Sakurano plays a girl named Kimika who wakes up chained up in a dark boiler room, unsure of how she got there. She’s soon approached by a strange large man wearing a mask and using a creepy voice changer. The girl is the daughter of Daisuke (Kenji Ezure), the shrewd president of a general contracting company. Daisuke was too occupied with an ongoing sexual fling with his secretary (Asami) to notice that his daughter was missing at first, and his relationship with her was already strained due to a certain incident in the past, but when he receives a threatening phone call he eventually recognizes the gravity of the situation. Eventually, Kimika begins to calm down as her fear slowly turns into a perverse attraction to this strange person holding her captive. What is the kidnapper’s motive? And what is his true form? In the basement of a certain building, insanity merges with obscenity as the plot unfolds.
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Reviews
This movie is the proof that the world is becoming a sick and dumb place
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
A pretty girl named Kimika wakes up chained to the pipes of a boiler room, her captor a strange figure dressed in a padded sumo suit, their face hidden by a rubber gorilla mask beneath a gas mask. The kidnapper, using a voice changer, phones Kimika's CEO father demanding that he put a stop to his company's merger with China or else the girl will die. While her father decides what to do, Kimika's abductor abuses the frightened prisoner...39 minutes did seem rather short for a pinku, but because IMDb's stated runtime matched the version available to me, I believed that I was seeing the complete film. Sadly, a number of jarring edits and a lack of shocking content quickly suggested otherwise. The version that I watched on a popular subscription streaming service was undoubtedly heavily censored - a dull, anodyne affair that delivered minimal nudity and practically none of the sleaze that the title suggests. I definitely won't be bothering with any of the other pink titles that the same service is also offering: all of their run-times are suspiciously short.For the version I saw: 2.5/10, rounded up to 3 for IMDb.
I watched this on Amazon Prime under the title GIRL IN CAPTIVITY: PSYCHO TORTURE CHAMBER. It's a Japanese pinku movie with a typically weird look and feel, concerning a woman (who also narrates the story) who's chained up in a psycho's basement. The villain of the piece is more quirky than frightening. The tale is padded out with boardroom discussion and seemingly extraneous plot material, but my main bone of contention is with Amazon's decision to offer a heavily censored version of the story which eliminates the presumably adult content. In this form, it's all quite pointless.