Unfaithfully Yours

February. 10,1984      PG
Rating:
6
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Trailer Synopsis Cast

A composer—who suspects his wife of cheating—plots to kill her and frame it on her lover, but things don't turn out as planned.

Dudley Moore as  Claude Eastman
Nastassja Kinski as  Daniella Eastman
Armand Assante as  Maxmillian Stein
Albert Brooks as  Norman Robbins
Cassie Yates as  Carla Robbins
Richard Libertini as  Giuseppe
Richard B. Shull as  Jess Keller
Jan Tříska as  Jerzy Czyrek
Jane Hallaren as  Janet
Bernard Behrens as  Bill Lawrence

Reviews

Exoticalot
1984/02/10

People are voting emotionally.

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Intcatinfo
1984/02/11

A Masterpiece!

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Hadrina
1984/02/12

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Juana
1984/02/13

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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SnoopyStyle
1984/02/14

Claude Eastman (Dudley Moore) is a famous composer and conductor. His new young wife Daniella (Nastassja Kinski) is an actress. A confusion causes his friend to hire a private investigator to check on her. The investigator finds something which drives Claude mad with jealousy. He has a fantasy of murdering her and framing her supposed boyfriend violinist Maxmillian Stein (Armand Assante).There is something unfunny about an angry jealous Dudley Moore. I've never seen the original Preston Sturges. I have to think that another comedic actor could inject some screwball comedy into this dark character. Dudley is simply hateful without being fun. I imagine a Danny DeVito would be a better fit. Dudley is better as the lovable lush. I don't like him as this character and I can't laugh at him either.

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robertjmr72
1984/02/15

I haven't watched this movie all the way through since I saw it at the theater when it was new and I was totally blown away by just how *not* funny the movie is. I have tried over the years to watch this movie again and maybe get a new perspective of it but I can't watch more than 5-10 minutes of it on television before I have to flip the channel. The basic premise of the movie is the same as every episode of "Three's Company" where one misinterpreted situation leads to an unintended chain of events that are supposed to be humorous but mostly they are not. In this movie, a newly married man goes to great lengths to plot and carry out murdering his much younger wife and framing her (supposed) lover who also happens to be his best friend which I don't find humorous instead I find it rather disturbing. It should have been a horror film, the premise would have worked better in that format. In the end we are supposed to feel sorry for this guy and understand why someone could easily make the same mistake he did....WTF? Yet even with a terrible story, if you like watching Dudley Moore act drunk or high and falling/stumbling all over almost every scene then you might like this movie...

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Carl S Lau
1984/02/16

This is a comedy of errors in which the viewer knows almost everything while the on screen actors are in a perpetual state of confusion. Dudley Moore has the enviable task of playing a famous middle aged music conductor who is married to a young, ravishing Italian starlet played by Nastassja Kinski. And she is passionately in love with him. For the times, this would have been the ultimate middle aged, male fantasy. Via a misunderstanding, Dudley Moore ends up in a comedy of errors scheming to kill off the delicious Nastassja Kinski who easily fits into her innocent role. Lots of fun to watch, especially with Nastassja as the eye candy.

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gridoon
1984/02/17

I haven't seen the Preston Sturges original, but I know the hero there conceived THREE alternative murderous plans. The fact that this (unfaithful) remake contains only one certainly doesn't suggest that the filmmakers were full of ideas. It's still a generally agreeable (if uneven) comedy, but the laughs, even for Moore fans, are scattered.

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