Memorable, crazy movie

Excellent but underrated film

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Some one told me a while back that I should check this movie out. I do not really like low cost films so I declined. One Sunday (after hearing how good it was from so many people)I was at the video store and decided to pick it up just to give it a try. I enjoyed it very much. You could tell it was a low budget film but the story line was pretty good. I enjoyed the work of the young actors. The older actors were not half bad either. With a little more funding and a few corrections to the script this really could have done well on the big screen. If you rent it watch it early because there is a good chance that you may want to watch it again.It had me waiting and guessing whats next. Growing up were I grew up this film was true to life for me. I ended up buying a copy. It is a great add to the DVD collection. If you are from the hood you will love this movie. CHECK IT OUT!!!!

After watching the movie three times, I have concluded to give this movie a B+. The movie is obviously an independent film, it was filmed by UrbanWorks Entertainment. For the past year I have been thoroughly interested in new line independent films. They depict a realistic view of life from an inside source. You are the visitor in the movie seeing things from their eye.Blue Hill Ave. gave a very hardcore/gangsta look at life in the ninety's for young people of color. Yet it showed that this was a way of life and they are just as real as anyone else. For instance, one scene showed Tristan and his family at the dinner table eating together. Father, mother, sister and son. In today's light everyone seems to think that there is no family institution in the urban area. Though that may be true, Tristan came from a solid background and still made his choice. This was about money it's evils. How did they die in the end? Over the money. That's what runs the drug ring in this country and in the film. The part with the young woman and himself wasn't cheesy but more simple. That was how it began for them. And for anyone who knows, thats the way they did it back then. It was all so real, and the young men who played them were four very talented young men. Not because they were playing gangstas and using profane language but because they were able to bring the liveliness of what the director was trying to portray. I enjoyed them most in the movie.In conclusion, I loved the movie. Maybe I am biased because I came from a similar background yet I was able to make a choice to succeed. And when people watch this movie they will make a choice too.

I'll explain my One line Summary but let me start by saying... I thought this movie was okay, because it didn't glamorize the life of a drug dealer. If you noticed, Tristan (Allen Payne) had that worried look on his face from the moment of all their wrong doings. LOL. Although, it didn't depict how two children raised in a middle-class home got sucked into the drug game....meaning Tristan as a dealer and his sister as an addict... but life itself is unpredictable. And so is CRACK...Altogether it was played out gracefully. One flaw to me....was the way it ended, so cheesy after such a well thought out plot...but this is explained in the DVD director's scenes ...that there was only 20-something 11HR days to actually shoot film....But....there was at least one woman in the film that in some way to each character...was responsible for them ending up the way they were. Drug dealers. At first I thought, I am glad this film is not making excuses for them as to why.....they were poor (so is the rest of the world) and etc..but when I looked deeper...cause some of the issues in this film are DEEP.... i STARTED THINKING....he is casting blame on someone....WOMEN. From grandmomma, momma, girlfriend and wife. All the women in any man's life. Is it me, or did anyone else get that...?? Tristan's girlfriend who vowed not to get involved with a drug dealer.....did not only that, but married him. The grandmother who cared enough about E-Bone (William L. Johnson)...to spoon-feed his butt when he was beaten up by those hoodlums ...came off like such a women-hater. He actually told her to her face that she failed him in the deleted scenes. And did he say "Nobody cared about him?"... I really wondered why E-bone was so angry...or how his mother died.....but was certainly glad that, THAT scene was cut from the actual film...it was filled w/ too much disrespect. We certainly don't want our grandchildren or children for that matter telling the grandmothers who didn't want them to go to a foster home and decided to try to raise them although old-fashioned, into a productive members to society. But that she failed because wasn't YOUNG enough !!! And on screen he displays his distaste w/ women by referring to even Tristan's wife as "bi..h" Uh....I smell a pattern. Mr. Carl Ross, Jr. ...Do you have something you want to say to us women, damn. To your mother. To your grandmother. To your wife. To your sister. Let's not forget Benny's (Clarence Thomas III) double-crossing two-timing girlfriend. Even Simon's mom was revealed to be a "hoe" and was still sleeping w/ his pimp daddy, but never bothered to tell him that the neighborhood thug was his daddy.....who was always under his nose.....Now what Pimp Father does to Simon, in the film was a very "gotcha" moment for me. Although you figure it out when watching cuz you gave us a clue in the beginning. This isn't necessary because the audience is not stupid. In my experience as a once-aspiring actress....in the words of Uta Hagen...it was said: Acting is THINK AND NOT WHAT YOU DO....well in addition to that, as an audience we are there to watch...so lay-off a little on the narration and one too many clues...but still very nicely written. I liked the twists. Especially between Tristan and wife. I was fooled a little too and the way they finally "set-it-straight"...was also nicely written. The ending stunk though, I reiterate. Stunk very badly. William L. Johnson who played E-BONE was cast off too quickly and let's not forget how the girlfriend was discarded so non-chalantly. She thought she was a key player.....She even said so in the Trailer interviews on the DVD. LOL. And the survivor, was too smug after having his entire life, altered...won't give too much away....but watch how smug he is.....Although he broke down up the street....maybe he should have broken down in his woman's arms.... I know all roles for women can't be uplifting..cuz we do have some mommas who just are not there for their growing children but we wives re-raise some of these street punks or inspire them to be what they should have been....but I can suspend my disbelief and say again, Carl Ross, Jr. I liked the film And I am going to Netflix for more independent films to see if I can get more of your movies. ..but let me leave with this thought that when a boy grows to a man and decides to become a drug dealer, low-life, jail-bird...a film director or producer ....it is not all his momma's fault. Maybe its his daddy's.....

I believe that there is an industry-wide conspiracy to deny theatrical access for independent films, particularly those with multi-cultural casts and themes. Blue Hill Ave. reinforces this suspicion in my mind. Of course, I've seen better movies, but I've certainly seen much worse movies in theatrical release and I cannot believe that Blue Hill Ave. could not merit at least a moderate theatrical release on about 500 screens. I would have certainly paid $8 to see this film rather than to see "Soul Plane", "You Got Served", "Baby's Daddy", etc. Perhaps the Justice Dept. needs to step up their investigation into the anti-competitive practices of the mega conglomerate-owned film production and distribution entities. This was supposed to have been resolved in U.S. v Patamount back in 1948! Anyway, I digress. I though Craig Ross, Jr. and his cast and crew did an exceptional job with this film, especially on such a low budget!If films like Cappuccino (an earlier quality film from this same writer/director) and Blue Hill Ave. can't make it to theaters and the previously mentioned vapid works are able to, why should intelligent Black folks pay $8. at the theater? I hope Mr. Ross' investors were able to profit on this one!