Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other clan leader. Isold, daughter of Erikur now takes his place. Isold and Trausti are attracted to each other, but Isold was promised to Hjoerleifur - the son of the Bishop (of Iceland) and his powerful wife. However, Isold has a plan...
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Captivating movie !
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Another great film from Iceland. What a beautiful and deep work! I saw it many times in my home country, Russia, as it was shown on central TV quite often in 1999-2001. The story is breathtaking - Trausti, who has become a Christian, returns to Iceland from Europe, but then he is thought to be lost at sea and while he is still not found, his house is looted, his people are murdered and he is virtually alone. Then, his revenge starts. Trausti finds new people who will help him to avenge his family and friends. Finally, he uses a very sly method, with the help of nature - in fact, a geyser, that is used as a water heater there. Then, mostly all of his enemies are destroyed and although Trausti is revenged, the film leaves you with a heavy heart, as so many people are dead. What is great in this film is the brilliant, severe nature, with terrible rains all the time. It is not merely a background for the action, no, it acts and work out as a real hero there, too. Other big plus is the role of the fat, greedy Bishop, who is the actual master of the lands, and he is a vile, sinful, horrid creature, with no drop of Christian mercy inside. His power is enormous and his deeds are so gruesome that you feel a deep disgust to him. The very fact that even in a "baptized" land people still pray to hidden statues of Thor explains much in this film. The faith has not come, and the nominal religion is used for masking the bloody crimes. Watch this splendid and breathtaking film, you really must do it.
The Shadow of the Raven is bigger in scope and conception than the only other Icelandic film of its kind (Outlaw: Gisli's Saga). It portrays not only a feud between two families, but the conflict in medieval Iceland between the ancient pagan religion and encroaching Christianity. Naturally, the advocates of Christianity use it for their own political purposes. The other big themes of medieval literature are there as well: conflict of loyalties, treachery by trusted friends, romantic attraction between enemies, and revenge against all odds. The film makes some concessions to modern cinematic conventions - the dialog is not always as terse and ironic as you find in the sagas. But the film is still very authentic, and the action (though it flows from the characters and situations) is not easily predictable.
I just saw the movie here at Rice University. I was very lucky because the director was here with us brought by our English Department. He was very kind to share stories and anecdotes about the movie and answer our questions. I must admit I am very biased because I'm in love with Iceland but if there others over there like me, we do need to see this movie. Gee...I'm still in the XI century with all that people fighting against that landscape and those brave men. Anyways, it was very nice to talk to the director (the Icelandic consul was here as well) but I'm serious, the movie is really, really powerful. Excellent. Who wants to see the Lord of the Rings after this?????
I saw this movie about 10 years ago in Cincinnati under the title "Shadow of the Raven." It was subtitled, obviously, and it was an excellent movie. I would love to see it again. I wonder if it will ever come out on video? It is such a shame that great movies like this are so quickly "forgotten."