I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's entirely possible that sending the audience out feeling lousy was intentional

The film makes a home in your brain and the only cure is to see it again.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

I was expecting big things after Buzzard (2014) and Potrykus has not disappointed. It's much more than meets the eye in terms of the central theme and if you look at how the main character interacts with the objects around him, you can see what the real story is.

An anxiety ridden man retreats to the woods with his cat in hopes of discovering how to turn any metal into gold. After attempts with elemental science, he quickly turns to alchemaic magic and summons the devil Belial who takes possession of the man.Dialogue is important to me - especially when scenery is limited. A good dialogue (for example from Toni Morrison to Quentin Tarantino) will capture the audience an hold them for hours without blinking. The dialogue in The Alchemist's Cookbook gave me time to check my Twitter account ... twice.I assumed this film could be an ad-lib or improvised performance, but I'm certain that isn't true. This is the first work I've watched from Joel Potrykus. He seems to be motivated by the horror genre which I would love to see in most writers. The problem is Potrykus' attempt to connect it with the real world. There are things in reality that one does not need an imagination to view as horrific - But the translation of mythology to realism eludes many people and (award-winner or not) Joel Potrykus is one of them.The Alchemist Cookbook seeks to rely on the performance of a single actor, that being Ty Hickson. I'm not familiar with Hickson but I want to guess his character is far removed from himself. While the acting isn't anything to scoff over (It's not easy pretending to be alone staring into a mirror while a camera is on you) - I have no idea who Sean is, what he does or did, or even why he's in the situation we find him in. Sean is a void. He's a man in the woods with a cat, so I had to figure him to be the proverbial "crazy cat-lady" that has vacated society because of her crippling obsessions.That being - There's a desperate need to understand how a crazy cat-lady got to be where she is. Who was Sean before he became a crazy cat-lady? How about something simple like, "What happened to your leg?".All in all - I didn't enjoy this movie. I wouldn't recommend it for anyone. But I felt I had to leave more than a simple "Don't Bother It's Terrible" review. Some people do that without explanation so I'll watch the film anyway to decide for myself. This movie, specifically, isn't horror - it's not drama - I don't know where to place it besides (maybe) a film school experiment.You've been warned.

Unlike anything I've seen before. Bizarre with a dark sense of humor. Like art-house Evil Dead, or something. But not wacky comedy...Grounded and human. Astonishing and unclassifiable. The film hinges on a masterful performance by Ty Hickson whose character's slow descent is brilliant, terrifying and sad. A supporting role from Amari Cheatom is flawless, as well. He brings the outside perspective, clashing with Sean's isolation and disdain for society. The film works on a few levels, I think. There's a lot going on here. Like a puzzle that can be assembled in different ways. Certainly in my top 3 films of the year this is genuinely original and brilliant. I really need to check out director Potrykus other work.

First off this movie isn't for everyone. That's for sure. It's challenging and never gives the audience what they expect. The director has somehow made something that doesn't feel like a genre film, but includes elements from past and present supernatural films. It's got a timeless quality. You're never quite sure what's real and what is not. There are moments of genuine fear, and moment of genuine laugh out loud humor. But it's never easy. I almost feel like it needs to be watched twice. Moments come and go, and I know there's much more going on here than I could have caught the first time through, that's for sure. It's layers of paranoia and the effects of mental illness. No cheap shots, no jump scares. People may dismiss it, but there's a lot going on here.It feels like something I've never seen before.