The Buccaneer

December. 11,1958      NR
Rating:
6.4
Trailer Synopsis Cast

During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it's inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes - and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that's more likely to win.

Yul Brynner as  Jean Lafitte
Claire Bloom as  Bonnie Brown
Charles Boyer as  Dominique You
Inger Stevens as  Annette Claiborne
Charlton Heston as  Gen. Andrew Jackson
Henry Hull as  Ezra Peavey
Lorne Greene as  Mercier
E.G. Marshall as  Gov. William Claiborne
Ted de Corsia as  Capt. Rumbo
Douglass Dumbrille as  Collector of the Port

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Reviews

Micitype
1958/12/11

Pretty Good

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AutCuddly
1958/12/12

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Fairaher
1958/12/13

The film makes a home in your brain and the only cure is to see it again.

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Robert Joyner
1958/12/14

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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clanciai
1958/12/15

Cecil B. DeMille's last film (directed by his son-in-law Anthony Quinn, his only film) is a lavish and colourful feast for the eye all the way with some excellent acting by Yul Brynner himself (with hair on for once), Charles Boyer as a pathetic relict of the Napoleon grandeur, Claire Bloom as a wild cat of a pirate's daughter gradually emerging as the only real woman, while Inger Stevens is more like a Barbie doll, E.G.Marshall treading carefully as the governor of New Orleans and many others, but the great story and drama gets somehow obfuscated in the sumptuous and generous mass scenes in splendid Technicolour, every scene making out an impressing image, a typical trait of Cecil B. DeMille, and with glorious fights and fisticuffs in between - the every day life of the pirates of Jean Lafitte is almost the most memorable part of the film. Charlton Heston is a bit exaggerated as old Hickory Andrew Jackson but makes a great impression also.The main thing is the drama, though, which gets a bit muddled up in all the great battle and crowd scenes. It's a tragedy, and does Jean Lafitte really have to take the responsibility for Captain Brown's plunder and sinking of the 'Corinthian'? Whether he had to stand for this crime or not, that's what makes the drama and the tragedy, which nevertheless is saved for a satisfactory end by Claire Bloom as Bonnie Brown, who gets the ultimate victory as a woman and definitely saves the show.

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adrianeverett74
1958/12/16

During the whole Pirates of The Caribbean Trilogy Craze Paramount Pictures really dropped the ball in restoring this Anthony Quinn directed Cecil B. DeMille supervised movie and getting it on DVD and Blu Ray with all the extras included. It is obvious to me that Paramount Pictures Execs are blind as bats and ignorant of the fact that they have a really good pirate movie in their vault about a real pirate who actually lived in New Orleans, Louisiana which would have helped make The Crescent City once again famous for it's Pirate Connections. When the Execs at Paramount finally get with the program and release this movie in digital format then I will be a happy camper. Paramount Pictures it is up to you to get off your duff and get this film restored now !

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johno-21
1958/12/17

I always enjoyed watching this when it came on television during prime-time every year in the 60's. It's a typical Hollywood history epic, dramatized, stylized and full of inaccuracies but so what, it's an entertaining movie and a good looking film. Cecil B. DeMille at the end of his life is the executive producer of this remake of his 1938 film. His son-in-law actor Anthony Quinn who had the supporting role of Beluche in the '38 film is the director in his directorial debut and swan song as he had never directed a film before and never would again. DeMille assembled a crew who had recently worked on his 10 Commandments to help Quinn pull it off including longtime DeMille associate producer/actor Henry Wilcoxon overseeing the project. Also from the 10 Commandments are screenwriter Jesse Lasky, cinematographer Loyalk Griggs, assistant director Francisco Day, 2nd unit director Arthur Rosson, art directors Walter Tyler and Hal Pereira, set directors Sam Comer and Ray Moyer, costume designers Edith Head, John Jensen and Ralph Lester who as a costume design team received The Buccaneer's only Oscar nomination. A great cast here from team DeMille headed up by Yul Brynner as pirate Jean Lafitte and Charleton Heston as future President General Andrew Jackson. Also in the cast are Charles Boyer, E.G. Marshall, Lorne Greene, Claire Bloom and Inger Stevens. At just over two hours it drags in some spots but makes up for it with some excellent battle scenes. I would give it a 7.5 out of 10.

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StormBorn
1958/12/18

Sure, the history in this movie was "Hollywoodized"--but it's far from being the only bit of history rewritten for the masses. Lafitte sided with the Americans because he considered himself a Frenchman and therefore hated the British, not because of any sense of patriotism for a nation that had taken over New Orleans only a short time ago; he broke his agreement and returned to smuggling, which caused his sailing to Galveston; he was more of a petty criminal and scoundrel than a hero *or* a swashbuckler. But who cares? This is one movie that's sheer entertainment--and face it, we all wanted Jean to go for the feisty wench rather than the prudish daughter of the governor. Brynner once again rises over mediocre writing to give a fascinating performance.

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