Pretty Good

Absolutely brilliant

A lot more amusing than I thought it would be.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

"Hell and Back Again" is a film that was inexplicably nominated for an Oscar. I say inexplicably not because of the subject matter but because the film just seemed to be lacking and didn't seem finished. Yet, oddly, it came close to winning the Oscar for the best documentary feature of the year.The film follows a marine, Nathan Harris, from his tour of duty in Afghanistan to his life at home following his severe injury in action. It goes back and forth again and again to both locations and the transitions back and forth are a bit jarring. So what did I think? Well, some of the film is quite good--such as seeing the tension and hellish battle conditions the men go through. But it also feels like they just ran out of money and stopped making the film--with so much unanswered and Harris's fate very, very uncertain. The film just seems to stop...and is maddening to watch because of this.

This film troubles me. The quality of shooting and editing is excellent, but I'm somewhat unnerved by what the possible consequences of exposing so much about a damaged individual could do to harm their already fragile metal state. A man who is obviously struggling to make sense of his rapidly diverging ideals is here used as fodder for sensationalism - Danfung Dennis does not hesitate to fictionalise Nathan Harris by crudely overdubbing scenes of him struggling during physical rehabilitation with the sound of warfare. Harris is treated as a puppet and it is never explained why. I don't remember Harris himself mentioning flashbacks? This film was either poorly edited or poorly conceived of, but I would say it is still worth watching simply to understand the manner in which the war in Afghanistan is being portrayed to the public at large, a public that have reacted positively to the film in the most part.

Three generations of my family have served their country, with members in almost every branch of the United States Armed Forces. While I decided not to follow in the footsteps of aunts, uncles, cousins, or even my parents, my baby brother did. The day after Katrina hit New Orleans he enlisted in the Marine Corp. It was his unit that was filmed for this documentary.These men are not actors, they are not trying to "play it up" for the camera and any insinuations to the contrary are beyond offensive. These are trained soldiers who sign their lives away to the government for years at a time, some in hopes of earning school funds, and others a career. Their main worries are to do as commanded, and stay alive long enough to be able to reach their end goals. I watched this documentary with my eyes wide open, with the personal knowledge of how these events changed someone I love.The beauty of Hell and Back Again is that it allows the rest of the world to see what soldiers and their families live with. We send our soldiers off knowing that at best they will be forever psychologically scarred and at worst we receive that dreaded knock on the door. When they do return we have to help them adjust back to their "normal" lives. So even though Sgt. Harris is the focus, this really is the story of every soldier who has been in a combat zone.I hope that this film helps people understand that even though many have life altering physical injuries, the hardest part for most will be the life-long mental battle. Only through the genius of editing that follows the emotional path rather than the chronological, can we see those highs and lows with such intensity.In the end I can only repeat what I told my brother after I saw this film. It allowed me to understand him better, not only as a soldier, but as a changed man. And even though he is still a pain in the rear, I am glad that he made it home alive, issues and all.

Sometimes the power in the imagery of a film alone tells an ambiguous tale that can be taken in many directions by a viewer. With the plethora of documentaries on the Iraq and Afghanistan adventures pushing you this way or that, it was incredibly refreshing to see one that had its intentions somewhere else. Just present the war and its impacts and let the chips fall where they may.People made a big deal last year about Restrepo showing the intensity of moments in combat. That film, while great, doesn't even touch what young Danfung Dennis achieves here. The up close intimacy of the war moments took the most brazen courage to compile, but the shots are so beautifully constructed you truly can touch the daring and fear of those moments. I have only felt this before in narrative films like The Hurt Locker.But the footage of the struggle this troubled soldier endures in his recovery from crippling injuries is equally compelling, frightening and heartbreaking. The sewing together of the two worlds presented has a power all its own.I really believe this amazing young filmmaker, who really gives his all to the art in this film, deserves recognition. It won the documentary jury prize at Sundance. It now has been shortlisted by the Oscars for nomination consideration. These are so deserved.