Too much of everything

Just perfect...

This story has more twists and turns than a second-rate soap opera.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

a surprising film. for the waste of each advantage. because, against the obvious great effort, it is a conventional, decent story. it not gives nothing significant. only the same well known story, Brian Dennehy in a role who is only a force shirt, In Somerhalder as a Marco Polo who seems be only shadow of the author of The Million, costumes and locations for suggest but not convince, dialogues who are just words in wind. after its end, the only question is about purpose. because it is not a real historical movie, it is not an adventure one, just a blank adaptation , not bad but under each reasonable expectation. a conventional story about Marco Polo. not emotions, not acting. only memories about superior films about the same theme.

MARCO POLO is a two part Hallmark TV miniseries chronicling the life and times of the famous Italian explorer who found himself at the court of Kublai Khan and famously wrote about his endless travels. Sadly the material is given an insipid, family-friendly feel in this resolutely silly and rather dull evocation of the material.The silliness is to be expected given the pedigree of British director Kevin Connor, who made the likes of AT THE EARTH'S CORE and THE LAND THAT TIME FORGOT back in the 1970s - films that look like masterpieces in comparison to this dull-witted nonsense. The plot sort of slides from scene to scene, with lukewarm melodrama throughout and a distinct lack of realism despite location filming in China.Ian Somerhalder is completely wooden as the uninteresting lead, although BD Wong (the scientist chap from JURASSIC PARK) is a little better as his wise slave. The oddest casting choice comes in the form of the larger-than-life Brian Dennehy, playing Khan; surely the most inappropriate choice for playing a Mongol since John Wayne played Genghis back in the day? For what it's worth, I much preferred the Shaw Brothers martial arts extravaganza MARCO POLO made back in the 1970s, starring Richard Harrison as the erstwhile explorer.

I'm amazed-- did Dennehy never see or hear of "The Conqueror", starring John Wayne as Genghis Khan? Dennehy never get the belly laughs that John Wayne elicited, but-- why Brian, after such a stellar career???? The rest of the movie seems more than anything else a movie made by committee. My guess: somebody had a really brilliant idea, came up with a great story line, secured some of the greatest filming locations on Earth, and the future was very bright. Then one by one, people in the production process kept altering the plot, putting in formulaic details that were successful in other movies but inappropriate or laughable in this production (the martial arts fighting scenes come to mind), hiring on actors who were not at all fit for the parts, and the end result was this production that nobody actually owns or would really wish to own. It has so many great ingredients, but the movie should be a cautionary tale of just how bad of production can come from such great raw material. My condolences to all involved.(having had a couple of days to think over the post): I don't want to be too hard on the actors in this production. Hollywood is filled with world-class talented actors who will find themselves acting in just about anything to keep working. All the lead actors in this production have shown phenomenal performances in other roles, and likely would have done wonderful things here if allowed. This movie is such a turkey because it's so badly produced and directed (and, yes, acted), and everyone in the production process can probably point out reasons why they personally were not responsible for the parts that suck. I really do offer my condolences to the cast, this could and should have been a world-class production.My social-science take: high-budget turkeys like this are symptomatic of an organization where access to power and resources is become disconnected with any proved talent at using those resources wisely.

What hope is there when even the films buyer/screener doesn't know the plot as the Plot Summary indicates - "Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled count - Written by Hallmark Channel". It seems they didn't even bother to watch the first 10-15 minutes to know that his father and uncle still accompanied him after the two priests (possibly the worst actors in the whole show) turned back.Like others I agree the script, acting and casting was pretty atrocious for the European and 'name stars' and were mismatched to the possibly great movie that could have been if the production locations and costuming were better matched. I thought the era of trying to pass off Europeans (Dennehy) as Orientals had ceased and it was obvious the Asian actors were far better than the so called stars. At least back in the 50's and 60's all the actors and extras looked fake when playing foreigners of a different race. It is even more glaring when they are used alongside far better actors of genuine racial type.However it did improve a lot after the first 30 minutes which had nearly made me switch it off.