The story of Danièle Delpeuch and how she was appointed as the private chef for François Mitterrand.
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Reviews
To me, this movie is perfection.
Awesome Movie
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Part of the appeal that drew me into beginning to watch this movie was the thought that it may have a bit of a show detailing some of the more eclectic french cuisine. While there was a bit of that, the food was definitely not as big of a character in the picture as I had assumed. We get to see the side of the main character, Hortense, that is a dedicated chef and detail oriented person. And the real treat of the movie is watching that personality deal with the challenge of being the executive private chef. Overall, the characters in this movie really make it special. And while the pace of the movie is very even, and almost predictable, it is still a special slice of life type movie that I walked away from uplifted.
Being the president's chef at the Elysée Palace is of course an honour which compares to nothing else. No woman has been worthy of the title before. Not until now.No surprise she gets difficulties from male colleagues. No matter she retaliates by the most complicated receipts, although the president says he longs for simple food from his childhood. It's almost parodic and makes you long for something from the fridge.A rather common against-all-odds flick. You know what will happen and it happens. And you will think twice before you enter a good French restaurant again. You're not worthy
Les Saveurs du Palais is for those who like their dramas without the drama - it offers some insight to French internal politics, but much more, it is simply a charming way to celebrate la cuisine francaise.A gentle, well-made drama-comedy based on the real-life experiences of Danièle Delpeuch who really was Mitterand's cook - this fictional account places heavy emphasis on the food and takes us on a journey to the heart of the French cuisine - perfection and simplicity. The film starts on Antartica's Crozen Island and through flashbacks we see how the president's personal cook, fictinally named, Hortense Laborie, ended up there.Catherine Frot has become one of France's best actresses for dramas that require a still, calm, composed center, with the hint that passion is simmering under the surface - her slightly bemused but determined trademark style makes this film work - it is a wonderful solo performance - and she is in every scene - and she brings a delicacy to the role that makes the film a delight to watch.Not surprisingly perhaps the film lacks a little when it comes to conflict and drama - there is good drama - but, it is rather a look into the Champs Elysée and its internal workings. A strong supporting cast, particularly her young sous-chef (Arthur Dupont), who is rapidly becoming a name in French cinema, and the President (Novelist Jean D'Ormesson - who is a superb and prolific biographer but is not a professional career actor). Director Christian Vincent makes great use of permission to film in and around the president's palace and like the food the two settings, the Champs Elysée and in Antartica's Crozen Island lift the film.Overall, this is a charming, and interesting take on food and it's place throughout French society - it is well worth your time.
The subject is OK and unfamiliar and 'Scope Eastmancolor production values are handsome - the close-ups of food are near obscenely gorgeous.Catharine Frot and the cast (largely unfamiliar abroad, even with Hipolyte Gyradot in there) impress though the eighty five year old TV personality fronting as President of the French Republic does seem a bit too fragile and we have to wonder about the accent of the Australian TV reporter pursuing Catharine. The Elysses Palace and the remote Iceland expedition are intriguingly shown. However we are left wanting the revelation, which they build up cross cutting the two situations, and it never arrives, stopping this from being more than a pleasant enough offering for the LADIES IN LAVENDER audience.