One of the worst ways to make a cult movie is to set out to make a cult movie.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Absolutely awful and boring. It's a wannabe film. A wannabe 'Goodfellas' that came off more like 'The Outsiders' with Hasidic Jews and Israelis. The fact that it's based on a true story is the only way they got this film made. Maybe it could have been interesting if it was told differently but it wasn't. You don't like the main guy you just want to smack him on the head for being such a dumb a**. In fact, you don't like anyone in this film. People don't go to movies to see a bunch of people they don't like in a boring story. It could have been interesting but it wasn't. You really have to wonder what Jesse Eisenberg is doing with his career if he goes from good hit films to this indie turd. Overall, badly written, badly directed. After the Jesus camp horror film he did, maybe he's trying to hit a religious gambit of poor films. It was clear that this film was trying to be poignant and edgy and it was your film student types who thought they could really shake things up with an "unheard of" true story. They sat around drinking beers talking about how they were going to get all of these awards, etc. It's a predictable glory piece that's banking on the fact that the subject matter will get it some awards and out there because Jewish films always get recognition. But, let's face it, if most of the judges at the Olympics were Russian, the Russians would always win. That's just how things go. It just seems that the film makers could have used their time to make something a little less trite. Maybe they should take the Robert Carnegie class or read something on how to develop characters and give them emotional depth. This film was completely void of that. It was just people going from place to place doing stupid and bad stuff. That's it. That's not a movie, that's a newspaper article.

Holly Rollers set's out to tell the story of Sam a honest Hasidic Jew growing up in NYC. Based on a true story Sam ends up with the wrong people after some harsh things happen in his life, and he eventually ends up over seas to sell "medicine".I thought the acting was above par all around, and the story was great, as well, and even a little bit fun. I love the NYC environment in any movie. That's just me, and this is no exception. I felt like I was in the city. Over all it was worth watching and I would recommend it for something to watch on a rainy day!

Based on real events in the 90s, apparently, Holy Rollers tells the story of Sam Gold, (Jesse Eisenberg) a Brooklyn Hasidic Jew who, feeling hemmed in by the predetermined path mapped out for him, becomes involved in drug smuggling using Hasidic Jews as mules because they don't - or didn't, at that point - get searched by airport Customs.I had two problems with this film. One, while I understand that much of Sam's background had to be shown for expositional and dramatic purposes, it wasn't something which I felt easy to get to grips with. Sam's fall from grace therefore didn't have anything like the impact for me that it would for someone from his background. The other was that, for a film which was potentially quite dramatic, I didn't find much drama in it. It was all rather mundane, and drab, and "so what?" Even when potentially dramatic moments arrived (like arguments during drug meets), nothing dramatic happened.Jesse Eisenberg did well in the thankless role of Sam: for me, though, Ari Graynor was the only thing worth watching, perhaps because she played the only character who was attractive, sympathetic, and who I could identify with.

Within the last thirty years or so,independent cinema has certainly taken on a more respectable air in the annals of movie going. Film makers such as John Sayles,the Coen brothers,and other mavericks have made their mark among the sludge that constitutes main stream movies. Now we can add yet another name to that list:Kevin Asch,who previously directed one other film,'Characters' (unseen by me). Based on situations that transpired in 1998,'Holy Rollers',is a tale of two Hasidic Jews that unknowingly become drug mules for a collective of drug runners from Isreal. Sam Gold (played by Jesse Eisenberg,of 'The Squid & The Whale'fame)is a young man,working for his father's clothing business,until his family hopes (and prays)for Sam becoming a Rabbi someday. In trying to help out his family,financially,he is introduced by his next door neighbour,Yosef Zimmerman (played by Justin Bartha)to Jackie Soloman (Danny Abeckaser),a drug baron,who leads Sam down a one way path to impending doom,as a carrier of pills from Europe for rich "goys" (non Jews). Jackie is smooth (and slimy)enough to get Sam to do his bidding. Sam is smitten with Jackie's girl friend,Rachael Apfel (Ari Graynor),as well as a taste for the good life ('tho not until he is over his head). Others in the cast include Bern Cohen,Mark Ivanir,Halle Kate Eisenberg (Jesse's real life sister),and look out for a cameo/walk on by rapper,Q-Tip,as Ephrim,a fellow drug lord working in Holland. Kevin Asch directs from a screen play written by Antonio Macia. The films gritty cinematography is by Ben Kutchins,with editing by Suzanne Spangler. The film does (at times)resemble 'Maria,Full Of Grace',from a few years back (but don't let that steer you away from a well written,directed & acted film,such as this). Rated 'R' by the MPAA,this film contains strong language,drug references,and some brief sexual content. A film that could act as a warning to young Jews about the dangers of the drug trade,as well as a cautionary tale that could have been told by a Rabbi about swaying from the path.