As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

One of the most extraordinary films you will see this year. Take that as you want.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The rise of the internet in the 1990s suddenly gave people the ability to talk and form communities about all kinds of weird niche hobbies and mysteries that, as isolated individuals, they previously had to muse over in silence. One of these, I remember, was the "Toynbee Tiles", linoleum squares left on the streets of Philadelphia over these years that contained the cryptic message "Toynbee idea in Kubrick's 2001 Resurrect dead on planet Jupiter". (It's an odd American analogue to the mysterious man in Australia who used to go around scrawling "Eternity" everywhere.) The Toynbee tile maker was obviously a nutter, but in spite of much speculation among enthusiasts who would upload photos of tile sightings and try to riddle out the message, his or her identity remained a mystery... until this 2011 documentary film.RESURRECT DEAD tracks the work of an investigative team of nerds as they put together the pieces of Toynbee sightings from the late 1970s to the present, ultimately identifying the tile maker with an overwhelming degree of accuracy. These are Justin Duerr, the main face of the film, along with Colin Smith and Steve Weinik. Justin Duerr strikes this viewer as rather autistic, and his consuming interest in collecting Toynbee tile information and social awkwardness fills every frame. (I might not be the only one who thinks that his jerky mannerisms and obsession resemble cinema auteur Wes Anderson.) But Duerr is also an artist, and he's so curious about the Toynbee tile maker because he recognizes in the man, mentally ill though the tiler might be, a fellow artist and creative individual.The Toynbee tiler wasn't just leaving tiles. For a time in the 1980s, he would drive around Philadelphia broadcasting his theories over pirate radio. In the middle portion of RESURRECT DEAD, the trio of investigators make contact with radio enthusiasts who prove to have had some limited contact with the tiler back in the day. As the film ends, they have traced the tile maker to a Philadelphia address that belongs to a paranoid recluse. He refuses to answer the door, but his neighbours provide key information, like the fact that his car has a hole in the floorboard, presumably to drop the tiles surreptitiously. The decision to name this recluse might upset some viewers, but besides that single knock on the door and a mailed letter, the filmmakers don't try to intrude on his life, and they decide to just let him be, basking in the satisfaction that they've solved the mystery.I was intrigued by the tiles when I first came across the Toynbee tile community on the early web, around 1995 or so, and though I was never an obsessive like these filmmakers, the idea of the Toynbee tiles remained in the back of my mind as a quirky mystery over the years. While I was happy to discover that everything is now clear, I was disappointed by this documentary film. Its 90-minute length has a lot of filler, like dumb slow-motion replays of the group looking stunned as they learn key facts. Justin Duerr's narration to the camera is chock-a-block with "like", "uh...", "so...", "you know..." -- could he have not thought more clearly what he was going to say for his own film? Ultimately, I commend these investigators for their achievement, but anyone curious about the Toynbee tiles should just read the bare facts as laid out in 5 minutes' reading of press coverage of the investigation, or on everyone's favourite online encyclopedia. Sitting through an hour and a half of this doc just feels like wasted time.

I wish I had some knowledge of the Toynbee tiles before I had watched this, simply so that I could have felt more of the emotions that the filmmakers must have felt. But even knowing nothing, I was completely consumed by the subject and although part way through I started to wonder if I actually wanted to know the answers to the questions being asked, the end satisfied both my curiosity and my reservations.It would be difficult to describe without giving too much away but I experienced an exquisite moment when my mind slipped half a second ahead of the narrative as a penny dropped momentarily before the narrator spoke. I had a smile on my face for the rest of the film.I'm sure that this will not suit many people but for me it was wonderful and inspiring.

I found this documentary to be an interesting investigation into a very obscure mystery. The toynbee tiles were well known to me before this documentary, and their message was also clear to me. The thing which always made me wonder was 'why'. Why put this message on random tiles in seemingly random places? To a lesser extent, I also was curious if the person involved was either insane or enlightened. This movie does a great job of showing a thorough investigation into the mystery, and without giving anything away, I can say they did an amazing job, and they do determine who the original tiler (most likely) is.I am kind of curious how the investigators make a living, as it seems as though they spent an inordinate amount of time on this. Either way, props to them - because without their efforts we would ALL be in the dark about this very intriguing idea.

"TOYNBEE IDEA IN Kubrick's 2001 RESURRECT DEAD ON PLANET JUPITER."Stanley Kubrick's 2001 provides the catalyst for a decades-long planting of tiles in streets all over the US and South America with the above message. The documentary Resurrect Dead: The Mystery of the Toynbee Tiles is director, writer John Foy's attempt to chronicle Justin Duerr's search for the author of these tiles and their meaning.The film is not as compelling as it might be as Wikipedia already lists the perpetrator, whom Duerr identifies after a process of elimination to be Philadelphian Severino "Sevy" Verna, aka James Morasco. He purportedly placed the tiles through a hole in the floor of his car while broadcasting a message via short wave radio about his theories.Thus the suspense is a surface affectation with the film really being about the process of identifying the artist of the tiles. Actually, the deconstruction of the tiles' meaning is more interesting than the hunt for the author, the meaning resting squarely on Toynbee's theory that the body's molecules after death could be reassembled on Jupiter as Kubrick had hinted in his denouement imagery.In addition to 2001, a 1983 short play by David Mamet, 4 A.M., depicts a Larry King-like radio host taking a call about 2001, Toynbee, and plans to populate Jupiter with those reconstituted molecules. Mamet has been flattered thinking the tiles were inspired by the play.Too many talking-head sequences mask the lack of evidence beyond the tiles themselves. Visits to the alleged perpetrator's hood are cold leads that only hint at disclosure and certainly add little to the hunt. Artfully moody original music by Foy lends atmosphere to what ends up an amusing account of two nerds searching out another nerd. I have enough of that experience visiting Com-Con and Star Trek conventions.