Truly Dreadful Film

If you don't like this, we can't be friends.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Exactly the movie you think it is, but not the movie you want it to be.

The good in this documentary is really good. The interviews are compelling and interesting, and tell the story of Dahmer from perspectives not only not shown before, but not often shown at all. The bad is almost just as bad. Why do I need some unmemorable actor playing Dahmer in an over-the-top "Look how weird I am" performance? It adds nothing and comes off as pretentious hipster rebranding of a "character" that anyone should know isn't accurate.

Experimental Jeffrey Dahmer documentary which actually focuses more on the Milwaukeeans during and after his hidden spree. The reenactments are beautifully shot; and Andrew Swant (also the film's co-writer) slides into the monster's skin so smoothly, ultimately humanizing Dahmer without becoming charming or remotely likable. Unfortunately, the three interviewees are not overly appealing, and you can't help but remember that there are many more interesting people who had a thing or two to say about Dahmer. Archival footage included, but is used somewhat minimally. Originally premiered simply as JEFF and was later changed to THE JEFFREY DAHMER FILES when picked up by IFC.**½ (out of four)

If what you're looking for is a slasher movie, The Jeffrey Dahmer Files is not for you. Director Chris Thompson is not interested in showing you actual scenes of blood, severed heads, or other grizzly images. If that's what you're into, you won't like this movie.If what you're looking for is a smart, insightful, and unique look at three people who's lives were forever changed by Dahmer's deeds, this is the ticket. Pat Kennedy, the detective handling Dahmer's case, Jeffrey Jentzen, the medical examiner called in to deal with the bodily remains, and Pamela Bass, a neighbor who had befriended Dahmer tell their incredible stories with chilling detail. Thompson is a brilliant interviewer knowing just what questions to ask of these three unique individuals who have never been asked what their personal experiences were, instead having been barraged with questions about the gory details they witnessed only for purpose of media sensationalization. In Thompson's film they are allowed to spill their guts which is a chilling experience for the viewer.Throughout the film, the intense testimonies of Kennedy, Jentzen and Bass are intersected with short docudramas of Dahmer going through his daily life being played by Andrew Swant. At first these seemed a bit amateur and even annoying, but with time they gave this viewer a moment to catch her breath - much needed after the chest-tightening details of Dahmer's murders. Swant plays Dahmer as the seemingly dull and uninteresting man he actually was which seems so contrary to the horrific actions taken behind his apartment door. You will witness Dahmer buying fish at an aquarium, a large blue barrel and taking it home on a bus, and bleach at a grocery store, all in a sort of daze. Of course we know what he will use the barrel and bleach for and we would expect Dahmer to be creepy. But instead he looks like a regular guy who is somewhat slow and disinterested in the world. After a couple of these dramas I began to relax and enjoy the break they provided.I would recommend this movie to anyone who is interested in personal stories of people experiencing something none of us are every likely to experience. Kennedy, Jentzen, and Bass will walk you through their harrowing personal life-changing experiences of knowing Jeffrey Dahmer. Thompson's story will leave you with lot's to think and talk about. Can't recommend it enough.

Chris James Thompson's Jeff, a docudrama involving the interworkings of the Jeffrey Dahmer case, opens by establishing two different, vital points for a film like this to make. It has the medical examiner, Jeffrey Jentzen, assigned to the case of Jeffrey Dahmer state how many people have formulated different meanings behind what exactly a "disaster" is, and then has leading detective on the case, Patrick Kennedy, go into how as human beings we'd love to believe we'd react courageously in the face of tragedy or despair, but we can never be certain until it happens. He then goes on to state how as a devout Catholic, he was always thought that courage is fear that said its prayers.All I can say is that fear can pray all it wants, but it could never have prepared itself for the horror Dahmer inflicted not only on a community but on a country as a whole. Jeff dives into three people, all of them deeply effected by Dahmer's actions in some way, and spliced in are scenes recreated to show Dahmer's day-to-day life, as mundane as it is, with the man in question played wonderfully by Andrew Swant. The three people, however, are not actors, and are here to share their depressingly grim accounts of their relationship with Dahmer. The medical examiner is Jeffrey Jentzen and the leading detective is Patrick Kennedy, as established, and but the third person was the most personally affiliated with the man and that is Pamela Bass, who was the next door neighbor to Dahmer in his apartment for many years.The film explores how deeply this one unexplainable murder case completely changed the lives of three normal, innocent, law-abiding people and how they've gone on to better or further their lives based on this case alone. Pat Kennedy, easily the one with the biggest story to tell due to his explicit connection with Dahmer during the time of his arrest, conviction, and jail-life, goes into how when he first met the man, they talked in lengthy detail about religion and alcoholism. This was during the time that a skeleton was found in his refrigerator, so says Kennedy, who recalls his thoughts and mindset as he discovers there was not just one but six skulls found in Dahmer's refrigerator, among other severed body parts in containers, drums, and jars that lied throughout the home of Dahmer.This is one of the most unique documentary films I've ever seen, with a style very similar to that of Richard Linklater's Bernie, which featured polarizing performances by Jack Black, Matthew McConaughey, and Shirley McClaine. It takes the same kind of mockumentary approach that film did, featuring reenactments and authentic interviews from various townspeople who knew the suspect in question. However, this film has less of a mock-narrative consistency than Bernie, with the scenes featuring Dahmer involving little dialog and emphasizing on the mundane activities of the man behind washed-out cinematography and often low-key music. This is the stylistic side of the picture, which is very innocent and unobtrusive to its central focus. Next to Quentin Dipeux's Wrong, this is easily some of the best cinematography and stylistic merits a film has had this year, only this time, the traits are embodied in a film that is much more watchable and clear in its tone.Jentzen goes into the grim details of investigating and gutting the apartment, and being put to the painstaking task of identifying all the bodies removed from the apartment. It was a tireless project, seeing as how not only were the bodies dismembered and mutilated, but they had begun decomposing, leaving much of the reliance on small facial details and anatomy structure to identify them. Finally, Bass goes into how she was effected simply for being her neighbor. The apartments and their always reeked of death for weeks on end, and she and her building were the target of public scrutiny and attention, with numerous people asking if they could come in to sit on couch Dahmer gave her or touch a glass Dahmer once drank out. We begin to question that, besides Dahmer, who else was sick in this whole equation.There is no better way to describe Jeff than a complete film than a subtle and low-key crime drama. Everything about it is an exercise is subtle, minimalist filmmaking that accentuates drama, uncertainty, and impending doom with true craft, from a filmmaker who clearly has a long road to travel on before he can even give us, what I believe, is half of what he wants to say. If there's any film that should be shown to film students as a look at what a first-time auteur looks like, this is it.One of the best and most thought-provoking scenes is the scene where Jentzen reveals that he doesn't go to horror movies and can't see why people would want to. The last horror film he saw was The Exorcist, likely in its original theatrical run in 1973. He doesn't feel the need to watch anymore. Why would he? He lived a horror film and there's no "stop" button on his.Starring: Andrew Swant, Pamela Bass, Jeffrey Jentzen, and Pat Kennedy. Directed by: Chris James Thompson.