Crossing the Bridge: The Sound of Istanbul

May. 12,2005      
Rating:
7.8
Trailer Synopsis Cast

Award-winning director Fatih Akin takes us on a journey through Istanbul, the city that bridges Europe and Asia, and challenges familiar notions of east and west. He looks at the vibrant musical scene which includes traditional Turkish music plus rock and hip-hop.

Alexander Hacke as  Himself
Orhan Gencebay as  Himself
Sezen Aksu as  Herself
Erkin Koray as  Himself
Sertab Erener as  Herself

Reviews

Lumsdal
2005/05/12

Good , But It Is Overrated By Some

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Comwayon
2005/05/13

A Disappointing Continuation

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InformationRap
2005/05/14

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Lidia Draper
2005/05/15

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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Gravity
2005/05/16

I can't understand the comments about other famous musicians that are left out or how deficient the movie is to describe the cultural diversity of Istanbul...How can you include every single musical pioneer from a city that has a colossal history dating back to 7000 BC for god's sake?It's called creating a concept. Selecting a way of storytelling. Purifying the cacophony of 15 million people living in this mega city.It's a great, hearth touching documentary with "a selection" of influential musicians from many different genres accompanied by mostly melancholic views of Istanbul's urban texture.Highly recommended even if you don't have an interest in world music.

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gokceates
2005/05/17

This is a great documentary and above comments make a brief summary of how great it was so I won't repeat the same compliments. But, Faith akin, being an Turkish oriented guy who probably knows about that country more than an ordinary European, falls into the trap of orientalism that other western artists usually fall. But come on man you are Turkish blooded and your movie could be deeper and could describe what's beyond "beyoglu-old town" It's a missed opportunity for Akinfor that reason. Performances by Muzeyyen Senar and Orhan Gencebay are peek of the movie and Ceza (a very talented and bad ass Turkish rapper) makes some trash talk about American gangsta rappers which I totally agree. I will recommend this movie to my American friends.

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yavuztumer
2005/05/18

First of all, I should point out that I really enjoyed watching this documentary. Not only it had great music in it, but the shots and the editing were also wonderful. However, all these positive things about the film does not change the fact that it plays to the orientalist "East meets West" cliché that bothers many Turks like myself. Okay, this film tells the story of traditional and contemporary Turkish music in a very stylish manner which is a good thing, something that would show ignorant Europeans and Americans that this country is not just about murdering Armenians and Kurds. However, the problematic of the film is that it looks at what it defines as "east" from the eyes of the "west". I mean, like one jazz musician says in the film, maybe there is no east and west, maybe it is just a myth, a lie created by the ruling leaders of "western" countries in order to keep fear and hostility alive so that they could continue ruling the world and "keep the cash flowing"? Why don't you think about that?

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ekarademir
2005/05/19

Ich will danke Herr Hacke für den Filme. Mein Deutsch ist nicht gut. Enschuldigen Sie.First of all, i didn't know how diverse the sound of Istanbul, inspite i live in Turkey.Faith Akin and Alexander Hacke have made a different approach for Turkish music.Narrating, performing, seeing Istanbul and Istanbul Music from a foreigner aspect had given the real meaning of the music itself.In this movie I had found out how different our(Turkish) culture is, how interesting our performers are, and how much respect they deserve. Unfortunately no one have been able to serve this kind of documentary before.

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