Yawn. Poorly Filmed Snooze Fest.

The Worst Film Ever

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Veteran western director George Sherman's "Tomahawk" qualifies as a predictable but entertaining, Blue coats versus the Redskins horse opera. Van Heflin toplines this Technicolor tale as a savvy cavalry scout, Jim Bridger, who aligns himself with the U.S. Calvary but argues on behalf of the Indians. Bridger has young Native American daughter, but his wife is dead. Universal Pictures forged his 1951 oater in the mold of Delmar Daves' landmark epic "Broken Arrow." The Native Americans aren't just bloodthirsty savages howling for scalps. The Sioux Indians have suffered bitterly at the hands of treacherous whites, and "Tomahawk" presents them from a sympathetic perspective. The Black Hills of South Dakota scenery is rugged but beautiful, and Sherman paces the action so it doesn't wear out its welcome. Despite its lofty sentiments toward the Indians, "Tomahawk" is still a conventional dust raiser. Yvonne De Carlo plays the love interest that hates the heroic scout initially and hangs around a despicable cavalry officer played with villainous verve by Alex Nicol. Look closely and you'll spot a young Rock Hudson as a cavalry corporeal. "Rancho Notorious" scenarist Silvia Richards and "Love Me Tender" scribe Maurice Geraghty incorporate the historically infamous Fetterman massacre where the cavalry are lured into an ambush. Aside from its pro-Indian stance, "Tomahawk" observes all the conventions of the genre, but its chief virtue is the offbeat casting of Heflin as the hero. Jack Okie is squandered in a supporting role as a cavalry scout who tags along with Jim Bridger. The love interest between Bridger and Yvonne De Carlo's character is never resolved. In a sense, the Indians win because a new treaty is negotiated and the cavalry are ordered to abandon their fort which the Sioux promptly burn. The characters are all one-dimensional. Although this western packs no surprises, Sherman has done an efficient job of making it.

Battle of Powder River (AKA: Tomahawk) is directed by George Sherman and adapted for the screen by Sylvia Richards & Maurice Geraghty from a story by Daniel Jarrett. It stars Van Heflin, Yvonne de Carlo, Alex Nicol, Preston Foster, Jack Oakie, Tom Tully, John War Eagle and Susan Cabot. It's a Technicolor production filmed on location in the Black Hills of Dakota, with music by Hans J. Salter and photography by Charles P. Boyle."This is the Laramie Conference. A powder keg that may explode at any moment. It would take little to light the fuse. There are important and powerful men here. On one side the leaders of the Sioux nation-on the other representatives of the United States. But on this day it will take a great man to see both sides-Jim Bridger: pioneer, trapper and scout, is such a man."Coming a year after Delmer Daves' excellent and similarly themed Broken Arrow, Battle of Powder River appears to have been lost in the mix of Westerns sympathetic to the Indians. Much like Broken Arrow, and for that matter Devil's Doorway (1950) as well, this is propelled by a magnetic and strong central lead performance. Van Heflin as Jim Bridger gives the film a believability factor, important for a film that's based around historical events in Montana Territory 1876/7. Thankfully the film built around Heflin isn't too bad either. The plot essentially involves Bridger, a man who married a Cheyenne woman, caught in the middle of an impending war between the Indians and the American military. The army are ordered to build a road and fort on land previously ceded to the Sioux by a previous treaty. This they want to do because of gold having been discovered in the Dakota's. Bridger sets about trying to keep peace but is undermined by personal conflicts and violent bigots like Lieut. Rob Dancy (and effective rascal turn by Alex Nicol).Naturally for a film of this type, budget, era and running time, it's not an actual history lesson, so folk should not expect as such. But the makers are thoughtful as regards the events of the time and neatly tell their story via the fluctuating perspectives of the characters standing either side of the brewing conflict. It's also nicely shot by Sherman (The Battle at Apache Pass/Comanche) and Boyle (Horizon's West/Gunsmoke), the location work integral to the plot so as to understand what these people were ultimately fighting for. While Salter scores it in standard Cavalry Vs Indians style. The minor problems come with de Carlo's character and the shortness of the action. The former, admittedly lovely in Technicolor, serves only as romantic surplus who does a real dumb thing, and the latter is annoying since Sherman was more than capable of crafting exciting action (for example see the finale of The Battle at Apache Pass). Here the final battle of the title is swift and basically a compilation of charge and be felled sequences, while a buffalo scene is all too brief and only hints at what excitement could have been garnered from that passage of play. Annoyances for sure, but not enough to drag the piece down to B movie fodder territory.Although it's trumped by two, thematically similar and better movies the previous year, the story, Heflin and the scenery make this a must see for the Western fan. 7.5/10

Just found a video of Tomahawk at a yard sale. The filming itself was beautiful in glorious Technicolor! If you are a Western fan you will like this one, so give it a watch if you have the opportunity. Van Heflin played Jim Bridger the famous mountain man and scout. Mr. Heflin was a wonderful actor, but I think I would have chosen someone else to play the legendary Bridger. He just didn't seem rough and tough enough for the part. Maybe he did such a good job in Shane that I type cast him myself. Still, he did a very good acting job in this one. Good old Jack Oakie was the side kick and added the light touch of humor. His acting experience was always welcome in any movie. Another great character actor, Tom Tully, ran a traveling medicine type wagon show with Yvonne De Carlo as his assistant. I don't remember seeing her lovelier. Preston Foster as the always reliable man in charge as the commander of the fort. Alex Nicol played his part well as the bad guy (who kills Indians from hate). An early bit part for Rock Hudson as Hanna. By the look on his sleeve he was a corporal. Watch fast or you will miss him. Ann Doran was Preston Foster's wife Mrs. Col. Carrington, always a reliable actress (remember her as James Dean's mother in Rebel Without A Cause?) The very lovely Susan Cabot played an Indian girl who travels with Jim Bridger since her family was killed by the Chivington gang (Susan was murdered in 1986 by her son who suffered from dwarfism). Red Cloud was played very ably by John War Eagle. He was a veteran of many movies and TV work, mostly westerns such as Winchester 73, Annie Get Your Gun with Betty Hutton, Sgt. Preston, Annie Oakley, Buffalo Bill Jr, Roy Rogers show, etc. Capt. Fetterman was played by Arthur Space a long time character actor along with Russell Conway as Major Horton another great character actor. It is just a good old fashioned Western with plenty of action. Don't worry about historical facts or get caught up in the old treatment of Native Americans debate. We are all aware that the Indians got a raw deal in many a treaty and that white, black and red people were murdered without reason. The movie is meant to entertain. Let it do its job and just enjoy the movie for what it is. Well worth watching!

Universal's western is an entertaining cavalry-Indian affair that details the frontier adventure from the point of view of famed scout Jim Bridger. The film recounts the usual treaty-breaking by whites that despoils the Indians' hunting grounds, the conflicts of which lead to war between the Sioux tribes and the troopers. Two major battles, the Fetterman engagement and the Wagon-Box Fight are touched on as well as tensions caused by an Indian-hating lieutenant. The lush, beautiful country and wild buffalo herds lend authenticity to the story and keep the film moving at a good clip. Van Heflin is sincere as the scout who knows Indians and understands their grievances. Yvonne De Carlo is striking as Bridger's love interest although an Indian girl complicates matters a bit. The cast is good, especially John War Eagle as Red Cloud. Hans Salter contributes a nice traditional western music score.