The Traffic Department

January. 31,2013      
Rating:
7.3
Trailer Synopsis Cast

Seven policemen, seven deadly sins, a murder case, secrets and the filth of everyday police work: Traffic Department transports the viewer into the darkest Warsaw streets.

Bartłomiej Topa as  Ryszard Król
Arkadiusz Jakubik as  Patrycki
Julia Kijowska as  Madecka
Robert Wabich as  Hawryluk
Eryk Lubos as  Banaś
Jacek Braciak as  Trybus
Marcin Dorociński as  Lisowski
Marian Dziędziel as  Gołąb
Agata Kulesza as  Jadzia
Izabela Kuna as  Ewa

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Reviews

Platicsco
2013/01/31

Good story, Not enough for a whole film

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GazerRise
2013/02/01

Fantastic!

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SpunkySelfTwitter
2013/02/02

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

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BelSports
2013/02/03

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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maurice yacowar
2013/02/04

Wojtek Smarzowski's Traffic Department is a Boschian view of corruption in contemporary Poland. Its main focus is on seven thoroughly corrupt police officers. But the film makes the police corruption only the tip of the iceberg. By film's end the entire business, political and government structure has been implicated, with the pervasive self-seeking leading as far as murder.The first multi-sinful driver who offers a bribe is a fat priest. In the second religious image, a pedestrian line of nuns causes an abrupt stop and collision that bring poetic justice to a cop being orally served in the back seat. In the other poetic justice, the wife of a white racist cop gives him a black baby son — and claims she was raped.Indeed poetic is the only justice these cops effect. Their unfaithful wives respond to their promiscuous husbands. The only real police work we see is the central figure's energetic investigation to clear his name when his wife's policeman lover is found murdered. This indignant cuckold has been having an affair with his partner.Typical of the pervasive corruption, an early radio report of a scandal in professional soccer is followed by the hero's young son's report that his soccer team has been offered a bribe to lose the next game. Even after his father's moral awakening, he advises his son to win but that "It's only a foul if a bone sticks out."In the last scene our severely compromised cop gets a full honour funeral — at which in a high angle long shot we see some police executive arrested and hauled away. The pretence of honour and the pervasive corruption rest in uneasy balance. For more see www.yacowar.blogspot.com.

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p-stepien
2013/02/05

Wojciech Smarzowski, arguably the most prospective director in modern Polish cinema, returns with his fourth feature, one undoubtedly of a lighter tone than most of his grim Coenesque thrillers. Knee deep in national societal issues "Drogowka" takes a look into the corrupt underbelly of the Police force, epitomised by the officers of law treating bribes from drunken drivers as a pivotal source of income. Morally inept the Polish policemen indulge in drinking binges coupled with sexual bunga-bunga forays into local whorehouses. Within the confines of the system the officers present an un-Hollywood attitude towards their duties, seemingly focused more on extra-marital sex and additional entitlements, than doing their job.Nonetheless, Smarzowski delivers cardboard cutout characters, seemingly overly focused on delivering excessive grotesque stereotypes, than fully fleshed out characters. Even plot points regarding these characters are poorly crafted, especially when the most immoral officers get their comeuppance. In the most hilarious scene of the movie the sexually promiscuous Petrycki (Arkadiusz Jakubik) has Smarzowski bite back at him will some nice crafted karma, only to suddenly deliver a contrived series of paybacks, such as the racist Banas (Eryk Lubos) finding out that his wife gave birth to a coloured child.The overall characterisations are general overkill of aberrant pop-cultural traits, which are appropriated to police officers, attached to the officers in embellished fashion. The anti-heroes turn out to be farcical representations, which fail to really work with the more dramatic level-headed plot, whilst simultaneously being unfunny and tiresome. This is not helped by vast parts of the movie consisting of fly-on-the-wall or hand-made footage, which make the everyday work of police officers seem even more gruesome, almost surreal, especially compared to the similarly filmed "End of Watch" by David Ayer.Within the confines of these poorly structured characters, the movie struggles to get into any gear, but once the plot finally unravels suddenly it becomes a tentative and engaging watch. Officer Ryszard Król (Bartlomiej Topa), one of the more reclusive and honest police officers (but purely on the scale of greyness), becomes the unlikely hero, despite his unappealing exterior. After one alcoholic night out, Król wakes up wasted near the Wisla river, soon afterwards he finds himself accused of murdering another officer, whose body was found floating in the nearby waters. Instead of waiting for a trial, the seemingly innocent man (alcoholic incapacitation aside) decides to go Richard Kimble, breaking out of the police station and out searching for undeniable proof of him being framed. As the story slowly unravels, Król finds himself but a small pawn in a much larger game for power and money, which is a cancer riding through the Polish elite.Once the thrilling chase and ensuing investigation actually gets going and the odd excessive wackiness of the workings of the police becomes muted for a proper story, Smarzowski finally finds himself back in his comfort zone, becoming less ludicrous and more of a poignant storyteller. Failing as a societal observer of modern Poland, Smarzowski has slightly decreased his standing in my eyes, lacking the subtle comedic poignancy to use irony as an artistic tool. Nonetheless, it seems I am somewhat of a minority opinion, as the general reception by the public seems significantly higher, even though the vision presented by Smarzowski seems to contrast with my real-life encounters with Polish police officers. Instead, Smarzowski goes for a running joke of the 'knock knock' kind, falling haphazardly into the logic and narrative of tabloids.

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art schneider
2013/02/06

First of all , This director made before two GREATEST MOVIES EVER : "WESELE" and "DOM ZŁY" Both the most amazing movies i'v ever saw ! He really knows well how to made good film . DROGÓWKA is about Polish Police in the biggest Polish city WARSAW . The true about corruption in Police department , about hypocrites , about love ,death , fights , fast drives , bordellos , Russian girls for 15$ blow job (btw. one of the scenes shows Policeman blow job on the car - this place U see is the real one , - true Poland as i said :) I Don't TELL U STORY PLOT but i can promise U WILL NOT BE Disappointed . This is the one of the best movies from years made in Poland, You MUST simply SEE our Polish climate , our Policeman behavior , our beautiful "whores" , our "christian world" (YEP WE HAVE MOST CHURCHES IN THE EUROPE - WE ARE RELIGIOUS PEOPLE but....) YES ..but we are the same as the rest of the world . We are BAD ! We are "NOT TOLERANT NATION" , We are "RACISTS TOO" ! We are "ALCOHOLIC NATIONS" , We are "WITHOUT TASTE" , We are ........... J U S T .....H U M A N S .....Do as U want but U must know : If u miss this title U miss all true about Poland . __________ As i said my English is very weak - sorry 4 that , i hope you understand my text but i realize that some part might be not so clear and logical so forget about what i wrote and just decide to watch this film because of my experience ....a thousands movies from 25 years . AND I SAY THIS FILM IS WORTH TO SEE !

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