its egg-based narrative makes it ideal for the Easter schedules. If only these gorgeous cartoons weren't so rapidly disappearing from our screens, perhaps 'Horton Hatches the Egg' (along with hundreds of other classics) might be rediscovered by a whole new generation. In the meantime, you can get your hands on this charming short on the Looney Tunes Golden Collection volume 6 DVD.