Easily the biggest piece of Right wing non sense propaganda I ever saw.

By the time the dramatic fireworks start popping off, each one feels earned.

This is a gorgeous movie made by a gorgeous spirit.

Close shines in drama with strong language, adult themes.

I'd never heard of or knew about this film. I came across it on Netflix as I was looking for British films to watch. If you like gentle British comedies/dramas similar to the Margery and Gladys film with June Brown and Penelope Keith, you'll love this. I'm not going to pull the film to pieces on improbabilities like some critics do, just watch it for the fun it is. There are many older British stalwarts of film and television in this and it's great to see them together here. I loved this film, though it will probably appeal to an older audience more than a younger one.

This film quite reminded me the Korean film I saw a few years ago called 'Grandma Gangsters'. That film was about a vacation, though money involves and here it was about the pension. That's a serious thing, could have been another 'I, Daniel Blake', but that's not how it goes. A very interesting and comical take on the pension crisis. What could the old people can do about it? Well, that's the point, they use an opportunity that comes their way to tackle the issue.I love films involving aged people. Not for amusement, but to see them struggle, emotionally I break down. Only those on the realistic portrayals. This title looked okay, but when I read the synopsis, I desperately wanted to see it. I knew it was a comedy, so I did not expect greater, except some good laughs. It did delivered, but I felt a few scenes were very unrealistic, even for a cinematic. Like the ending was not convincing enough. Though the rest of the film was fine.The story centres on the character Arthur played by Bernard Hill, which I first time noticed his character, particularly being in the lead since as Theodon, the King of Rohan from 'The Lord of the Rings'. So, like any film, it all begins with a simple introduction of his life and people around him. Unlike his friends, he is much able to do the stuffs at his age. Some way or the other, they are all depending on him, including his wife. Then one day he comes to know that he's not eligible anymore for his pension benefits. After thinking a lot, the heartbroken Arthur decides to take an extreme step. So begins his new adventure, and the following, his gang joins him.❝They may take our pensions, but they will never take our lives.❞Does it not sound cool! Brilliant performances by all. For a theme like this, the characters have to be fit which is a stereotype that this film breaks. But there were some sacrifices like the screenplay was altered to balance between the physically weak characters and the contents that's usually fast and furious and sometimes rough handling requires. It all worked though.A crime film, yet there's no violence or the action sequences. Involves some nervous scenes and like I said earlier, the end twist should have been better. Considering how everything was developed, that was not a bad ending at all, especially keeping in mind audience point of view of what they would be expecting. It was not entirely about the old guys. The cops have a small part, including one of them was old who leads the robbery case.At some point, it looked like 'Bonnie and Clyde', which was mentioned in the storyline as well. Like a cat-and-mouse game, the events in the tale stretches as much as it can possible, providing entertainment for us. The narration could have ended in very early, though the cops were not all Sherlocks. Everything in the interest of the film to develop in the right way with little silly and more funny.Not an average film or a classic. Made with a decent budget and the fine casting, I think the film is good to try once, but I suggest not to anticipate like any outstanding heist films you have seen in your life. Learn about the film, like its storyline and its characters. If you do that you will understand its limitations, except less fun while watching the film.7/10

This was a film of gentle entertainment for people who like a cheery story and a pleasant viewing experience with a few laughs along the way.If you like gritty crime drams, horror movies or deep and meaningful drama this will not be the film for you. If you would enjoy seeing the best of our stalwart British Actors still adding value in their latter years with a gentle story with an uplifting ending you might fare better.A great soundtrack for baby- boomers. Look out for classic performances from the likes of Phil Davies who never fails to please.

Nick Knowles is best known in the UK as the presenter on the various National Lottery quiz shows and as a staple ingredient of the BBC's daytime TV schedule fronting various lifestyle shows. Apparently he also fancies himself as a writer, and somehow or other, one of his scripts has managed to get the green-light and released as 'Golden Years' with the extra tag-line 'Grand Theft OAP'. It came and went from UK cinema screens without any fanfare, and isn't likely to get any larger exposure now it is available on home video.Bernard Hill is hardly a headline actor (I recognised him only as Captain Smith of the Titanic in James Cameron's 1997 film of the same name) - his most famous work was probably 'Boys From the Blackstuff'. Una Stubbs starred with Cliff Richard in the film 'Summer Holiday' and was Aunt Sally in 'Worzel Gummidge'. Simon Callow was in 'Four Weddings & A Funeral'. In 1966 Virginia McKenna starred in 'Born Free', and like most of the cast, her career has seen better days. I guess there aren't many good acting roles for pensioners these days. 'Golden Years' tries to be a comedy but never really succeeds.Sloppy editing - or writing - I'm not sure which, means there are plot holes you could drive a tank through. What happens to Alun Armstrong's character at the end of the movie I have no idea as he just seems to disappear, and the timing of the funeral before the big heist makes no sense at all. Unless I missed something, a character dies and is buried within two days, and that just isn't realistic. We're led to believe the characters get away Scot-free with their heist, but how can that be so when Brad Moore's character clearly had them bang-to-rights just before the final climax? Suddenly nothing seemed to make sense and it is full of unanswered questions. Besides anything else, are we to believe he went out to a caravan dealer with several wads of sealed £50 notes and paid for a top-of-the-range model in hard cash? Wouldn't something like that arouse suspicion? Wouldn't the brand-new notes be traceable by their security numbers? The police would be knocking at his door in a heartbeat. I think Nick Knowles should stick to presenting, as he clearly isn't much good at writing.My advice is to wait for this one to hit Freeview and air on Film4. You're not missing anything by buying it on DVD. I can't believe they even got 'Bargain Hunt's real-life auctioneer Philip Serell to basically play himself in a cameo. Nothing about this film was even remotely credible. Even the 'Care Home from Hell' at the beginning was laughable, and not in a good way, and that's before I get to talking about the idea of an 'NHS Postcode Lottery'. It's the sort of right-wing nonsense you read in the 'Daily Mail' that is inevitably not true. I really didn't rate this film much at all. 5/10 is being kind.