Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.
Similar titles
You May Also Like
Reviews
Don't Believe the Hype
Bad Acting and worse Bad Screenplay
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Those who loved Kaminey, this one is the next level. Those who are fan of Tarantino, this one is must watch. Those who watched City of God, and is looking for good Brazilian movie, this is for you. Those who loves action packed, modern age movie, you'd better not miss this one Those who is looking for world-movies which are under-appreciated but is a potentially great work, you may consider this one. 1. The puzzle like story development, which has been neatly woven and will lead you to more and more clarity towards the ending of the movie. 2. Innovative application of excellent visual effect (reminds me Funky Pawa by Maati Baani, though the movie is earlier work.) 3. Unexpected twist and the graphic explanation for that.I must thank denofgeek dot com for the suggestion - "25 under-appreciated modern foreign language films".
After devouring this hardcore Brazilian film, what I had to articulate was Holy Sugar!!!! :o This is an ace class crime-thriller flick!!!! Hats off and Big Bravo to its young director, Afonso Poyart. It just blew over over my head to conceive how this super-swift supreme creation came from his debut direction!!!!! His script was so spellbound and plentiful with enormous twists that I could not miss a bit of attention over the movie. Excellent editing with the narration and flashbacks :))) Acting was also great maintaining those twists-turns and some camera shots definitely deserved eulogy. I treat it as a MUST WATCH for all high-tension crime thriller lovers :p___8/10___
This is another movie following the footsteps of "Cidade De Deus" and "Tropa De Elite", meaning that the main topic is the blatant corruption of our society in Brazil. The main difference this time is that we are no longer in the streets of Rio, but moved on to Brazil's largest city. Much of positive can be said of the movie. The editing and the special effects are superb. The opening sequence, with drawings mixed in the scenes is particularly clever without being over the top. The acting is also very good and uses mostly actors from São Paulo itself, which is not something trivial, if you keep in mind that the huge soap opera industry of Rio is the one usually providing star power for film productions (granted, some of the main characters are played by actors known to the public for soap opera work: Alessandra Negrini and Caco Ciocler to cite the best known faces). Having said this, I cannot turn a blind eye to the plot. It is true that it is very intricate and told in a fast involving pace, but almost every single detail does not survive a closer look. Virtually everyone is cheating on the spouse in a way that helps the big master plan of the main character. Petty thieves suddenly become mega criminals, with heavy artillery hidden in their shacks and do not bend under any kind of pressure. Perhaps the most absurd thing is the improbable alliance between a former professor and the guy who killed his wife and child, without any apparent reason. The director should have tamed his ego and hired a better screenwriter instead of having a go at everything. I hope that is what he does in his next work, given that his directing talent is not at check.
It's nice when we go to the the cinema with little or no expectations. Watching the trailer of "2 Coelhos", with many effects and explosions a la Hollywood, far from what we typically see in Brazilian films, we see the care in the production and editing of scenes and very little of plot of the movie.The trailer is well done, nothing spectacular or intriguing, but interesting enough to make us want to go to see this movie. I entered the room armed, waiting a sterile attempt to emulate the action films, empty and well packaged, I left the room surprised. In the end, the least caught my attention was the visual effects (there was nothing new) but the script, the editing and great performances.It is not easy to summarize the plot, it is very intricate and full of twists and turns, false clues, comings and goings. Because of the choppy editing and flash backs, sometimes it's difficult to locate in time and space, but in the end, we understand everything all (or almost everything). I think the film needs to be seen more than once. Afonso Poyart, memorize this name, is a talented boy. He wrote the script and came out with a Phantom camera (that records one thousand frames per second) and many ideas in his head.From the style of the film, it is clear that the idols of Poyart are Fernando Meirelles, Christopher Nolan, Guy Ritchie and Tarantino. But he has plenty of talent and personality to create a unique style. I imagine the guy more mature, far from the grip of cinematographic references, and with more financial resources.
Top Streaming Movies
