the audience applauded

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

1977. Awkward teenager Frankie (an excellent and engaging performance by Jared Leto) has just finished his final exams that could lead to him going to college. However, Frankie fears that he may have failed said exams, so he spends the summer pining for two local girls while contending with his eccentric family and trying to figure out exactly what he's going to do with the rest of his life. Director David Keating, who also co-wrote the wry script with Gabriel Byrne, relates the engrossing story at a relaxed pace, offers an affectionate depiction of the 70's era that thankfully doesn't resort to silly kitsch, neatly mines an amusing line in good-natured low-key humor, and astutely nails the bittersweet yearning, confusion, and uncertainty of adolescence verging on adulthood. Moreover, what makes this movie so likable and appealing is the breezy way it just sort of ambles along at a pleasantly laid-back clip, with plenty of well observed moments of warm drama and gentle comedy sprinkled throughout as well as loads of sharp asides at Irish pride, conservatism, and nationalism. The sturdy acting by the able cast keeps the picture on track: Catherine O'Hara almost steals the whole show with her spirited portrayal of Frankie's fiery and domineering mother Cathleen, Christina Ricci makes the most out of her regrettably minor role as bubbly and radiant American Erin, Byrne registers well as Frankie's colorful actor father Jack, Colm Meaney impresses as smug politician Jim Davern, and Stephen Rea has a funny bit as a gregarious cab driver with a knack for telling tale tales. In addition, there are praiseworthy contributions from Lorraine Pilkington as the saucy and vibrant Jayne Wayne, Jason Berry as loyal friend Nelson Fitzgerald, and Emily Mortimer as the pretty and charming Romy Thomas. Bernd Heinl's crisp cinematography provides a pleasing sunny look. Michael Conventino's jaunty harmonic score and the choice rock soundtrack are fine as well. A nice little film.

A coming-of-age drama, set in Ireland in 1977, the year Elvis died. Louisiana-born Jared Leto plays the eldest and somewhat shy son of an eccentric Irish family, waiting for his exam scores for college admittance while his father (Gabriel Byrne) trots off to America for an acting gig and his mother (Canadian-born Catherine O'Hara) is driving him insane. Plus the two hottest girls in town (one of them Emily Mortimer) are both sniffing around him, and he is the subject of unwanted attention from a visiting American (Christina Ricci). Everything is coming to boil, including a sleazy politician (Colm Meany) sniffing around Leto's perpetually lonely mom. O'Hara is a hoot, and makes what might have been a thoroughly obnoxious character actually quite lovable. A young actor at the time, Leto already showed great promise. I won't vouch for his Irish accent, not being Irish.

I purchased this movie because I wanted to see the acting that Catherine O'Hara was capable of, having seen her in Home Alone 1&2. She was marvelous. She was really funny and a really talented actor. She had the gift of making some parts of the movie funny and others, more saddening. All the other characters were also good and they also played their part wonderfully in making such a splendid film!!

Please don't expose yourself to Catherine O'Hara's cringe making accent.The plot is thin, there is no drive in this movie at all.The one highlight is of course Stephen Rea as the taxi driver, but even his superb contribution is not enough to warrant lifting the odd eyelid.Far better to pop down to the pub and have a quick pint of Guiness.Good luck!Fred F.