An American man returns to a corrupt, Japanese-occupied Shanghai four months before Pearl Harbor and discovers his friend has been killed. While he unravels the mysteries of the death, he falls in love and discovers a much larger secret that his own government is hiding.
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Just perfect...
I wanted to but couldn't!
A Masterpiece!
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
It's actually a hard film to classify, since in addition to being a crime thriller, it's also a spy film in a pre-war setting and there are elements of human drama and romance that touch on honour, friendship, patriotism and respect. I don't know if that has affected its success among a public that all-too-often tends to pigeonhole the genres it wants to watch. The story begins by following up a long and close friendship, but Cusack arrives too late to save his life. Seeking to avenge him, and also do his job as an undercover American agent, he plunges into the dark world of growing Japanese domination and Chinese resistence in an impressively convincing recreation of pre-war Shanghai (despite being forced to relocate to Bangkok a week before shooting). This brings him into contact with some fascinating characters. There's the charming crime lord, played by Chow Yun Fat in a style reminiscent of Alan Delon, the beautiful but mysterious Gong Li who is so easy to fall in love with, and Ken Watanabe as the head of Japanese intelligence, who is efficient yet still manages to maintain romantic vestiges. The story builds to an exciting and complex crescendo, as Japan attacks Pearl Harbour and takes over the Shanghai international quarter and the individual interests of the main characters come into conflict. It is well worth watching this film to see how it all plays out.
Shanghai takes place just before Japan entered the World War Two. Paul Soames (John Cusack) comes to China to look for his friend who, like him, worked for the American intelligence effort. From that basic setting we end up getting a good mystery thriller, with all the usual good stuff. Glamorous women, elegant locations, the looming threat of war, betrayals, reveals, backstabbing and more.One of the film's strengths are its actors. I haven't seen Cusack in anything for a while, but he's still in great shape and gives a good performance as your typical silent neo-noir investigator hero. Li Gong is also very good as Anna Lan-Ting, the resident femme fatale.Truth be told, I kind of wish the script was a bit better so that these people could have really stretched their wings. As it is, it's not bad, but it's not really all that original either. You can figure out the mystery pretty early if you know anything about history, the biggest twist when it comes to characters also comes near the beginning, none of the romance subplots really surprise and as a whole, while I was entertained, I wasn't really that thrilled.Shanghai is a good film to check out if you're a fan of wartime period pieces and want to see one that, for a change, doesn't take place in Western Europe. It has great actors, a decent script, excellent production values and a tight enough pacing to make up for its unoriginality.
They don't make 'em like this anymore. When was the last time you saw a thriller, edge of your seat mystery, action pact, period piece, and relentless pace with a bunch of accomplished and well know actors who ply their skills for the art and not for a big budget by today's terms? This is one. In the tradition of movies like 'The Quiet American' (2002), 'L.A. Confidential' (1997), 'Chinatown' (1974) , "Mulholland Falls' (1996), 'Double identity' (1944 & 1973), 'Touch of Evil' (1958) and even the classic 'The Maltese Falcon' (1941), the movie 'Shangai' seems to stand out today in a sea of glitzy flicks and romantic comedies galore. I was very pleased by its storyline, to see the cast of names I knew and liked, so I jumped at the chance to watch it. It was like re-experiencing movie going fun like I had not in a long time.Considering the cinematography, special effects and staging challenges that brings us back in time to the days preceding Pearl Harbor and in Shangai of all places (what a backdrop), and considering also the cast, if you have cinematic knowledge, it is almost incredible that this film was made at all and more so for a mere $50M budget. I trust the ratings will only keep going up as more viewers record their own ratings, because it deserves better than just 6.5 as of the time of my review. Most of the movies in which company I included 'Shangai' are admittedly better to equal.I was looking for something recent featuring Li Gong because she is one of those actors (actress) who has a knack for picking movies that are excellent and in which she plays roles that are demanding; I came across this movie. I read the names of the cast; I'm a fan of most of John Cusack's work, and the same goes for Yun-Fat Chow, David Morse, Ken Watanabe, Jeffrey Dean Morgan and Franka Potente. My movie collection includes several movies from each of them. It goes without saying that I liked it and recommend it.
I expected a lot with an international heavy weight cast like this one. All the way to the smallest characters are filled with great actors. The cinematography is excellent and successfully recreates the feel of 40's Shanghai, along with the a secretive atmosphere that enhances the film noir mood. The story moves at a good pace where there isn't a scene too many and you have to keep your mind working to uncover the mysteries Paul Soames is trying to solve.The excellent cast doesn't disappoint, John Cusack is solid and believable as an agent posing as a journalist. It's not hard to understand he would fall for the insanely beautiful Gong Li who seems to have found a fountain of youth somewhere. She plays the role of Anna Lan-Ting with a seductive and secretive flavor which is a joy to watch. Her husband, mob boss Anthony Lan-Ting, is being played by Hong Kong icon Chow Yun Fat who exudes charm and power but still manages to walk the fine line of a character you feel attracted to but also know you should actually stay away from. His performance adds the right amount of flair the production needs. Ken Watanabe plays out his sinister vibe along with a human grace perfectly and Jeffrey dean Morgan is believable as the friend who ended up dead.Instead of a movie about politics and war, it's more about human relations and the different side to people. How people are used and mislead at times like this, and matters of the heart play an important role in the decisions the characters make.If you are open to a movie that makes you think and wonder, you will definitely love 'Shanghai'. The only thing that I did not get into was the romance-angle between John Cusack and Gong Li.... but maybe that's how it's meant to be. It's easy to see why he would fall for her but she, on the other hand, might have a whole different agenda.