Very disappointing...

It's entirely possible that sending the audience out feeling lousy was intentional

This movie was so-so. It had it's moments, but wasn't the greatest.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

As Argentinian, one of the most important things that i like of our actors is that they act normal like in real life. Not overact as i can see in many Hollywood stars. I like to see people blaming, fighting, feeling as we do in real life, i think is one of the most strong values of our good actors. I can tell you we are like him, Ricardo Darin resume exactly how we the argentinians talks and gesticulate. The dark like of the movie and the places is nothing more than the reality of the streets, the reality of hospitals. They are so human and common that they can do the movie perfectly credible, 'cause, everything (except the love history) is a every day real situations. Of course is not everything tetricus and bad, is a part, there is also good and nice places, but this movie is focused on the dark side.I strongly recommend this movie, and i wasn't expecting much for this one when i started to see it. It will make you sit and watch all the movie without any second of distraction, every minute worth. Very human, very real, great acts, great camera work (better than i expect for our cinema), everything is very well done.

In Buenos Aires, Sosa (Ricardo Darin) is a lawyer that has lost his license and works in a corrupt foundation, chasing in public hospitals and police stations victims of traffic accidents to claim their insurance rights. Dr. Lujan (Martina Gusman) is a young drug-addicted doctor that has come from the provinces and works in an ambulance and in the emergency service of a public hospital. When Sosa meets Lujan, he falls in love for her and tries to recover his license and move to the provinces to star a new life. But he is trapped to the corrupt system and the mafia does not let him go."Carancho" is a gloomy romance about the mafia of accident and insurance in Argentina. The story of a man that can not set free from his past and drags a young doctor to the underworld is engaging, but the irony and the dark humor of the conclusion does not work and is very disappointing. My vote is six.Title (Brazil): "Abutres" ("Voltures")

I would have rated this movie higher but it had one of the most maddening endings I have ever seen in a movie. Not that the rest of the movie was that good. Without the bad ending I would have only increased my rating to 5 or 6.This is one of those movies where the main characters start off in a bad situation and then do one stupid thing after another until their hole is so deep there is no way out. One of the main characters is an attorney who has lost his license and has gotten involved with an ambulance-chasing outfit run by gangsters. The other is an emergency room doctor who shoots up in the bathroom so that she can cope with the long hours of her job.In most suspense thrillers, the formula goes like this. The good guys get badgered, threatened, and chased by the bad guys, narrowly escaping death, but in the end winning out, usually in some ingenious way. If you happen to like this formula, don't go see Carancho because the people who made it threw the formula out the window.**SPOILERS** As our heroes are driving away from a climactic gun battle having miraculously survived a horrific car accident and a shower of bullets coming through their windshield, they are hit by another car. The guy ends up dead and the girl's condition is apparently serious. The screen goes black--end of movie. I don't know about you, but to me the tragic ending is becoming a cliché in movies. I think that killing off a main character at the end is an overused trick some filmmakers use to make their movies more dramatic or artsy. OK, I agree that filmmakers WERE following the film noir formula: If the hero does something unforgivable, he must die. But that explanation of the ending only leads to another problem. Why did Sosa kill his boss in cold blood? Sure, his boss had Sosa's girlfriend slapped around, but it was out of character for Sosa to beat the guy to to a bloody pulp. Sosa is a petty criminal, but not a killer. In fact, it seems that the main reason for having Sosa murder his boss and having his girlfriend be a drug addict was so that they would be "dirty" enough to be killed or suffer greatly at the end.

One thing that works in this movie is the chemistry between Sosa and Lujan, a discredited lawyer and a drug-addicted emergency room doctor with a self-destructive personality. The picture comes close to the Warner Bros. B-picture genre of the 40s, with the exception that there is no on-screen moral center. Lujan, played by Martina Gusman, quickly moves over to the dark side. Cynically, her drug addiction feels like an after-thought added by one of the writers to explain her compulsions, that go so quickly out of control. Her attraction for Sosi comes out of left field, and the drug addiction is probably an attempt to justify this, but seems over the top and unnecessarily to stack the deck against her. In any case, her habit should have been introduced earlier. The lawyer, Sosa, played by Ricardo Darin, is nasty. He goes after Lujan's assailant with uncontrolled violence and rage --far different than Bardem's understated emotional turmoil in 'Biutiful,' in a similar situation. Finally, why the incomprehensible deus-ex-machina ending? The filmmakers had a more interesting setup than I think they knew how to develop.