Such a frustrating disappointment

Strong and Moving!

After playing with our expectations, this turns out to be a very different sort of film.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The good: This movie has some really quirky/original plot ideas. A female tow-truck driver who moonlights as an assassin gets hired by another woman who wants to be killed.Sounds good eh? The bad: Aside from a few short cameos by some of my favourite actors, this film basically consists of static shots where two women argue with each other. It is obvious that the scenes were meant to be witty and funny however they fail completely in that regard. The dialogue is clumsy and the characters are unlikeable.This is one of the few films I've not been able to sit through (and I sat through The Return of the Lobster Man From Mars!) The only reason I'm giving this 3 stars instead of 1 is because I really do believe the concept of the movie could have worked

Review: What a boring, uninteresting movie! The movie seemed cheap and the storyline was awful. With a title like, Guns For Hire, I was expecting some form of action, especially as Jeffrey Dean Morgan is holding a gun on the cover but there's no action at all. Its about a suicidal blonde, Athena (Ever Carradine), who hires a tow truck driver/assassin, Beatle (Michele Hicks) to kill her. As Athena has no money, she signs over an insurance policy to Beatle, which will pay for the assassination. While there waiting for the paperwork to come through, Athena moves in with Beatle and they start to become close, even though the situation is slightly warped. Beatle regularly sees a psychiatrist, Dr. Vanderark (Orlando Jones), who thinks that her whole assassin story is in her mind and she has a strange relationship with a hooker/stripper, Carla (Sarah Shahi), who actually has feelings for her. They also have a brutal hit-man on there tail, Bruce (Jeffrey Dean Morgan), who is hired by Athena's crooked previous employer, Kyle (Ben Mendelsohn). On top of that, Detective Holt, Raffaello Degruttola is following Athena and Beatles every move and he builds a case to try and stop Beatle in her tracks. Sounds exciting but it really wasn't. Most of the footage is about Athena and Beatles relationship, which is quite boring but the major twist at the end was surprising. I personally did lose interest after a while and the acting was quite bad from the two leading characters. I was expecting more from Jeffrey Dean Morgan and Ben Mendelsohn, who usually put in decent performances but the awful script didn't bring the best out of them. I couldn't really see the comedy side of the movie because there wasn't any wit in the script at all but I did stick with the plot because I really couldn't see were the film was going. When all was revealed I still wasn't that impressed so it has to get the thumbs down from me. Disappointing! Round-Up: This is the first and only movie directed and written by Donna Robinson, who really didn't do a good job with this film. There's a few unnecessary lesbian scenes and there wasn't much depth to any of the characters, which made if feel like this movie was made without much thought. There were some good actors on board, who really got wasted because of the awful storyline, so it has to go down as a bad day at the office.I recommend this movie to people who are into their drama/thriller/comedies starring Jeffrey Dean Morgan, Ben Mendelsohn, Tony Shalhoub, Orlando Jones, Ever Carradine, Michele Hicks, Sarah Shahi and Ivvana Milicevic. 2/10

There's an attempt to create a smart exchange of wit and bullets here, although the material lacks the depth for assembly of rogue gallery. Sadly, it doesn't deliver in term of style as well, since it spends too much time portraying the struggle with overreaching extravagance. Furthering the awkward nature is the dubious script which sounds like poor interpretation of Mexican low grade action movies' one liner.It follows the strange lead female as she's thrown in noir web of assassination and conspiracy, the only consistent part is next subplot will be more ridiculous than before. For most parts, acting is mediocre, the actors can't cover the silliness of it all. Their dialogues are highly surreal, not in preferable over-the-top manner either. At one point, they really appear to be throwing rejected catchphrases from 80s to each other.The surprising thing is the movie manages to present Jeffrey Dean Morgan and Orlando Jones. However, they can't carry the movie with the material given to them, it's not that one or two decent performances could overcome the campy unrealistic nature anyway. The movie also tries to shoehorn some fanservice, but this just makes the entire scheme more muddled as it tries to produce level of polish it can't afford.Action department is also subpar. In some other movies like Smokin' Aces or Shoot 'Em Up, they do all sorts of ridiculous stunts, this movie barely has anything resembling high octane choreography. Perhaps, the whole thing is more intended to be a parody, yet the shifting tone is jarring. Not to mention, it's not exactly humorous.With a mess of awful logic in the plot, shifty acting and lack of solid direction, this one is not a decent hire.

Unfortunately, although this film tries to be very clever, and it first it does seem to be, it quickly deteriorates into a sorry mess. A woman who advertises herself as a tow truck service cum assassin, waits patiently in a local park for the principal to show up, drop a paper bag of presumably money into a wastebasket and move on. The hit woman than goes and gets the money, takes it home and stashes the bag in a hole she has made beneath the floorboards under her bed. During this time she strikes up an erotic relationship with a woman who wants the hit woman to kill her. The acting throughout this film is worse than sophomoric. The only good (even outstanding) performance is by Jeffery Dean Morgan. I can't imagine how this fine actor got talked into this film. Orlando Jones too has a small role, but doesn't get a chance to do much of anything. Okay, all the above is amateurish and we can all forgive a Top Ramen budget, but the real killer is the end when we realize we've been made the butt of a big joke. Everything we've just watched was nothing but the figment of a madman's hallucinations. Hah hah. This is insulting to me, and it's highly unoriginal, the first such film case going back at least to 1920. At the time it was considered unique and clever. Now, ninety-five years later, it's really blah.