Good movie but grossly overrated

Best movie ever!

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

I couldn't stop laughing and saying "What the eff". I found out later it was a horror movie.I highly recommend this if you're in an altered state. I actually have no idea what the movie was about. I need to watch it again. I'm not sure if you are purposely watching it that it will have the same effect, though.This was years ago. I just happened to run across it here on IMDb so I figured I would comment about what a trip it was.My wife also always tries to tell people about it but we never even knew what it was called until now.

David Lynch comes up with a unusual style of storytelling and this movie extend that style very far.There is no story to start with just humanoid rabbits irrelevantly talking about some thing that happened . In two shots there appears a mouth and a match stick.One can see the same match stick reference in "Inland Empire". This movies gives the more of Lynch taste of exploring the abstract unknown.The Lynch always keeps the audience of the movie to generalize the movie based on his or her experiences which this movie has potential but movie is not made to make any generalization. Quite a time seems boring but worth a watch for die hard David Lynch fans.

Yes, everything is jumbled. It's all jumbled because that is how we experience life. It's how we, our minds, experience the sensations and stimuli that constitute thought and memory and perception. It's the phenomenon of awareness, how events effect our consciousness. It's how events are relived again and again in our minds. Our "Present" moment is constantly amused by, confused by, taunted by and terrorized by memories, impressions and feelings of past moments and events. Our "Present" moment is also assaulted, distorted, effected by future events or moments. How so? By thinking about things that have yet to happen, good or bad, we shape our present moment. The awareness of future moments and events brings pleasure, joy, anxiety, dread, terror into our present experience. Apparently it's mostly anxiety, dread and terror because that is how we are "wired" to react to the unknown. What's more unknown then the future? This is how we are experiencing the "Right Now". According to this experience – which is the "Real" way life enters and effects us – linear, chronological time is a poor, inefficient standard by which to relay or recreate that "Real" experience. You know how some movies reorder the sequence of events to make it fun, confusing, shocking to tell their story? That deeply felt "Aha!" moment when we finally get it, when it all sorts out in our minds. That experience is in fact what makes up "Reality", but occurring much, much more frequently. Occurring constantly, incessantly, eternally, like a never ending nuclear explosion in the mind. It's a terrifying, exhilarating jet stream of 'Aha!s" that constitute our experience of "Reality". You must respect the nature of the phenomenon of "awareness" if you are hoping to instill in your audience, not just information or a mood or a feeling, but a profound "Real" experience. Once you "tune in", then everything (suddenly?) falls in line and you find yourself. You find yourself not just "watching" and "considering" and "understanding" what's going on, but above all, experiencing it. It nearly feels as though it's your own original experience. Nearly.David's 'Rabbits" is a device to recreate his experience not just for our eyes, ears and hearts, but for our consciousness. At the moment we are "watching" his "Rabbits", we are also experiencing life in our nonlinear, personal way. Most people just aren't aware of it. The linear, sequential flat time of "traditional" movies actually is at odds with how our minds are processing "Real" life, but we have learned - been conditioned - to translate as best we can this unnaturally occurring movie information. As we have gotten accustomed to this convention of linear movie time, we have been adopting, and accepting, an inferior reality. A "Real" moment is "experienced", not just watched and heard. And a "movie" is only experienced as "Real" if our minds are processing it in the exact same manner it processes "Real" stimuli, which means not sequentially, but in an echoing, repetitive, staggered, disrupted, broken, vague order. David's "story" has therefore been translated so that it is similar, parallel, consistent with everything else that our mind is experiencing at the moment "Rabbits" is being "watched." You just have to understand the "language" that it's been translated into, which David gives some helpful directions to right at the very beginning and all through. It's by performing the slightly complex contortions of your awareness in order to experience his "story" that you are "opening" yourself up to fully receive, experience it. Once you make this necessary adjustment of your awareness you then "see" so much more clearly. It's one hell of an experience - the anxiety, dread, terror, horror, relief, joy, surprise, and desire are experienced much less out of confusion and much more so out of clarity. There's a "story" underneath, behind, around, within all this seemingly random oddness. That "story" is a very intense experience. And the experience is in the moment of accepting it.Sounds complicated but it's just like those 3d pictures that look like a flat repetitive pattern, but when you focus your eyes just right, you suddenly can "see" into it a very deep, dimensional object or scene that appears "real". You shift your focus just ever so slightly, and it's gone, flat and meaningless again. Same thing here, but the shift in focus is not with your optical vision, but with your awareness. The place or attitude or moment we must shift our awareness to is the key to unlocking the whole experience. And that's easy and tricky.It's an astounding process that David has employed. It's something he gleaned from his 32+ years of Transcendental Meditation. And all this just describes the process we must pass through to "get on" the right "eyes" in order to experience the "Real Story" that is "Rabbits". The "Real Story" is in the mind of the creator but it's equally in the mind of the viewer. True Theater of the Mind. It's like turbo-ultra-3D in the mind. And all done without drugs or a severe concussion.I came upon this awareness through his "Inland Empire" where "Rabbits" are so powerfully effective as an element of reverential doom(?). I transposed my experience with "IE" to find my "way" into Rabbits, which has a much less specific "story" compared to "IE." When you happen upon the "way" it all rushes up to greet you. You will know "Rabbits".

This is a beautiful film from David Lynch, but unfortunately, not a lot of people are going to view it that way. The reason it's so stunning to me is because there is so much tension in just one continuous shot. It's definitely creepy but there are a lot more layers to it than just that. I don't think anyone ever knew that a video with people in bunny costumes and a laugh track could be so uncomfortable. It's one of the most ambiguous things I've ever seen but I'm OK with that, because it is so well done that in a way, I don't have to know what exactly is going on. It's a piece of art and it doesn't have to be anything more than that. Check this one out and I think you'll find that it is obviously Lynch behind the scenes!