I don't have all the words right now but this film is a work of art.

Good story, Not enough for a whole film

The acting is good, and the firecracker script has some excellent ideas.

The acting in this movie is really good.

The premise of this film shows promise, but the story that director Martin Weisz chooses to tell ends up being far more wish-fulfilling fairytale, and less an examination of youth on the streets, and the contrast to lives of the 1% living next door. Thomas Dekker and Gabriella Wilde are really just not substantial enough actors to bring any gravitas to the product. Dekker is way too over the top, and never strikes a note of authenticity. Wilde is incredibly lovely, and mostly vapid aside from a few sparks of life she manages in the 2nd half of the film. In fact, its probably better to speed through the first half of this film, because it picks up considerably in the second half. Probably because that's when far more competent actors show up to help carry in the film, i.e Dreyfuss, Davidovich, and Luke Grimes playing the way too perfect son that falls in love with Wilde. On a side note, did no one ever consider switching the roles for Dekker and Grimes? I suspect if they had, you still wouldn't have had a very good film, but I think you would've had a better one. Pro's like Dreyfuss and Davidovich do manage to strike some sympathetic notes as the rich couple who appear to have the perfect lives, but in reality, also are dealing with loss and heartache. And I found myself rooting for the happy ending in spite of my head telling me how ludicrous it was. Chalk that up to some nice chemistry between Wilde and Grimes. And, the film does have an interesting soundtrack, so it had that going for it.

Desperate, drug-addicted, and homeless, Kelly (Gabriella Wilde) and Jonas (Thomas Dekker) have a random stroke of luck and find themselves squatting in the lavish home of the wealthy Silvermans, who are vacationing in Greece. Jonas rationalizes that it should be their privilege to do this because rich people are all corrupt pigs anyway, but Kelly watches the Silvermans' home movies and finds them to be more tragically ordinary and human than Jonas will ever realize. Jonas gets a little too eager and greedy with the Silvermans' expensive jewelry and cars, arranging a lucrative deal with a dangerous racketeer, and to tell you any more would be spoilous.SQUATTERS is well-acted by just about everyone involved, with especially memorable performances by Wilde and Luke Grimes as Michael Silverman. Some other reviewers have criticized its Hollywood-slick portrayal of life's underside in L.A., and it could have shown a bit more sympathy in that area, but what it does show seemed pretty realistic to me. The general cinematography is excellent, with some really pretty south Cali scenery.On the other hand, the transformation that Kelly and Jonas make is pretty unconvincing, as are certain other things, e.g., Jonas's safe-cracking abilities, and wouldn't the maid be coming by occasionally? The ending's somewhat rushed plus a little too neat, easy, and Peter Pan for many tastes. Overall, it just seems that the directors and writers could have made a little more-in-general happen here.Still, SQUATTERS does have some interesting turnabouts and nice old morals to it. The fine acting and expert production help compensate for some of the basic flaws to the story, and I like the way it left me rooting for both Kelly/Jonas and the Silvermans.

The first portion of Squatters didn't impress me very much. After all, it simply consists of bad people doing bad things. And, I was worried that the film would simply glorify rotten behavior or have the baddies die in a hail of bullets. However, don't worry—the film gets better—a lot better! And, it doesn't succumb to the usual clichés.When the film begins, Jonas and Kelley (Thomas Dekker and Gabriella Wilde) are homeless. They survive by rooting through dumpsters for food and shoplifting. And, when they aren't doing this, they sleep outdoors and do drugs. Their life isn't very satisfying or complete, that's for sure. However, through some dumb luck, while Jonas is out looking for something to steal, he manages to overhear a woman talking to her maid about their family going on vacation. And, because the woman thinks the two of them are along, she tells the maid the combination to the burglar alarm system! Jonas follows the lady woman home and it looks like he's got it maid…the woman is rich! Later, after the family has left for their trip, Jonas brings Kelley to the house for a little vacation…and to steal everything he can get! For a while, the pair see what it's like to live like rich folks—and they treat themselves to the family's clothes and sports car as well as a great dinner—all paid for by the people on vacation. However, while they stay there, Kelley finds herself looking through videos of the family. And, the more she watches them, the more connected with these people she feels. And, over time, she starts to care for these people she's never met and who they've been robbing. Jonas, on the other hand, just sees it as a chance to make a HUGE killing—and plans on selling everything he can. While this may not seem like that interesting a film, it's the second half that really works well…when the family returns. I could say a lot more about this, but frankly it would spoil the film. Suffice to say it's worth the wait.This is a very interesting film because Richard Dreyfus and Lolita Davidovich play very small parts in support of Dekker and Wilde. Considering that Dreyfus is an Oscar-winning actor and probably doesn't need the money, you can only assume he liked the script or director of they were holding his family hostage to make him appear in the film (I would REALLY like to know)! Regardless, the pair were a really nice addition to what otherwise might just look like an indie picture. Dreyfus is, as always, terrific and Davidovich is timelessly beautiful. They also make GREAT supporting characters. Imagine…a Hollywood film in which rich people are nice and haven't earned their fortunes by being jerks! They are just sweet folks—as is their son in the film (played by Luke Grimes). In fact, although I am definitely straight, I found myself falling in love with Grimes' character—he was just so decent and sweet! With such great support, the film cannot help but work. And, let's not forget Dekker and, especially, Wilde—they are just terrific.Overall, this is a surprisingly good film that is best seen instead of described. Be forewarned, however, that this is rated R and has a bit of nudity and violence (especially at the end). Now this is NOT to say it's gratuitous—as many nude scenes are done with great taste and are not intended to titillate but forward the plot. Well done all around and, unusual for me, there really isn't anything I didn't like about the film!

In Venice, California, Kelley Tanner (Gabriela Wilde) and Jonas Trumball (Thomas Dekker) are homeless teenagers that live on the beach and spend the day using drugs, drinking booze and shoplifting to survive. One day, Jonas overhears a conversation in a parking area between a woman named Evelyn (Lolita Davidovich) and her housekeeper, and Evelyn tells that she will travel for one month with her husband David (Richard Dreyfuss) and she gives the alarm code to her servant. Jonas sees the chance to rob the house and brings Kelley that is drugged with him. Kelley is needy of family love since she was a foster girl that left her foster house to live on the streets, and she spend the days watching to home videos and getting evolved with Evelyn, David, their son Michael (Luke Grimes), who has a poster of "The Kid" in his room, and their deceased daughter Stephanie. But Jonas is interested in robbing as much as possible to start a new life in Mexico. He meets a dangerous criminal to deal the jewelry and the Porsches of the family. But the family returns and Kelley and Jonas need to flee from the house. When Kelley is wandering on the streets, she stumbles with a movie theater that is showing Charles Chaplin's "The Kid". She buys a ticket and realizes that she is alone in the theater; out of the blue, Charles enters in the theater and sits near her. Soon they drink coffee together and Michael dates Kelley and falls in love with her. Kelly does not disclose her past to Michael but soon she is haunted by what she did. "Squatters" is a movie with a flawed, but pleasant story of love and redemption. Gabriela Wilde has a sweet face but her characters changes too much after a bath, from a drugged to an almost innocent teenager. The story works well until the rushed romance between Michael and Kelley. The plot should have extended their love to make sense the conclusion, with Kelley's redemption and acceptance of Michael and his family. Despite the unbelievable conclusion, the movie deserves a chance to be watched. My vote is seven.Title (Brazil): "Desabrigados" ("Unsheltered")