Happy, Happy

December. 20,2010      R
Rating:
6.5
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Trailer Synopsis Cast

A perfect housewife, who just happens to be sex-starved, struggles to keep her emotions in check when an attractive family moves in next door.

Agnes Kittelsen as  Kaja
Maibritt Saerens as  Elisabeth
Henrik Rafaelsen as  Sigve

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Reviews

Hellen
2010/12/20

I like the storyline of this show,it attract me so much

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Nonureva
2010/12/21

Really Surprised!

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Nessieldwi
2010/12/22

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Kayden
2010/12/23

This is a dark and sometimes deeply uncomfortable drama

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secondtake
2010/12/24

Happy, Happy (2011)This is a modest film, for sure, and if you take the basic element of it, it's a story told many times. But it's told very well, and it has two extra layers that give it a really odd, pointed humor and pathos (both). You might reduce it all by saying: how Scandinavian. Maybe.Most of the plot is simple. A sophisticated city couple move to the country to live for awhile. (We are never sure why, and they don't work, but it's more than just a holiday.) The wife (played by the chiseled Danish t.v. actress Maibritt Saerens) is reluctant in the opening scene, but the ground is covered with snow and it seems like a necessary adventure.They rent a little house from a country couple who live next door, and the most famous star of the movie is this woman, a simple and idealistic kind of woman (Agnes Kittelsen). She must be the reason for the movie, because she is naive to the point of blindness to her situation (or so we are led to think). Her husband is a slightly abusive guy who gets their son on his side in affairs.The city couple/country couple dynamic is nothing new, and it has some of the familiar expected results, including a genuine mutual admiration between the two women (one appreciating country life, the other admiring urban chic). But a rivalry also is brewing, and some infidelity results. With the nice new complication of a gay element, which I will leave vague and simply say that it happens in a very natural and almost normal way.This is all pretty good stuff, and the making of a simple but satisfying human drama. The two additional layers change the tone of it all. The first is almost silly you would think, but in little inserts, artificially and comically positioned as markers, is a kind of Greek chorus—played by a Scandinavian barbershop quartet in English. It's hilarious and surreal. And it makes you reflect on the events as theater, not quite as a depiction of real people.The other layer is tougher to take, and is given brief but critical screen time. The country couple has a boy of their own, and the city couple has an adopted Ethiopian child about the same age. In an apparently innocent way, the white child plays slave master to the black child, who plays slave (willingly, and with no serious physical harm). The dynamic is chilling to a viewer, and only slowly do the parents catch on (partly because they are all absorbed in their own drama). There is a terrific five second resolution to this near the end, by the city woman, and as cruel and crude as it seems, it's perfect and necessary. And it cuts through all the other crap, somehow, too.By the end you see a kind of fable played out, and it might be a bit simple, but it's sweet and sad and funny enough to work. I liked this more than I thought I would at first.

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Nathan L
2010/12/25

Well, I'll try to elude subjective views as I lived in Sweden - I know this movie takes place in Norway, but anyone whom has lived in either of these countries would say that they are very similar culturally speaking.So, the main character is Kaja, a young, vivid women living with her husband and son in a remote place. Everything seems to be perfectly normal, in appearance... until a young couple coming from the city moves in next door.And then, the "faithful heterosexual family" norm is all falling apart, everybody is trying to get attention from the wrong person and it results VERY funny and critical regarding the so-called egalitarianism of Scandinavian countries.I recommend this movie to anyone who wants to have a laugh and open its mind.

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thedelicatebeat
2010/12/26

I knew after the first 10 minutes that it was going to be pretty much like this for the entirety of the film. Sometimes, that's a good thing. In this case, no. Unless you enjoy uncomfortable domestic situations and people who are insecure and story lines that offer no relief. I'm sorry, but it's not entertaining, for one thing - but it's also not making a grande statement. It's just not pleasurable to watch. I guess, if I would say one thing, I feel bad that very fine actors were involved in this effort, mostly because the script left them nowhere interesting to go. It's definitely not a comedy in the sense that I was hoping for. Maybe Norwegians think this is hilarious? I'm not sure. But as an American who loves mostly foreign films, this one struck me as one to put back in the DVD box before I could make it to one laugh.

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OJT
2010/12/27

Sykt Lykkelig (in English translated to "Happy Happy") is a black comedy where a couple with an adopted kid move to a very rural part of Norway in the winter, after a decision from the husband. She has had an affair. They are overly welcomed by the main character Kaja, which is helplessly stupid when it comes to deal with her own problems, having been a girl with a troubled parent-less background. That seems also to be the reason she has married a high school boyfriend which obviously is the wrong match for her. These two couples, living in two neighboring houses soon is to ruin what is left to mess up in the new relationships. "Sykt lykkelig" is the debut of director Anne Sewitsky, well played by all actors. The film is chosen to attend Sundance Festival 2011, where it's likely to get praise due to it's oddness. It resembles some of the awkward moments in Sundance-acclaimed Little Miss Sunshine, though this film has less charm and is a much blacker comedy.A lot of comedy's love to give you awkward moments, though they often tend to be severely over-done. In Sykt Lykkelig the awkward moments pile up so that you hate it, while wanting to laugh. Funny? yes! But with a severe undertone. The film is light hearted, but is so often seriously meant, so it actually is a little problem for the viewer. I found myself mostly the only one laughing in the theater seeing it, in a crowd surprisingly mainly male, whilst the trailer seem to tell us this is more of a woman's movie.The film is advertised as a comedy about adultery, cottage cheese, blow jobs and elk-meat. Not a very good tag-line, if you ask me. I, however, choose to see the film as a black comedy taking up the problems of adultery, homosexuality, racism, love, loneliness, marriage-problems as well as the lack of understanding between men and women.A male gospel quartet gives us both the deeper thoughts, as well as giving an uplifting feeling when the characters in the movie pile up problems along the line. Thank God this is film. In the end the film gives hope, but loses track in it's own try of giving credibility. Even though this film gives mixed feelings, I can't help see some great acting here, as well as an interesting director. It has been a difficult film to act for the six persons. A kind of understatement humor, with a very black edge, giving a need for serious touch all the way. Sykt Lykkelig is a different film, and a film for those who'd like to be a fly on the wall, or a Peeping Tom.

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