Very disappointing...

Bad Acting and worse Bad Screenplay

The film makes a home in your brain and the only cure is to see it again.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

The First movie of his Brotherhood of Assassin's TrilogyTale of Brotherhood surrounding 5 hitmen who's been tasked to bodyguard a Triad Leader . They must find the conspirator and eliminate him. Later, they're put in a jam when the youngest member of the crew has an affair with the Boss's wife .

Johnnie To is one of the world's most underrated contemporary film directors. Working in Hong Kong he effortlessly switches between genre flicks (like The Mission, but he's equally at home in rom-coms (like Needing You or Love on a Diet) and weirder though sometimes even better material like 'Running on Karma' (or Heroic Trio is earlier times). The man is just as prolific as he is original, and even if he is derivative he is still a great, effortless entertainer. His Milky Ways production company makes studio and independent films with the same dedication. His latest film 'Election' is actually in competition in this year's Cannes. The Mission is the type of film Jean-Pierre Melville would probably make today. Its a mix of Hong Kong Noir and stylised set-piece. It boasts some of Hong Kong acting heavy-weights (many of which appear also in the Infernal Affairs trilogy). Dialogue is minimal, efficiency is the maxime. The music is so detached that the effect overall is almost hypnotising. The film is not perfect, and the flaws hurt because this could have easily been truly great. Still, it's way above average. Watch this and anything else by To you can get your hands on. It boggles

"The Mission" steers away from the usual plot types of the Hong Kong Cinema New Wave and does not rely on martial arts for thrills. Instead, what we have here is a sort of marginal "Reservoir Dogs" since there is a sense of comradery between the five assigned hit men (though a cigarette prank isn't as charming as its played to be). Consider the scene where a sniper catches the five hit men off guard as they escort their boss to a car. One of the hit men veers off and is left behind on the conscience decision of the lead hit-man. When this left behind man returns to base, he slaps the lead man in the most offending manner for minutes. The lead man, a tough guy named "Ice," allows himself to be beaten. Why? Because in their world of corrupt organizations and tight hit groups, one does not leave a man behind. This sense of loyalty arises to a full extent in the third act, where the men must question what is the "right" thing to do.The film also contains a couple of shoot out scenes. But don't be fooled; you are not gonna watch "The Matrix." Instead, look for the wide angle lense shots of various suited hit men standing in very specific places, barely moving their feet, but the sequences are very exciting because if you step back, it's orchestrated skillfully and cued beautifully to the--music.From the opening scroll a sort of 'laughable' techno beat pumps, and all sorts of upbeat synthesized sounds fill the soundtrack to an unexpected result: an acceptance. After a while, you look forward to hearing what kind of sound matches up with what sort of scene. This type of tough, nitty genre relies on music, and the setting of the film calls for this amped up sound.

Having sworn to never watch Hong Kong films, save those by Wong Kar Wei, the only reason I saw this film was the good reviews it received from the Hong Kong Film Critic Society. And I must admit it was a most pleasant surprise.The film is a slick and well packaged story of five strangers in gangland coming together to get a job done, namely that of keeping a triad boss alive. The characters, while still stereotyped to a certain extent, are not the usually uncontrolled triad powermongers that are often portrayed in other less palatable fare. These people are professionals, and they knew how to get a job done. Faced with a sniper, none of them panic, and each of them know exactly what to do. The scene in the mall was tightly controlled and well orchestrated, with minimal movement and gun fire adding more to the tension then any hail of bullets can.The direction of Johnnie To evokes images of films by John Woo, whose scenes of gun fights have always, in my opinion, verged on poetry in motion. To's characters are restrained, while the same degree of subtlety is employed with the plot. The audience, in my opinion an often mindless group who are unwilling to think and must be spoon fed every little detail, are left to find meanings and hints in little gestures.The film also reminds me of Things To Do In Dallas, When You Are Dead. Five strangers, called together to serve a mob boss who is past his prime. And again, there is conflict among members of this special 'team'.In the end, aside from a less than believable plot line, The Mission scores high on its entertainment value, both in its visual style and delivery.