Did you people see the same film I saw?

Bad Acting and worse Bad Screenplay

A waste of 90 minutes of my life

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

There is a lot to be said about this movie, and many of the previous commentators have done so very well. A couple of things made me wonder a bit. Did the maniacal orator at the first meeting Frank attended represent that the filmmakers were starting to see some problems with European-style Fascism and National Socialism, and tying it in with a known American problem, the Klan? And then the scene with the Legion leaders, caring only for money, and not a whit of concern for ideology. Is that a warning to Depression-era middle classes not to trust seemingly populist organizations like lodges and unions? Just wondering. Anyway Bogart and the rest of the cast were quite good, but I found the movie preachy and condescending.

Black Legion (1937) *** (out of 4) Pretty hard-hitting Warner drama about factory worker Frank (Humphrey Bogart) who loses a promotion to a Jewish man so a friend (Joe Sawyer) introduces him to the "Black Legion", a KKK-type group. Soon the men are pushing out those who they don't consider real Americans and Frank begins to lose control of his wife (Erin O'Brien-Moore) and best friend (Dick Foran). There's no question that this film has it's heart in the right place but at the same time you can't help but know the real history of things and have a hard time buying into this "equal" talk here especially when you know very well that things were a lot uglier in this country in terms of race issues. This film pretty much just talks about foreigners and never mentions the fact that groups like this were going after blacks so leaving this out, as if they were important enough to throw into the subject, is a bit misleading and really goes again the message of treating everyone equal. With that in mind, the rest of the film is pretty good and contains some very good performances and some dark situations. I wasn't shocked that a blue-collar studio like Warner would dig deep into the subject matter and try to give an honest look at the events. What did shock me is that the film stayed true to its dark nature and carried it out till the end. This might explain why the movie was banned all across the world but I give the studio credit for not weakening out towards the end. The Oscar-nominated story might leave out certain groups but it works outside of that one issue. I think the movie does a great job at making people understands Frank issues and I think the movie does a great job at making us side for Frank. I'm sure many Americans were feeling frustrated just like this character so the movie lets us feel for him but then it makes sure that people know violence in these types of groups isn't the way to correct things. The movie, except for the very end, never becomes preachy and instead it lets the story do all the talking and we're never constantly beat over the head with any type of message. We get to view the events that happen and I think most people will clearly get what the film is trying to say. Bogart turns in a wonderful performance and I was really surprised at how good he was in this type of role. I'd certainly say this is the best work I've seen from him in these pre-fame years as he really makes for a believable character. I think he really fits into that working class nature and he makes you understand everything Frank is feeling and fearing. Dick Foran is just as good as his best friend who tries to get him to quit the group and O'Brien-Moore and Ann Sheridan add nice support as the wives. Apparently Michael Curtiz stepped in when it came time to director the Black Legion scenes and I believe it as these sequences seem a lot different than everything else. That's certainly not a bad thing as they contain some nice drama and just contain an overall different feel. This is certainly an impressive film but at the same time I wish the "message" would have gone for everyone being effected by groups like this instead of it just limiting itself to those running the studio.

Fine Warners muckraking, with Bogie in an atypical good-average-Joe-gone-wrong role, as an assembly line worker in a typical middle American town who is passed over for a promotion and grows quickly to resent the smart Polish guy who got the job. This sends him into a downward spiral of despising the foreign-born, developing a narrow ideology of what constitutes a true American, and joining a frightening, Klan-like hate group to harass and scare off the immigrants. (No black people in this 1930s Anytown, but you can bet if there were, he'd be after them, too.) Bogie has to play a wide range of emotions, even breaking down and sobbing and clinging to his wife's apron strings, and while it takes a while to get used to him in this regular-guy persona, he's very good. It's a plausible story, still relevant in these days of teabaggers and Palinistas, and Bogie is ably supported by Dick Foran (as his more conscientious best friend), Erin O'Brien Moore (as his sad, increasingly desperate wife), and a young Ann Sheridan (whose character seems a bit too calm and forgiving in the final reels, considering what's been done to her loved ones). Daringly, it doesn't have a happy ending, and while there's a hokey fadeout with a judge intoning the moral of the story in one long take (as if we didn't get it already), it's a genuinely scary it-can-happen-here movie.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.