Absolutely Fantastic

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

By the time the dramatic fireworks start popping off, each one feels earned.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The Enfield Haunting was a three part show that I was definitely looking forward to watching. As a horror fan, I was excited to watch it, and very happily binged all three episodes in one sitting. I think that maybe expecting it to be more on the horror side was a mistake on my part, but it fell flat for me.The Enfield Haunting is based more within grief, and how grief affects those it chooses to haunt. This was done very well within The Enfield Haunting. All actors and actresses really brought it to life, and it was an immense feeling of goosebumps and chills for the viewers.However, the show seemed to lack as it went on. There was potential for a lot more, and it made me cringe a little to see how it just got more boring. The jump scares were mere cheap thrills, cheap tactics over used in horror films and not something that would really affect anyone that watches horror on a large scale. For a television show, more aimed at people who aren't huge horror fans, this was well done, but it bored me out of my skin.The story line got more and more jumbled and things didn't feel like they were closed at the end, and I think more could have been done. Another episode might have done good in clearing everything up, and frankly, I feel like I wasted my time watching this.The characters are good, but the plot is pretty sub par, and that for me, was a real killer. It was a shame, truly. I would have liked this to be a seven or eight star review, but six feels too generous as it is.

I have seen this TV film quietly on my couch next to my wife, one of those Sunday afternoons without much to do and almost by chance, and I must say that I was very pleasantly surprised ... In fact, I truly believe that it is a small jewel and aspiring cult movie. The setting is surprisingly good, the script, based on a book by Guy Lyon Playfair (one of the Enfield investigators), is magnificent. It does not abuse of any special effects, and it does back to the typical horror- suspense movies of the 70's and 80's like "The Changeling" type. Now that all horror films are gore or a collection of special effects, that is thankful. In addition, the script is full of subtle comic moments, surreal even, perfectly matched with the suspense of the film, that far from falling into the "Scary Movie" manners, what it does is humanize the characters, make them closer to the viewer and endow them with a certain psychological depth; help to this the great performances (along with the great script), of practically all the actors and actresses of this, in my opinion, small great work of art. The girl who plays Janet (Eleanor Worthington Cox) and the actor who plays Grosse (Timothy Spall) are immeasurable, great. The background of the work transcends the simple entertainment cinema (which is, but with quality), and penetrates into areas such as the importance of attachment in relationships, love, youth and adolescence, the importance of family, etc ... Simply great, hopefully this type of cinema more personal (even if it is in the fantastic-terror terrain) popularizes and more works are done as well as this. It is not necessary to spend a million- euro in special effects in a movie so that it can turn out (this film is proof of it), in fact this film gains credibility by using the just and the just, sometimes very handmade. A film conceived for TV, very good and highly recommended!.

Once of those shows I've had sitting about for ages, and finally gotten around to watching. Part one takes a little bit of effort to get through, as it was a little slow in parts, but the further you get into it, the better it gets. A little tame I'd guess for the fans of the haunting horror genre, but this did so much more then just go for cheap scares, it focused the relationships between the characters, and the deep emotional scars caused by loss. The acting is fantastic, Timothy Spall, Rosie Cavaliero, Matthew MacFadyen and Juliet Stevenson are all as brilliant as ever, what a capable display of talent. Young Eleanor Worthington-Cox is just incredible though, awesome as Janet Hodgson.Hard to believe this story is based on real life events, but true enough, it's all well documented. I felt this adaptation did it justice, they didn't go for cheap thrills, it was made in a tasteful and feasible way. The scene between Maurice and 'Janet' was beautifully played.Possibly a little overlong, but undoubtedly enjoyable nonetheless, a very worthy 8/10

The Enfield Poltergeist was, to many of us growing up in 1970s Britain, a terrifying story. Between 1977 and 1979, a council house in Enfield, England, was supposedly the home to a poltergeist, the definition of which is noisy ghost. The main focus of the poltergeist activity was towards young Janet Hodgson, giving some credence to the experts belief that poltergeists hone in on pre-pubescent teenagers. The events at the house caused a media storm, enticing specialists, believers and sceptics to visit and fuel a fire that still simmers away today.Interestingly the title of this British production has it right, in that calling it a haunting at least doesn't lie to the viewers. As with Tobe Hooper's 1982 film, Poltergeist, the presence of a poltergeist spirit is pretty much a side-bar to another story, where Hooper's film went off to another dimension, Kristoffer Nyholm & Joshua St Johnston's film here dials into grief and absent parents, then choosing to grab demonic possession and mediums for its big shocks.Many liberties have been taken with the facts, with added outside interests brought in to flesh a story out. Though the core essence of the story, the suspicions of truth etc, remain. The Enfield Haunting is a grand and unsettling production, undeniably scary for those that buy into the possibility of a haunting of this type being real. The performances are led by quality thespians, Timothy Spall and Juliet Stevenson, both of whom play grief and distress with a shattering conviction, and young Eleanor Worthington Cox as Janet is a bundle of exciting promise. Period detail is first class, though the house used here is some way away from the actual house of the events, while the opening credits are superb, even if they only tantalise as regards the alleged events in the girls' bedroom and disappointingly don't form part of this story.If this pic has longevity of interest in its own land, or even being capable of garnering interest away from the shores of the UK? Is tricky to say at this point. Because ultimately it plays out with familiar horror conventions, like it's cashing in on the recent cravings for Conjuring and Insidious kinks. Ironically, the team behind The Conjuring have reconvened to make a sequel - about The Enfield Poltergeist. Now I wonder if that one will actually be about a poltergeist... 8/10