Good story, Not enough for a whole film

Admirable film.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

For quite a while I watched this film with interest and respect, but little by little I began to have some doubts about it and, then, I was turned off completely by the ludicrous ending. SPOILER I then looked back over the film and, bearing in mind the slight doubts I had about certain aspects of it even before the dreadful ending, and enlightened to no small extent by the variety of reviews from users on this website, I concluded that, all in all, it was something of a con and not to be taken too seriously (by con I mean a sort of confidence trick, almost too clever by half, or at any rate too clever for its own good). I didn't like either of the young women, but that is not in itself a reason to criticise the film. I thought the blonde girl was silly, unthinking and irresponsible (often called "free-spirited" – haha!), and I found the dark girl boring, repressed and depressed. If the blonde girl had been a guy she would probably have appeared as the worst sort of Casanova, or at any rate a guy who followed the urgings of his penis without for a moment engaging in any sense of responsibility. The dark girl, Mia, although engaged to be married in a short while to a reasonably normal and decent young man, allowed herself pretty quickly and willingly to be seduced by lesbian Frida and the two of them were soon having a good time in bed and apparently devoted to each other. They called it love – and here I am not making any distinction at all between love between two women and love between a man and woman – but it was nothing more than strong sexual attraction, for which, apparently, Mia was willing to ditch her man and change her life. As other reviewers have pointed out, the two of them never seem to have any sort of conversation together, let alone a meaningful one. Then there was the odd little bit of dialogue between the two of them when Frida suggests that Mia was more adept at making love to a woman than a "virgin" would have been and Mia acknowledged that she had had a previous lesbian relationship. Where was that supposed to take us? It gives the lie to the whole meaning that we had ingested up to that point, namely that Frida seduced an otherwise "normal" girl away from her man with her sexy wiles. Then we had the strange behaviour of Mia's father, who actually and literally refused to hear what Frida's mother was telling him, i.e. that Mia, his daughter, was in a lesbian relationship with her own daughter; and yet, within a very short while, he had changed from being in total denial to someone who admitted that he had had his "doubts" about his daughter before and now he simply wished her to be happy. But the final blow that convinced me, to my anger, that I had been led up the garden path all along, thinking that this was a serious study of passion (not love) between two women, was the pathetic ending that brought the whole film down to the level of a romcom – and not a very good one at that. I cannot believe that this was the ending that the auteur originally wanted. I suspect it was put in to satisfy the masses. We have Mia ditching her fiancé without a second thought (I do not know if we are supposed to feel she was in part justified because once, just once, he spoke a little harshly to her), dashing off wildly to beg Frida's mother to tell her where she had gone, racing to the airport, desperately trying to bypass the security man at the gate, watching, so we thought, the flight to Barcelona sailing off with Frida. The next thing is that we see Frida standing in the departure lounge looking wistfully at the plane. So she didn't go to Barcelona, huh? But that is not the end of it. She has gone on to take a plane, but not to Barcelona – that pretty little coastal town looks nothing like Barcelona – where the hell was it supposed to be? And in the twinkling of an eye – there is Mia prettily stepping up some pretty steps, accompanied by some pretty music, to see the lovely Frida sitting pensively on the sea wall, and the two of them with one look, pledge their eternities – I mean live happily ever after. Some chance! Frida will ditch Mia pretty soon, as she has already done to more than one of those who loved her. The writer would have done so much better to end the film with Mia being too late to stop Frida flying off to Barcelona. We would then be left to understand that things are not that easy, not that rosy for Mia's future, that you do not behave like she did without creating difficulties for yourself, and that in all probability the two of them are better apart, more likely to be happy in the long run apart, and that – we should be left to guess that this is a possibility – Mia will go back to her man, whom she seems to have loved well enough over the previous years, and certainly enjoyed sex with well enough, and will try to put things together again, but – our imagination will tell us – we do not know if she will succeed.

I understand why many would rate this film low. Perhaps they think you cannot fall in love in 2 days. Or that you would not give up a 7 year relationship after one fling.I think this film has a much more important message that transcends the sexual status of the people (regardless of homosexual, heterosexual etc). The message is that love does not grow without honesty - true, sometimes brutal honesty.That is why I rate this film highly, it is much more than just a love story. Every character is on a journey of becoming honest. The father must confront his feelings and even learn how to express himself.Mia must examine why she is engaged, and what her life will look like if she continues with the expected, "safe" option - and don't tell me that this does not happen - look at divorce rates around the world.And Frida, well she has never been unfaithful and never really been in love - until now.Lovely story, really well told with fantastic locations and filming and beautiful, subtle acting.Thank you.

Excellent acting throughout the entire film—especially from Ruth Vega Fernandez. Her ability to completely become her character is so believable, you forget entirely that you're simply watching a movie with a a fictional character. Her mannerisms and facial expressions are equally as powerful as her dialogue parts. A very underrated actress, indeed! The plot was very developed and had a good amount of depth to it. I would have personally liked to see a bit more of a build up when the two girls first kissed...their glances with each other felt like they needed to be extended or more built up maybe. But other than that, the plot flowed very organically. Excellent film!

Kiss Me will tear your heart in pieces. Films with a lesbian theme are often designed to make you root for the women in love, without any reservations. You are certain of the pair from the beginning. Imagine Me and You, a classic movie of this theme, even has you rooting for a marriage to end and an innocent man's heart to be broken. Kiss Me doesn't romanticize the struggle these people go through. It shows the love, the passion and, most importantly, the pain. The pain of denying who you are and the pain of being betrayed and losing who you thought you were going to spend your life with. Because Kiss Me doesn't take these things lightly, my heart was breaking for each of the characters. As the story progresses with beauty and grace and without the rushed feeling of many love at first sight type movies, Mia starts to realize that there is only one way. Despite the sacrifices and the pain, there is one thing she has to do - And I bet you will find yourself realizing it with her.Apart from the story being told with grace, beauty and a passion for every single character, the film is beautifully shot in the amazing scenery of the Scandinavian countries. An instant classic in movies with a lesbian theme, but a must see for everyone with a for romantic movies.