I don't have all the words right now but this film is a work of art.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Exactly the movie you think it is, but not the movie you want it to be.

By the time the dramatic fireworks start popping off, each one feels earned.

The blurb/description for this is actually quite misleading. Luke isn't insecure in his masculinity until his recently post-pubescent body starts becoming more feminine as his sexual desires become increasingly intense. The speculative fiction element proposes that Luke has a certain extra chromosome, which doesn't allow him to change sex at will, but rather to spontaneously switch gender after climax. This makes for a few rather amusing scenarios, as Luke so aptly puts it:"I make out with a girl, I start turning into one. You've gotta admit that's a little weird."While the science in this film is questionable at best, I absolutely love the idea of spontaneous gender-swapping.Of course this situation gets more complicated for Luke as he starts falling in love with a girl… even though he sometimes finds himself more physically attracted to her brother.Aside from the hilarity that ensues when a teenage boy starts turning into a girl, there's an underlying thread of philosophy here, an important one that raises the question of gender identity, of love in the face of flexible sexuality, and of self-actuality. It's a refreshingly light-hearted take on some serious subject matter that ultimately results in a more spiritual-sexual awakening rather than just a typical coming-of-age watershed. While not explicit, the film doesn't shy away from open discussions of sex, including masturbation and the loss of virginity so be prepared.I'd like to leave you with another favorite quote from the movie, which not only sums up the gist of this story and why I think this film is so special:Luke: "I am supposed to be a guy."Michelle: "There's no supposed to be anything. You just are."

I saw ZEROPHILIA on Showtime last night; and, I found it to be is a very unusual and unique comedy, to say the least.First off, the cast is wonderful and each character is likable. That's only because the acting was so exceptional. Taylor Handley as Luke; and, Marieh Delfino as Luka really pulled this one off. They look enough alike; but, it's the attitude, mannerisms and gestures that really work. Also, Rebecca Mozo as Michelle and Kyle Schmid as Max are excellent foils to our hero/heroine. In addition, I was absolutely thrilled to see Gina Bellmen (of Coupling fame) in her role as Dr. Sydney – WOW, what a performance! ZEROPHILIA is easy-going and non-judgmentally in its presentation of gender roles – I mean just look at the title sequence, "Microangelo Entertainment" and "Scambled Egg Productions" – these guys aren't taking themselves too seriously.

I was a little skeptical to watch this movie when I first heard about it. I couldn't tell if it was a comedy or a drama. Yet, within the first five minutes of the film, I was really too impressed with Taylor Handley natural acting skills and lovable portrayal of "Luke," to really care."Zerophilia" ended up being funny and dramatic at the same time. The whole idea of switching genders through a genetic condition somehow worked in the story's overall message of acceptance-no matter who you are.I think I'll watch it again, if not just to see the reaction of everyone in the theater in the shocking scene with Luke (wow).

I was walking down the street when I... anyways I met the director and got tickets to see the world premiere of it at Rebel Fest in Toronto. It should have been in the TIFF, but it didn't meet the deadline.The movie is "so creative" as my friend put it and I haven't seen anything like that for a long time. Both of us are taking film courses in college.The premise is the main character has a disease that changes his gender in minutes when he gets turned on. My only complaint is that it's hd quality and not widescreen.I think most people would enjoy this film's quirky subject, and comedic dialogues. Unlike most films, Zerophila isn't predictable and not conservative. Also there's also some sort of frog motif going on in there.