Sadly Over-hyped

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This is a gorgeous movie made by a gorgeous spirit.

See it – The ending ruined this one for me, which is a shame because it is a unique film. It's a sword and sandals movie about the Cossacks in the Baltic War, and stars Yul Brynner in the role that he was quite literally "born to play" (being Russian-born). There are sweeping battle scenes with hundreds of extras, and even a few swashbuckling sword fights. Unfortunately, Tony Curtis (as Brynner's son) hogs most of the scenes, and the battles are too brief. Every time a battle looks like it's about to get good, it will abruptly end. Honestly, the main reason I'd even see this movie is to watch the scene that undoubtedly was stolen by Monty Python's Holy Grail when the guy's pushing a cart yelling "Bring out your dead!" 3 action rating.

Released in 1962 a week after Lawrence Of Arabia, Taras Bulba, was not a thinking man's epic like Lawrence or any of the other epics of the time, such as Ben-Hur, Spartacus, El Cid, King Of Kings – it was more of a grand adventure yarn and critics and audiences of the time were just not that interested, despite the film having two big stars in Yul Brynner and Tony Curtis, and a director, J. Lee Thompson, who'd just come off a huge smash hit with The Guns Of Navarone. What Taras Bulba did have was an absolutely brilliant score by the great Franz Waxman.For me the Best Sequence in the film is the Ride to Dubno where the various Cossack legions meet up with each other in long extended gallop march sequence.This film is largely overlooked now despite some broadcasts on TCM where I had the privilege of seeing it for the first time. It appears to be a throwback to that epic film-making style in the 1950s and 1960s but appears to be a bit truncated in its length to retell the Gogol story. The subplot love story between Andrei (Tony Curtis) and Christine Kaufmann is uninspired to say the least. The one interesting fact to note is that Tony Curtis married Christine Kaufmann after meeting her on this film.

Taras Bulba, a loose version of the Gogol short story, is a strange film. I found myself asking what the political statement was? First Yul Brenner is wonderful as he chews his way through the dialog and scenery. He loves to throw his chest out and spout 'important' lines about freedom and freeishness. However, the film drops the anti-semitism of the original--Gogol blames it all on the Jews of course. Being made in 1962 just as the Cold War is getting going the theme seems a bit peculiar. The Cossacks are fighting for their freedom from the devilish Poles. At the time the film was made the real Polish people had suffered horrifying cruelty during WWII at the hands of the Cossacks and their Russian masters, and Poland was being absorbed into the Soviet sphere loosing their freedom for the next half century. Who do we root for, the Cossacks or the Poles? Ceriantly not those heathen commies!

I've seen the reviews here and a couple of comments set "Taras Bulba"'s location in the Argentine pampas. As a native Argentine I must say that's not correct; the pampas run all through the middle part of our Country but this film was shot in the Province of Salta way up in the northern part of Argentina (some 1400 miles from Buenos Aires); the pampas are a huge flat ground very fertile, but Salta is uneven with not too high hills ("cerros") very different from the pampas. Another reviewer says Tony Curtis declared once that when he and co-star Kristine Kaufmann got mixed up during the filming he was already divorced of Janet Leigh; I don't know about that but I can assure you that Leigh came to Salta with him (a friend of mine has a photo with her on the "cerros"). As to the picture, I really enjoyed it -also because I lived in Salta a couple of years and the landscape is very familiar to me- but I think a real classical epic could have come out of Nicolai Gogol's famous novel with a more elaborated script (as a reviewer correctly stated here).J. Lee Thompson's product seems sort of "cheap" and lacks spectacle (except for some real good battle scenes) although I admit if has some very good moments. A somehow impressive one is when the big doors of the sieged city open slowly and André (Curtis) appears in a frontal close shot wearing a Polish armor and helmet for he will make a run for food too feed the starving citizens inside in a clear treason to his country and father for the love of a woman. Also the final dark atmosphere Thompson achieves when Taras (Yul Brynner) confronts his favourite son after a treason he can't possibly understand and even less when André just explains "I did what I had to do". Brynner's performance though a little overacted is good enough and he fills the role of Taras easily. Tony Curtis makes a great effort and gets some good moments as André though he clearly lacks the appropriate "physic du rol". The rest of the cast gives a good support, among them Sam Wanamaker, Brad Dexter, Guy Rolfe and George MacReady. German actress Kristine Kauffman shows her beauty.All in all "Taras Bulba" comes out as an entertaining and amusing film in its genre and a decent intent on Gogol's book, but no much more than that.