Simply Perfect

Simply A Masterpiece

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Read the review by T Y ... here with the other reviews. I found that particular review helpful in appreciating this film. Yes, the story is entertaining, wonderfully photographed, and the characterizations may be a touch over the top. But there is no denying this film has 'original' stamped all over it. Director: Paul Morrison and Writer: Philippa Goslett achieve a smash-up job in creating a story/film that gets into the heart and soul of three historic Spanish artist that lived at a time of social, political, and artistic transition that turned into an era of pain and suffering.Here we see three young creative men - Luis Buñuel, Federico García Lorca, and Salvador Dalí growing into their own personalities and dealing with the political callings of that time in Spain. Dali seems never to grow up but instead became the 'character' he wanted to be and played it safe. As for Lorca and Bunuel their conscience and creative selves centered around the wind of political change and each paid the price for speaking out.This film isn't for all. It's an art movie and other artist will appreciate it's color and emotion.

A few people have said already that this is very much a love-or-hate movie. While I can understand what leads them to that conclusion, I can't personally agree with it because I myself don't feel either way. Oh, I'm not completely blasé about it - to its credit it's definitely one of those movies that'll leave you with some kind of opinion. This is at least one thing that it does right. It's just that your opinion is likely to be very conflicted because the movie is so uneven; it has too much merit to be hated and too many flaws to be loved. The fact that young Mr. Pattinson looks nothing like the real Salvador Dali (bar the moustache) ate away at me, but I tried to keep an open mind throughout. They're doing that with nearly every true story these days so there's not much point in letting it bug you. It can be forgiven as long as the acting is good enough to take away from the liberties. And the good news is, the lack of physical resemblance does become a non-issue - the bad news is that this is largely because the mistakes that they've made take you away from it as much as the engrossment.So, the story. Circa 1922 a young Salvador Dali travels to a creative arts school to pursue his passion for painting. There he meets aspiring poet Federico, with whom he forges a connection, and the early scenes focus on the development of their friendship which soon shifts into a romantic nature. But Salvador, either unwilling to accept what he is or just not carrying a mutual feeling (I found that I couldn't quite tell) eventually abandons Federico after a series of mishaps, arguments and complications, and seeks fame and fortune in Paris under the advice of a tutor. It's eight years before he and Federico meet again and by that time Salvador's married a woman, garnered celebrity and developed the wide-eyed weirdness streak that become one of his trademarks. They manage to re-establish contact but old feelings still remain, at least on Federico's part.Now the biggest problem here is that, for a movie which is supposed to be about Salvador Dali, it's hardly about him at all! He starts off being the star of the story but as things progress is becomes more about the struggles of his friend Federico! If they were trying to convey an in-depth look at the life of one of history's greatest art figures then they devoted far too much time to an entirely separate character! Don't get me wrong, Federico is likable, endearing, and the young actor who plays him is superb, but what's the point of making a movie about a famous artist if the focus is going to shift to one of his cohorts less than halfway through? Attempts to get to know Salvador and why he was the way he was are stunted for this very reason. For instance when Salvador leaves for Paris the movie is then immediately transferred to Federico's eight-year goal to try and put his poetry out there, and we don't see Salvador again until he's become famous and strange. Ideally we should have spent those eight years with Salvador to witness his descent into surrealism and why it happened; because we don't, we come away no wiser about what made him tick.So I hate to say it, but it's definitely one of those biopics which fails to get under the skin of its subject. By no means any fault of Robert Pattinson's, he does a remarkable job, it's just that the way in which the plot unfolds (and his strangely limited screen time) means that he doesn't get quite as much chance to shine as he could have. When he does, it works, and you get a glimpse at just how amazing the movie could have been if they'd focused more on his personality and derailed mind. But because they spend so much time on Federico, it ends up coming off as his story, in which Salvador is more like a supporting character and what he did for modern art is shifted into the background. His prodigious paintings feel strangely tacked-on and end up becoming a distraction from the friendship that the two of them share. Considering that this is meant to be a real-life biopic, that's not exactly the right way to do it.But like I said, the movie does have its merits. The acting is flawless, the dialogue is believable, the direction is near-perfect and of course the production is loaded with breathtaking shots of Europe. But this is supposed to be a movie about Salvador Dali - and because it's not, that hinders all of its good qualities to such a large degree that it's difficult to remember the positives. By running's end you realise that this movie would have been much better if they hadn't bothered to make it about Dali. It would have worked if it had been a fictional story about a young Spanish poet and his haughty, mischievous, unrequited artist muse, which they could have dubbed "Inspired by True Events". As it is, it has all of the right ingredients to present an enjoyable treatment of the same subject using its great cast, wonderful production and interesting storyline, but completely fails to work as a portrait of Dali's life.

I can't help but be slightly worried about anyone that professes this to be the Best Movie Ever, it was really quite bad! I've marked it 2/10 purely for Beltran's performance but the rest... well, the accents made me wince & the acting was really quite wooden and awkward for the most part. As good an actor as Pattinson is, this was a disastrous bit of casting - I thought he actually looked a bit embarrassed at times.... I do believe this would have been a lot better if the whole cast & dialogue was Spanish with some subtitles for us; the story itself is an interesting one and it would have been much more believable - and much less distracting - if that were the case.

I have to admit that it took a while for me to get around to renting this on DVD partially because of the subject matter (out in left field for me) and partially due to the mixed reviews. Went into it expecting at best mixed feelings about it but "Brilliant" was the first word to mind as the end credits rolled. It's a complex and, at times, slightly confusing character study (sort of like Dali himself). The movie focuses mostly on the personalities and how they affect each other rather than on their art. I didn't really know anything about Dali, Lorca, and Bunuel before but had to google and learn more about them after viewing this movie. Definitely peaks your interest into some very complex personalities and their artistic endeavours. Very well acted all around, especially given the challenging nature of these characters and relationships. Robert Pattinson yet again proves his ability to make you forget the actor and see the character. His portrayal of Dali's metamorphosis from shy, awkward art student to flamboyant character is brilliant and courageous. Not a "safe" role and he puts himself out there heart, mind and soul. Amazingly well done for such a young actor! True talent. Javier Beltran (Lorca), Matthew McNulty (Bunuel), and Marina Gatell (Magdelena) are also excellent.