Sleepover
July. 09,2004 PGAs their first year of high school looms ahead, best friends Julie, Hannah, Yancy and Farrah have one last summer sleepover. Little do they know they're about to embark on the adventure of a lifetime. Desperate to shed their nerdy status, they take part in a night-long scavenger hunt that pits them against their popular archrivals. Everything under the sun goes on -- from taking Yancy's father's car to sneaking into nightclubs!
Similar titles
You May Also Like
Reviews
An old-fashioned movie made with new-fashioned finesse.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Worth seeing just to witness how winsome it is.
I really do like this movie. I have read a lot of the reviews and a lot did not like it. But, that's OK. I could see a lot of things that I could question. I am amazed at watching these kids act. To me this movie is like a Junior High "American Graffiti" about the mischief of high school students one night before school starts. There's car taking, cop embarrassing, love, and so on. An unforgettable night for sure.Julie, Hannah, Farrah, and Yancey were not really planning to leave the house. But Stacie, the quick thinking, rotten to the core, villain comes up with a scavenger hunt that easily gives her team the advantage over Julie and gang. Stacie has lovely things to say, "Steve Phillips-dream on", "You're Orange", "She broken", "that was excruciating." It's Hannah that has no fear in taking them on. All the while Julie is rather uptight about the idea. Especially stealing a pair of Steve's boxer shorts. By the way, Steve is Julies heart-throb and Hannah convinces her that this is the reason it will help establish who she is in high school. Julie's feeling is what a large part of what the movie is about: getting caught.(by parents, night club security, Pro Tec security, Steve Phillips-all for a bit of suspense).The two teams get on with the game. Luckily Yancey has access to an electric car whose father said she could use in case of emergency. She admits that the fact that they need a car for the scavenger hunt is an emergency. Stacie is so sure they will win they take the hunt a little more like the slow and confidant while Julie and team approach it dead serious.One event important that neither team realizes is that Steve and a friend see a girl in a red dress on a skate board comes rolling right in front of them while they are in his jeep at a stop sign. As desirable as he is to girls, he obviously wants to find out who this girl is, even referring to his elementary school picture annual. That girl is Julie. Stacie's team sees them ride by why they have been buying juicers and suddenly have to jump in the car and catch up. Both teams reach the high school parking lot at the same time and thus tie.From there they go into the high school dance. The winner is the one that gets the crown. From here is the movie like every other teen or tween movie. Is it predictable. You have a high school, a dance, mostly high school students, a pretty good band. Maybe things go good or not so good. Or even both. Whatever happens to Julie, Farrah, Yancey, and Hannah, it seems like a night they will remember for a long time e. But, this movie had a lot of things that had to happen, good or bad in order for this movie to have been made.
Have you ever seen something so awful, so terrible, so frightening, that you couldn't look away? This film is akin to a fiery cataclysm or roadkill. It is literally so bad, it's almost mesmerizing.This film was on cable after the movie my husband and I had been watching, and we left the TV on. Big mistake. After about ten minutes, unable to tear our eyes from the train wreck, my husband and I wanted to start a list of the bad messages it sends to teenage girls, or, most probably, girls a lot younger. (Why not? It's never too early to learn that if you're an overweight 14-year-old girl, you'll either never have a boyfriend, or you'll jump at the chance to get one that's old enough to legally get into a bar.) That's in addition to the other list we wanted to start, of the numerous dangerous and/or illegal activities that the girls engage in, in order to win a prestigious place to eat lunch when they enter high school after the summer. (Because everyone remembers how important where THEY ate lunch was when they were in high school.) The messages of a GOOD film would be that overweight girls are just as valuable as anorexic ones, and that true friendship is more important than where you eat lunch. Instead, this movie tells young girls that dangerous, illegal hijinks and deception should be rewarded with popularity and boyfriends galore.You have been warned.
First impressions can be misleading. This seemed a fun romp, the sort of thing that gets labelled as girlie and which I tend to find addictive to the point of wanting to rate it as 10 or 9 or, in this case 8. This does not appear to have anything like the depth of Heathers or Clueless or Practical Magic, etc, so 10 felt wrong. It did not seem to be at the level of addictive sugar of lesser depth, so 9 felt wrong. Yet it is still addictive, to those who like this sort of girlie romp? It is also the best for Sara Paxton that I have, so far. It is a summer-before-high-school story. Played by 15 year olds, mostly, acting as 14 year olds. Unusual. I find that it might be interesting to compare this with John Tucker Must Die, a thong story that gets much better IMDb user ratings than this despite me considering it to be a potential equal marred by quality aspects. So, that is 17s played by 20s?, it looked really wrong to me and sounded even more wrong, first viewing. It is a boxer shorts story and the comments make me wonder how many of them are by secret girlies rather than by secret boys. * For me, the power comes by trying to consider what it is trying to say. It is addictive sugar, yes, but to me it is also a parable about the 1990's and 80's and earlier. Early in the story, dad is grumbling about the kitchen taps, his test of the water makes an indicator turn blue. The house is going to have a baby boy? He stays at home while his better half is taking a night off. He does not spend the evening dressing pretty, ready for when she returns, but potters with the plumbing while his daughter has a sleepover. During the 1980's I understand feminists to have been quietly trying to earn their understanding of 'trouser technique', working to qualify as effective secret men, a global disaster for anyone who happened to be weaker than what was needed for being on the same planet as this was happening on. It seemed to follow rules that I grew up on the receiving end of from my early years, living death. 80's and 90's boxer shorts world, where the weak are led astray and corrupted, I should expect this story to get reactions of horror from any who were physically male during that time. Except that I can watch it and consider it to be addictive sugar rather than a horrifying poison. This is a story that dives into the unmentionables and comes out smelling sweet. These girls are real horror and it is accepted because they are learning trouser skills, bra in the fridge, boys will be boys. Just they also live in a world were fools are under pressure to get corrupted. * While getting to know this I was also watching three other DVDs that I purchased at the same time-ish. Push (2009), to me is a near equal to Sleepover even though it is looking at scary stuff that I can read as linked to this theme. Not cute sugar or obvious. I needed to watch it a few times just to acclimatise. Bynes' Sydney White (2007) and Tisdale's Picture This (2008). Not at this level but nice romps. Tisdale by the swimming pool even takes acting beyond where many modern actors can allow themselves to go. Many seem to rate Sleepover as 6 and John Tucker as 10. I consider that as examples of voting in a symbolic way. Consider quality, my personal idea of sense says that these actually merit 10 and 6. Both look at a difficult subject and Sleepover does that in an unusually effective way that appears to have voters running away? So, could be that Tucker rates better than a six. Sleepover as 10 though, my sense of sense, a school story with class. Beware of superficial interpretations. Sleepover is a masterwork. Push is a flawed masterwork. But both are masterworks.
sleepover was a cute movie. fun, predictable, funny, and totally unrealistic, but still really cute. obviously she was going to win and get the guy and everything will be hunky dorey (well, her friend did move away in the end, but whatever). i don't think that any of the actors will be winning any awards for this movie anytime soon, but that is to be expected from these kinds of movies. (by the way, i am only rambling on and on is because i can only submit something with ten line, and i am not there yet, but i want to submit my opinion! someone said this movie was downright horrible, and while it's not fabulous, it's definitely not horrible.) all in all, this movie is totally not realistic in any way shape or form, but i think it is still worth seeing.