Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
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Reviews
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Exactly the movie you think it is, but not the movie you want it to be.
I'm not sure what I was expecting when I watched this movie. Being from Baltimore, I knew vaguely about John Water and Divine, and really almost nothing about drag queens, so I viewed I Am Divine as a complete outsider. This documentary could have gone wrong in so many ways, but I was pleasantly surprised to find that it was a sensitive and respectful documentary about a legendary figure.As far as biographical documentaries go, I Am Divine was pretty standard, starting at the beginning of Divine/Glenn Milstead's life and concluding at its end. There usage of archival footage of Divine both in and out of costume was excellent, while the interviews of his close friends and family were very thorough. I found that the talking heads, rather than being too distracting, served to really painted a comprehensive picture of who Divine was. Though the documentary did touch on the issues that Divine faced throughout his life, such as his initial financial struggles, I would have liked to see the movie address them with more depth. However, on the other hand, I think that it's pretty understandable because I Am Divine was clearly meant to be a celebration of an influential figure's life.I'm glad that I watched this movie. I learned quite a lot about someone who turned out to be enormously influential. Divine had huge hand in shaping current-day drag culture from the prim, debonair queens of the 50s-60s to the loud and colorful drag performers we are familiar with today. I would have loved to see them explore Divine's contemporary impact more in the movie, but alas. I Am Divine could have so easily veered into something that was offensive and mocking, but it stayed so respectful to Divine and who he was as a person. Watch this movie!!
Personally - I think that a sleazy, low-life slob like drag queen, Glen Milstead, aka. "Divine" (whose biggest claim to fame was that he/she actually had the sickening audacity to eat a real dog turd on screen in the movie Pink Flamingos), hardly deserves having a documentary made about his/her sordid, little career as an ugly, gluttonous actor/actress who starred in shabby, self-indulgent, wannabe cult films.For the most part - This decidedly dead-end documentary (about a 350 lb, horror-show hippo) scraped the absolute bottom of the barrel in its pathetic attempt to be a cheery, little piece of informative and enlightening entertainment.To be honest - I really don't know why the heck I even bothered, in the first place, to watch this heap of crap about the "Queen of Filth" - 'Cause now that I have, I totally regret that I did.
16 FEB 1988, Baltimore Maryland, at the Senator theatre, was the premiere of "Hairspray" and a simultaneous AIDS benefit. John Waters and Harris, Glen, Milstead sans his alter ego, "Divine," were the star attendees supported by many A-list celebs as well. This is a good place to start a documentary of the rich, stormy, sexy, and wild history of Divine. It was also considered a turning point as well as legitimizing a John Waters production by the "so-called" mainstream Hollywood standards. It's been a long road for the both of them who first met at 17 years old, doing a variety of independent, and counter culture projects. They didn't start out with dreams of big movie making deals rather, their efforts were purely for their own circle of influence. Only later, when friends and others liked these efforts, did this hobby develop into "Dreamland," an official production company. Further flashbacks reveals Glen's life as a not quite "out of the closet" gay child growing up in an uber-homophobic, late 50's East Coast Baltimore suburbia. At school, he suffered brutal bullying. He tried to fit in with a dress code that evidently didn't fool a rather sophisticated Gaydar in this otherwise Ozzie and Harriet utopia. He even had a girlfriend who still remembers him fondly. Glen had a loving mother, supportive in some aspects, recognized Glen's love of pretty things, style, and fashion. The family was affluent enough to get young Glen his own hair salon. He was the most sought out hair stylist in the neighborhood. Thru overheard gossip of customers, his mother had further evidence of Glen's true id. However, she chose to bury her head in the sand about his orientation. After deciding to make his orientation official, as well as his vices, mother and child parted ways. Now Glen was fully engaged with his film projects and new life. It was Glen's brutal treatment that would serve John Waters and Glen well as the two went forward. John tapped into Glen's traumatic past and channeled the best and worst Divine had to offer. "Making lemonade from lemons" is always a mark of real genius. Divine became an underground Goddess with a body of work that included quite of few music albums. This was beyond the Waters/Glen partnership. Not because of any ill feelings, John just couldn't make a film every year to keep up with the growing demand for Divine. In fact John expressed his happiness for his friend's opportunities. Glen proved his versatility when he went mainstream as himself in 1985's "Trouble in Mind" with Kris Kristofferson. Able to play both female and male parts, he went back to drag in 1988's "Hairspray." Now established in two different cultures, he was set to play a male role in "Married with Children." However, he died the night before he was to begin work. He and his mother had fully reconciled just before this. She and others have good and bad memories but all loved him greatly. These basics and greater details are told by excellent interviews with equally great stock footage denoting a well-researched and complete documentary. Years ago I was never a hardcore Divine fan. Not because I disliked him. I just didn't venture down the path of counter culture. I vaguely recall glimpses and was somewhat interested. Then thanks to tremendously more age, slightly less ignorance, and Frys Electronics' vast DVD and Blu-Ray inventory, I recently got "Pink Flamingos." I became a fan instantly appreciating the counter-culture scope of Divine's performance. I appreciated the risks he and John Waters took considering a somewhat conservative time. Every one of the cast's performance was way ahead of society's acceptable norms as well. I enjoyed it enough to watch all the "behind the scenes" additional commentary provided by John Waters. Now enlightened, I put "Female Troubles," Polyester," "Lust in the Dust," "Trouble in Mind," and "Hairspray" on my wish list. I'm glad I didn't get them yet because my palate is better prepared and cleansed now to enjoy these features with this documentary. In fact, if you haven't seen these previous John Waters/Divine projects, I'm strongly suggesting this documentary as a necessary precursor. That is, if you're the type of patron who feels that knowing an actor's bio can enhance this enjoyment so much more (or less).
Find me a documentary that better explores an under rated actor and I will be amazed. This was perfection in every way. I saw it at the Sydney Film Festival with a packed house. The buzz in the room was electric from the first moment and it never stopped. The film told Divine's story powerfully, they didn't leave a thing out and interviewed everyone. There was no shying away from topics like Divine's bad spending habits or his eating, they shone a light on everything and showed this amazing sympathetic actor in the most beautiful light possible. Filled with huge laughs (I know I missed out on several lines of dialogue simply because people were laughing so hard) and an abundance of emotional resonance. This is the movie about Divine that the world deserved.